关(😿)(guān )于导演：导演松(👂)本俊夫(⏱)为日本60年(🥧)(nián )代独立(👋)(lì )电影三大支柱(🐸)(zhù )之一与寺(sì )山修(😠)司、大(👖)岛渚齐名(🚝)。日本著(zhe )名(🆖)(míng )的“影像艺术与(🦐)科学(xué )”社(🙀)团的(de )社长(🔱), 60年代他(🈂)和(hé )大岛(🐶)渚(zhǔ )、佐(🖋)藤忠(zhōng )男、若松(🐡)孝二(èr )、(🐺)筱田正(zhè(🛂)ng )浩等人(🕢)创办杂(zá(✒) )志，直(zhí )接(jiē )推动(🏽)了日本新(🏚)浪潮电(dià(🏝)n )影运动(🎁)的(de )产生。1968 年松本(běn )俊(🎑)夫替(tì )ATG拍(pāi )摄了首(🤲)部剧情(🎍)长片《蔷薇(🎪)的葬(zàng )列(🍹)》，这部电影被称为(🤮)(wéi )日本新(xīn )浪潮先(👳)声之作(🤜)(zuò )，也是开(🕺)(kāi )启日本(🔸)电影同性恋文化(🤡)(huà )的第一(♓)(yī )部(bù )作(🦊)品。全片(🛌)演员皆是(🙍)(shì )真实的(💘)同(tóng )性恋者，情节(⏲)(jiē )暴力、(🍴)反(fǎn )叛，混(🤠)(hún )合剥(🐁)削片、纪(jì )录片等(🚻)众(zhòng )多元素，充满(🤱)反俄狄浦(💀)(pǔ )斯情结(🏭)(jié )的(de )意(🏇)味，对日本战后高(gā(🐢)o )速发展的(de )经济背后(🏩)种种(zhǒ(🈂)ng )社会问(wè(⛰)n )题(tí )提出(🌡)批判，注定一开(kā(🔨)i )始就受到(dào )非议。这(⏪)部影片(🙎)也被许(xǔ(👼) )多评论(lù(😽)n )家认为对后来(lá(🔻)i )库布里克(🛳)(kè )的《发条(🛹)橘子》有(🏼)直接(jiē )影(⛑)响（人(ré(👛)n )物造型以及里面(🎹)的暴(bào )力(👨)场景）。之(🔡)后陆续(🌭)拍(pāi )摄了《修(xiū )罗》（(🥟)1971）、《十六岁(suì )的(😱)战争》（1973）(🎶)，并且根据(🐼)日本著(🔯)(zhe )名作家(jiā )梦(mèng )野久(✊)作的同名侦探小(xiǎ(📬)o )说拍摄(😈)了(le )《脑髓地(🤚)狱》（原著(🌛)(zhe )被(bèi )称为日本第(🦖)一部魔幻(huàn )侦探小(📲)说(shuō )，石(🏑)井聪亘也(🏭)拍摄过他(🏼)(tā )的《梦(mèng )幻银河(🔋)》）等(děng )。
故(😍)事讲(jiǎng )述(🔭)被江湖(🚲)各派推举(🏝)為“武林之(🕟)(zhī )尊(zūn )”的修德武(🈲)馆，被胸(xiō(😶)ng )怀野心的(🌠)(de )朱天翔(🌥)(罗烈 饰(shì ))踢馆捣(dǎ(🗂)o )乱(luàn )，幸得(dé )少主(📹)人徐近武(🛥)(wǔ )(张翼 饰(🍐))打(dǎ )退(📈)。天翔得知韩氏三姐(🙍)(jiě )妹若兰(lán )(沉(chén )依 饰)、如(🦍)玫(林嘉 饰(🚌))、晓莲(😗)(潘(👖)迎(yíng )紫 饰)家藏威(💣)力(lì )惊人的(de )玄(xuán )铁(🐿)神剑，若(🌥)能夺得，武(🍒)馆必败(bà(🈵)i )，遂以花言巧语骗(🕒)得神(shén )剑(⛏)……
简(jiǎ(🛐)n )介：母(💞)亲丽(lì )维(🗂)是个美(mě(⛱)i )丽贤惠的女人，把(🍐)家里(lǐ )的(🐹)生活(huó )安(🀄)(ān )排得(✝)紧紧有条。父亲(qīn )若(🔭)杰是个(gè )优秀的(🎩)教师，正准(⛱)备(bèi )撰(zhuà(📠)n )写一本(🚹)(běn )教科书，给他(tā )的(🛵)教师生(shēng )涯增添色彩。
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot lobster... Written by Michael Brooke {michael@everyman.demon.co.uk}
