一个(✌)研(yán )究能源(yuán )的不(🚗)出(🐧)名的(de )法国物(wù )理学工作(🐶)者(😎)克莱芒(máng )·蒂贝尔，1957年在维(👶)(wéi )也纳出席国际热(🔫)核(hé )会(📖)议途中(♋)被苏联一(yī(🖊) )个披着(❄)交响(xiǎ(🍧)ng )乐队指(zhǐ )挥(⭕)外衣的(🎚)克(kè )格勃分(fèn )子鲍利斯绑(🌘)(bǎ(🏷)ng )架去苏(sū )联。后(hòu )来蒂(dì(🗼) )贝(🔳)尔在(zài )克格勃(bó )的(🕥)胁迫下(🕕)为(wéi )苏联原(yuán )子能(⛹)研究所(😋)(suǒ )工作(🚎)了(le )10多年。
Hot Wins (made in the majority language, Hindi) boldly confronts a problem familiar to every Indian but hitherto 'taboo' in Indian cinema, theatre and literature: the tension between the Hindu majority and the Muslim minority in India, one of the most delicate and sensitive issues in Indian politics. Indian art had conventionally avoided the issue by showing HIndus and Mislims in their own repective communities, with hardly any penetration of each other's worlds. The truth is, of course, less tidy, and Sathyu tries to broach it by looking back to 1947, the year that india was granted independence, when the sub-continent was divided into India and Pakistan. The partition is not only the background and context for the film's plot, but also its main dynamic, since the storyline chronicles the break-up of a large Muslim family in North India as more and more of its members leave for a brighter future in Pakistan.
龙自(📗)(zì )小便(🌻)醉心武(🎥)术，但(dàn )由于不能支(🌪)付(🐎)学费(fèi )，只好从旁偷学。其(🌴)间(⏰)，巧遇一位武(wǔ )功高强(qiáng )的(🤛)老叫花，并拜他(tā )为(🍣)师，苦练(⛷)武功。十(⏩)年寒暑，龙已(🛴)经(jīng )练(♉)得一身(👺)好武功，并经(🏧)常路见(🏢)(jiàn )不平，行侠仗义。其中一(yī(🔯) )次(🔜)，与一流(liú )氓结怨(yuàn )。后来(👂)(lá(🍡)i )，那(nà )流氓找(zhǎo )其师(🕸)父(fù )出(🍿)头(tóu )，怎料(liào )其师父(🤽)(fù )正是(📝)龙之杀(🙋)(shā )父仇人(ré(🎇)n )。
Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since.
适(🔽)逢(féng )父(🔜)亲的忌日，漂泊(bó )许(✉)久(👢)的寅次郎（渥(wò )美清 饰(♓)）(🌫)返回家中(zhōng )，却玩笑般地大(🚘)闹(nào )法会。在家没有(👵)待上几(🔰)日(rì )，又(🍞)因搞错了满(💖)男(nán )想(🌓)买钢琴(📔)的愿望倍(bèi )感受辱(🚢)，转身又踏(tà )上旅途。这(zhè )一(🍌)次(🍂)他(tā )远走北海道(dào )，信心(🤡)(xī(🦋)n )满满地留在(zài )当地(📨)农(nóng )家(🏍)帮忙(má(✒)ng )，结(jié )果仅仅(👢)(jǐn )三日(🕷)便(biàn )一(🚱)病(bìng )不起，多(🎱)亏阿(ā(🌝) )樱（倍(🛥)赏千(qiān )惠子 饰(shì )）(💧)亲(🐝)自将他(tā )接回家中。只不(🌿)过(😦)(guò )阿寅并未吸取教训(xùn )，正(💣)当他再次准备(bèi )离(🚝)家的时(🏯)候，他重(💧)(chóng )逢了在(zà(🤖)i )北海道(🌸)网走市(📿)有过(guò )一面之缘的(🔸)茉莉（浅丘琉璃子 饰）。茉(🥔)莉(🕶)为了成为歌手(shǒu )，孤身一(🍾)人(🕖)(rén )流转日(rì )本各地(⏮)，吃(chī )尽(🖇)人间(jiā(🆙)n )之苦。如今(jī(➡)n )她逶迤(🚘)(yǐ )来至(🏌)浅(qiǎn )草，继续(🍦)追(zhuī )寻(🥏)着她(tā(🍻) )的梦(mèng )想，而(ér )阿寅(🔥)是(👿)(shì )否又将迎来(lái )一段新(🥐)(xī(🌘)n )的恋情呢？
대회사 회장의(🙊) 사위가 된 윤기준은(🤟) 휴가차(📣) 과거 자(🕦)신이 폐병을(🛳) 앓으며(👦) 요양했(🥀)던 무진을 찾는다. 기(🚾)준은 무진에서 성악을 전공(🚗)한(🗂) 인숙을 알게 되는데 결국(🌟) 안(🈹)개로 상징되는 무진(🎦)에서의(😟) 과거까(🧦)지 연상되면(🏟)서 하인(❌)숙에게(🕐) 끌리는 자신(👍)을 발견(👟)한다. 둘은 서로를 확인하면(📽)서(🕷) 하나가 되고 인숙은 기준(🗻)에(🦐)게 자기를 서울로 데려가 달(🤸)라고 한다. 그러나 기(🎅)준은 그(🕡)녀를 뒤(⤴)로한 채 서울(🕤)로 떠난(🌎)다.