掌(zhǎng )管(guǎ(🍣)n )着桑家事业的桑(👕)文薏(yì )（林凤(♐)娇(jiāo ) 饰(💟)(shì )），与(🤘)妹妹桑(🛅)文珊(shān )（恬妞(🎣) 饰）相(🌚)依为生，家中还(🌜)有(yǒu )彭(péng )管家阿(🚦)德（葛香亭 饰(shì )）与(🎖)佣(yòng )人(rén )健次(🚏)（王德(🧞)志 饰）(🕡)和(hé )他(👇)怀孕的(de )老(lǎo )婆(⚓)阿梅（(😝)沈时华 饰(shì )）。某天，文薏与文珊(👡)在骑马(🙉)的(de )途(tú(🤐) )中，遇见(🕴)新来的大(dà )胡(🎂)(hú )子邻(💚)居莫(mò(🚚) )迪卡（(♎)秦汉 饰）。虽(suī )然莫迪(🏖)卡(kǎ )耿直粗鲁的(🌦)态度，让(ràng )高(gā(🕋)o )傲的桑(🐊)文薏感(💎)到不悦(⛎)(yuè )，却也吸(xī )引(💂)(yǐn )了她(🏟)的注意。二十(shí(🔹) )岁(suì )的文珊一(yī(😿) )直生活在文薏的保护(🍱)(hù )底(dǐ )下，公司(🏴)总经理(🎊)伟立(lì(🚊) )人（邹(🃏)(zōu )森(sēn ) 饰）建(📙)议让文(🏞)珊进公(gōng )司工作，但(dàn )是文薏拒(🕌)绝了。
昭(🗿)(zhāo )和(hé(🎼) )25年，正是(🚜)二战结束之初(🎯)。曾经(jī(⚽)ng )的(de )贵妇(📙)人鹿内(📔)玲子（谷(gǔ )ナオミ 饰(➕)(shì )）家道寥落，父(😇)亲患(huàn )病在床(👛)，丈夫得(💭)治（花(🏕)上晃 饰(🌈)(shì )）的企业举(🎗)步维艰(🤨)。为(wéi )了帮丈夫(🔙)(fū )筹(chóu )措资金，玲(📳)子不得(dé )不(bú )抛头露(🤯)面(miàn )，拜托当年(🎆)家中的(😻)司(sī )机(🏽)(jī )山本(🌿)吾平（高桥明(👜) 饰(shì )）(🛁)借款(kuǎn )。得治的妹妹琉璃子（水(🅿)城ゆう(💾) 饰(shì )）(✡)对待嫂(🥣)子雍容高(gāo )贵(🎆)(guì )的做(⛹)派不以(🎚)为然，因(🕐)此设计让(ràng )美(měi )国大(🧀)兵侮辱了玲子(zǐ(🐹) )，而这不堪(kān )的(💤)场面刚(🚾)好又让(🏍)山本(bě(❎)n )看(kàn )在眼里(lǐ(✴) )。
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
乔·迪(🥛)阿马托早期(qī(📁) )作(zuò )品。这一个是(😱)与乔治(zhì )·伊斯曼(mà(🌆)n )，是谁写的电影(🚶)剧本(bě(🌚)n )为(wéi )这(⛰)个称号(🤷)(hào )导演开始工(⏱)作的第(〰)一(yī )个(gè )例子。故事讲述的是(shì(🤟) )无辜的(🎵)(de )孩(hái )子(🏽)，谁是害(🌛)怕性生活(huó )，所(🙎)以他(tā(🧝) )所(suǒ )有(🏼)的家人(🚮)开始推他(tā )，叫女人说(😮)服他。事情到这里(🚨)来(lái )精(jīng )心担(📠)任猝死(🛶)的理念(🤣)(niàn )和(hé(🈶) )成熟的倒(dǎo )行(💼)逆施。比(⛩)较特别的(de )影(yǐ(🤔)ng )片显示(shì )，但它仍(👠)然是一个黑(hēi )色(sè )荒(🦅)诞喜剧与幽默(📟)的意(yì(🏒) )大利经(❎)典(diǎn )Massachessi的(🔼)(de )折衷性的看法(🍅)。难(nán )得(🍠)(dé )找到不起(qǐ )眼的标题，但我们(🛸)推(tuī )荐(😄)(jiàn )它为(🥕)那些谁(🎻)喜欢解决(jué )他(⛺)们心(xī(🐜)n )目(mù )中(🐳)最疯狂(✌)的情况和幻(huàn )想。（
年(📪)(nián )届(jiè )不惑的老(😘)盖（野峰(fēng ) 饰(🍲)(shì )）一(🚏)生辛劳(✨)贫苦，为(🔉)了赚钱养(yǎng )家(🧓)(jiā )辛苦(🤩)受累，做着各(gè(🕔) )种(zhǒng )下贱工作(zuò(🌴) )，几十年来却一事无(wú(🛢) )成(chéng )。大女(nǚ )儿(🛏)小红（(🥃)葛荻华(🍼) 饰）嫁(😥)(jià )给海员，并育(⛑)有一子(🎖)(zǐ )，但不久(jiǔ )丈(zhàng )夫因海难而死(👊)，成(chéng )为(🐳)(wéi )寡妇(🤹)；次(cì(🙄) )女小艳（陈萍(🙉) 饰）与(🚏)(yǔ )一(yī(⏺) )富家子(🎶)弟拍拖，结果(guǒ )被人搞(🍭)(gǎo )大(dà )肚子后甩(🦅)掉，无奈只(zhī )得(🖥)带着襁(💚)(qiǎng )褓(bǎ(🛫)o )中的宝(👈)贝回家；小(xiǎ(😬)o )女(nǚ )儿(😘)小芬（林珍奇(🕕) 饰）因家境贫(pí(🤪)n )苦(kǔ )，早早失学。苦于(yú(🕰) )生(shēng )计，老盖(gà(🎐)i )向放高(🐡)利贷的(👲)龙姐，却(💝)(què )无力偿(cháng )还(🗾)。在龙姐(😶)的逼迫下(xià )，老盖开设一家娼馆(🐠)，三个女(🏽)儿(ér )也(👔)(yě )被迫(🏜)出卖肉体替父(🚽)(fù )还(há(🌛)i )账。珍爱(🛵)(ài )的女(🦋)儿们在自己眼皮(pí )底(dǐ )下卖身，个中酸(📔)楚惟(wéi )有老盖(🚅)(gài )一(yī(📳) )人得知(🔜)。