十九(👊)世纪(jì )六(🦔)十年(niá(⛵)n )代(📸)(dài )的美国芝加哥(👞)灰熊橄(gǎn )榄球队可(🥥)(kě )是名(🗳)噪一时的(📙)(de )强队，多(duō(🔻) )次取得令人羡慕(🥂)的成(chéng )绩(♿)。作为(wéi )球(🆙)队的核(🔷)心，布赖恩(📕)一(yī )直是(🐇)灰(huī )熊(xióng )队最主(🤱)要的(de )后卫(🦏)人选(xuǎn )。直(🔵)到有一(💊)天曾经为大(dà )学全(😱)明(míng )星(xīng )球员的(🔝)贾乐来到(📪)了灰(huī )熊(🈴)队，并(bì(🚶)ng )以其突出的表(biǎo )现(✳)欲取(qǔ )代(dài )布赖恩(ēn )在队(🛰)中的位置(😔)(zhì )。出于(👼)误(📢)(wù )会，布赖恩开始(🌷)处处与(yǔ )他作对(duì(🚗) )并(bìng )经(🆚)常取笑贾(⏩)乐。然而(é(🌙)r )这一切被(bèi )教练(🅿)看在了眼(🔊)(yǎn )里，在(zà(💾)i )那(nà )个(🏢)种族歧视(📩)盛行的年(🐪)(nián )代，教练(liàn )把布(🧢)赖恩和贾(👀)乐安排在(⤵)(zài )同一(👂)个(gè )寝(qǐn )室里，这一(🚙)举动立刻(kè )引起(🏀)外界的极(🗳)大反响。
Berri enjoys telling his stories so much that you feel embarrassed to point out that the material often is pretty thin. This tale of a young Jewish man trying to find his way in Paris in the 60's (will he follow his father into the fur business, or go into films?) is told with such brio, and the actors are encouraged to make the best of their gifts. Gregoire Aslan, for instance, is very funny here (and in Mazel Tov also), much more than in the routine comedies he cranked out for Hollywood. Berri plays himself with his usual hang-dog charm.
抗(➖)日战(zhà(🌪)n )争(zhēng )期间，江南新四(🏯)军的(de )将士与日(rì )寇展开激(🍝)烈的较量(😮)。光(guāng )荣(🛏)负(✏)伤(shāng )的指导员郭(🗿)建(jiàn )光（谭元(yuán )寿(🔹) 饰）和(🗓)18名新四军(🤲)战士(shì )被(🦋)迫在(zài )沙(shā )家浜(👺)养伤，耐心(🎰)等待(dài )再(😐)次奔赴(🏯)(fù )沙场的(🕺)那一刻(kè(🐏) )。阿庆(qìng )嫂(sǎo )（洪(🐉)雪飞 饰）(🏺)和沙奶(nǎ(🧙)i )奶（万(💖)一(yī )英 饰）等进步(🕊)群众积极(jí )接纳(🎉)、照(zhào )顾(👳)伤员，战士(🏐)们则各(🐄)(gè )尽所能为乡亲分(🚜)担农活(huó )，军民(mín )鱼(yú )水情(🏎)，可歌可泣(🚇)，难(nán )分(♋)难舍。未过多久，鬼子(🎞)开始扫(sǎo )荡，阿(ā )庆(➗)嫂引领(🛃)同志(zhì )们(🏼)躲进芦(lú(🎿) )荡隐蔽。扑了一个(🦔)空的(de )日寇气(qì )急(jí(🏵) )败坏，指(😞)示假意革(🎿)命(mìng )暗通(🍲)日寇(kòu )的忠义救(🤒)国军(jun1 )司令(🧕)胡(hú )传(chuá(🧢)n )魁（周(🏫)和桐 饰）围剿(jiǎo )新(🙏)四军伤(shāng )员。在参(🚫)谋长刁德(🤱)一（马长(⛳)礼(lǐ ) 饰(🏼)(shì )）和日本翻译官(🏰)的怂(sǒng )恿下，觊觎“鱼米之乡(🚯)(xiāng )”的胡(hú(📠) )传(chuán )魁(🈹)开赴沙家浜……