讲述了(le )一个男(🔅)人(ré(🚚)n )被(🐢)抢劫后在沙(shā )漠面(🥙)对(duì )死(🚝)亡却奇(qí )迹般找到(⚫)水(🈚)源(yuá(🎴)n )幸免于(yú )难的故事(shì(🍉) )。这(zhè(🕑) )是山姆·佩金法电影(🤚)风格(🍏)的一(yī )部西部片(piàn )。
Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a likely site in the castle of Waldemar Daninsky, who invites the women to stay as long as they like. As Waldemar shows Elvira the tomb that supposedly houses the countess, she accidentally causes the vampire to come back to life, hungrier than ever. Daninsky has a hidden secret of his own, but will it be enough to save the two girls from becoming Wandessa’(🥄)s next victims?
西班(📲)牙(⏺)意大利合(hé )拍
讲述(🐅)了(le )一个(🔖)男人被抢劫后在(zà(🎭)i )沙漠面(🌻)对(duì )死亡却奇迹般找(⏺)到水(🌿)(shuǐ )源幸免于(yú )难的故(🎤)事。这(🌖)是山姆(mǔ )·佩金法(fǎ(🛤) )电影(🌡)风(🏙)格的一(yī )部西部(bù(😉) )片。
片(👶)名(🕌)(míng )中的“东京战(zhàn )争(🔪)”指(zhǐ )的(🕝)是，1969年(nián )秋，学生们为(wé(📮)i )了阻(💡)止(zhǐ )首相访美(měi )而进(🍺)行的(👆)激烈(liè )斗争。影片的主(🍤)(zhǔ )人(🗓)公(gōng )少年元木(mù )，认为(🙋)自己(⚽)的(🐊)一(yī )个友(yǒu )人在斗(🌑)争(zhēng )中(🔃)因绝望而自杀。但(dà(⏩)n )朋友们(🦓)并(bìng )不这样认为。元木(🧒)和(hé(🆙) )女友把认(rèn )为是自杀(🔁)友人(🧤)生前拍(pāi )摄的影片(pià(😘)n )放映(👤)在(🤣)银幕上，但他(tā )们发(🦅)现只(zhī(🆕) )不过是一些常(cháng )见(🎵)的东(dō(⛑)ng )京风景而(ér )已。元木在(🐂)东(dō(⛲)ng )京街头(tóu )到处寻找(zhǎ(👐)o )友人(😾)拍摄过的(de )地方，自己也(🍢)想(xiǎ(⛪)ng )要拍摄，他总(zǒng )觉得如(📿)(rú )果(📃)找(🐺)不到(dào )友人(rén )的死(⛏)因，自己(📡)也无法安宁(níng )。女(nǚ(🔈) )友认为(💨)此(cǐ )事极端无聊，并多(🌺)次(cì(✴) )干扰拍摄(shè )。后来，女友(🚇)被素(🍅)不(bú )相识的男(nán )人强(🔔)奸，元(📔)木(🐼)也精神(shén )错乱而自(💅)(zì )杀，他(🚶)甚至还亲眼目(mù )睹(✊)了自己(📀)(jǐ )的死亡。到最(zuì )后，元(🎬)(yuán )木(🤫)也无法(fǎ )得知友人是(🛩)否(fǒ(🏥)u )通过电(diàn )影留下遗(yí(🦅) )书自(🙉)杀。
"Even more enchanting - as it is more meditative and melancholic, even funnier - than ZUR SACHE, SCHÄTZCHEN. Within the company of shopping mall arsonists and sausage thiefs, Werner Enke sums up the condition of the modern man with conclusively timeless words: "The old verve has gone down the drain."
It is hard to think of another ninkyô yakuza film that leaves the main protagonist - a chivalrous female at that - in so much pain and sorrow, such an emotional abyss of desolation at the climax. Yamashita and writer have fashioned a bleak, haunting, exciting and beautiful film.