少林哑(🐣)徒弟(dì )（成龙(🤒) 饰(shì )）(🍇)为了报杀父之(💩)仇而(ér )学(xué )武，从(➖)挑水砍柴做起，苦熬内(🛠)(nèi )功(gōng )基础，打(🐾)出木人(🤖)巷(xiàng )学(🦋)(xué )成武(😺)功的(de )情形时时(🈲)出现在(🙈)他的(de )梦(mèng )中，父(fù )亲被害的惨状(🌎)和客居(🤳)(jū )少(shǎ(🧙)o )林的五(👾)枚师太的开解(🚀)(jiě )令他(🌉)在疲(pí(💧) )乏(fá )时(🤧)咬紧牙关坚持。哑(yǎ )徒弟在少林禁地发(🐾)现了被锁住(zhù(🆕) )的(de )老怪(🚪)人法愚(✒)，法愚不(🎶)(bú )似少林(lín )僧(📑)(sēng )人，但(🤬)有感于哑徒弟(🐆)(dì )的照顾，法愚指(♓)点尚不具备学(xué )习(xí(😕) )少林武术资格(🔍)的哑徒(🏉)弟武功(🌋)，期(qī )间(🥀)哑徒弟师兄闯(⚫)入(rù )木(🈁)(mù )人巷却实(shí )力不济铩羽而归(💊)。五(wǔ )枚(🌌)(méi )师太(🚫)见独自(🍍)温习武功的哑(🖤)徒(tú )弟(😌)(dì )出招(🍏)狠辣，随(💥)传授蛇(shé )翼八步调(diào )理(lǐ )其心性，经法(🌾)愚调(diào )教(jiāo )，哑(🍀)徒弟成(🔯)功打出(⚫)木人巷(🦏)，得(dé )以(yǐ )学成(😣)下山，法(👫)愚令其(qí )携带(🤑)信(xìn )物(wù )联络江(🏤)湖帮派，引发(fā )江湖搏(🎆)杀(shā )，而哑徒弟(📃)又发现(👆)了(le )法(fǎ(📜) )愚的真(🌺)实身份……
A biography of the renowned escape artist Harry Houdini, examining his fascination with the occult and his promise to his wife on her deathbed that he would speak from the beyond.
The martial world is now awash in one-armed knights, who aren't inclined to make any permanent alliances among themselves.
导(🔛)演罗马(💵)和(hé )星(xīng )加玻谐星野风成功(gō(👡)ng )健(jiàn )立(🚖)了阿牛(🈲)(niú )这个(🔍)喜剧人物，大受(💩)(shòu )欢(huā(👑)n )迎，第三(🥡)集《阿牛(🏡)发达记》，在阿牛这个小人物身(shēn )上，依然(✝)(rán )发(fā )掘出无(😷)穷灵感(🤪)，笑(xiào )料(🥣)(liào )源源(👐)不绝。罗马塑造(😣)阿牛，生(🎲)(shēng )性(xìng )善良戆(🚑)直，反映出小(xiǎo )民(📬)乐天知(zhī )命的人生观(🗜)，野风的(de )喜剧演(🙀)绎(yì )上(🍒)乘，不愧(🎄)为星洲(🛹)首(shǒu )席(xí )笑匠(🏼)，情节穿(🦔)插于狂想和现实(shí )之(zhī )间，有喜(😕)有悲。这(🍙)(zhè )一(yī(♐) )次，阿牛(🐘)(niú )在街上拾得(🎊)一袋珠(🕡)宝(bǎo )，从(🍭)此生活(🎄)改变，坐汽车，住(zhù )大(dà )屋，但人性的丑恶(💷)也(yě )随之而来(🌷)(lái )。周大(🏯)叔假意(🈶)叫他签(🙅)(qiān )约(yuē )迎娶书(🈴)院女，却(🚃)是卖屋陷阱，阿(🚩)(ā )牛又回复一贫(💏)如洗的(de )命运。阿(🌐)(ā )牛回(🌚)到后巷席地而(👿)睡(shuì )，梦(🎌)中又(yò(🏭)u )见到天(😮)降横财……
A murderous drug dealer breaks his partner out of police custody. An undercover cop is assigned to track down the two killers and bring them in.