蜘蛛侠动画片国语

1948年，济南(👒)解(jiě )放前(📝)夕。兴业火(🍨)(huǒ )柴厂老(🚥)板郭(guō )化(📞)雨（康景(👧)(jǐng )玉 饰）为让(ràng )工人(🚚)多干活(🗓)(huó(🐞) )，竟偷偷改(📯)(gǎi )动钟(zhō(🎠)ng )表时间，以(🚒)(yǐ )拖延下(♏)班。工人们(🗑)发现(xiàn )后(🚎)，非常气(qì )愤。大年夜(🌐)(yè(🕹) )，童工二(🛏)丫(yā )（王(wáng )璐 饰）一(🥀)家(jiā )情景(✳)凄惨，弟弟(🌞)生病，爸爸(🐻)王青山(shā(➡)n )（梁音 饰(⭕)）饿着(zhe )肚(🌿)子在(zài )街(🌰)上(shàng )拉车。串门(mén )的小(🏰)玉（刘(liú(🚩) )青 饰）将(🤱)情(qíng )况告(🐑)诉了工(gō(📮)ng )厂地下党(💺)员(yuán )冯敏(🥑)，冯敏带着(🌱)(zhe )过年的东西(xī )上门看(🚽)望，并出(♍)钱(🌰)治好(hǎo )了(😔)弟弟的病(📧)(bìng )。她还给(🎗)小(xiǎo )玉和(🎒)(hé )二丫讲(🐺)卖火(huǒ )柴(➡)小女孩的(de )故事，激发(🌕)(fā(🤑) )她俩对(👩)旧社(shè )会的仇恨和(hé(🛴) )对美好生(🚉)活(huó )的向(🅾)(xiàng )往。过完(📯)年(nián )上工(🏓)后，冯(féng )敏(🐛)带领工人(🐬)(rén )们和贪(🏕)婪的(de )资本家展开(kāi )机(📜)智(zhì )斗争(🎹)。小玉(yù )利(🛎)用到郭化(🔖)(huà )雨家当(⏲)佣人(rén )的(🤕)机会，巧(qiǎ(🎪)o )取其名片(🐤)，为解放区提(tí )供了大(🐻)量当时(🛬)的(🗽)(de )禁品——(😮)火(huǒ )柴...... 本(🛸)片又译(yì(♓) )作《党同伐(🚢)(fá )异》，是D．(🔁)W．格里菲(🐶)思(sī )最具(jù )创作野(🔑)心(🔣)的(de )作品(🏵)。由于(yú )受到《国家(jiā )的(👱)诞生》惊(jī(🛷)ng )人卖座的(🌏)影(yǐng )响，格(🚔)里菲(fēi )思(🚏)遂(suí )再接(🦂)再励拍(pā(🏿)i )摄一部场(🧑)面(miàn )更大，内容(róng )更有(🍓)深度的(de )影(🥘)片。他花(huā(🎱) )了一年半(🚨)的(de )时间(jiā(📇)n )，动用了二(🏪)(èr )百万美(🍞)元的(de )制作(🦐)费，拍(pāi )摄成片长220分(fè(📓)n )的巨片(🛁)（(😦)原(yuán )版长(🏅)480分）。可惜(🎢)(xī )本片在(🌕)1916年9月(yuè )于(🤴)纽约公映(😱)(yìng )时，并没(🎐)有(yǒu )受到预期的(de )欢(💟)迎(💬)。本片(pià(🅱)n )所以(yǐ )卖座失败，原因(🚍)很多，最主(🖱)要是格(gé(🎻) )里菲思在(⤴)本(běn )片所(💻)采用的(de )故(🔴)事结构太(🎦)(tài )复杂(zá(📽) )，导演手法(fǎ )已超越当(🤑)时(shí )观众(😶)的接受(shò(🚂)u )能力。加上(👙)(shàng )主题过(😫)于严(yán )肃(🔋)，其中提(tí(🥌) )倡的(de )宽容(📬)和反对(duì )暴力的论调(♈)(diào )跟当时(😠)美国(guó )的(🆔)高昂参战(😞)(zhàn )情绪引(🥘)起冲(chōng )突(🤖)，因此未能(🏅)受(shòu )到普遍欢迎(yíng )。不过，人(ré(📽)n )们(🌳)却不能否(fǒu )认这是一部(bù )电(🥈)影艺术上(🚎)(shàng )的不(bú(👛) )朽杰作。《忍(🐄)无可忍》由四段不同(🎤)(tóng )时代发(💇)生的(de )故事组成：巴比伦的没(mé(🌅)i )落、耶稣(😅)基督的(de )受(🚤)难、法国(💒)(guó )的圣巴(🏰)托罗(luó )米(😅)宗教大屠(💆)(tú )杀，以及二(èr )十世纪初美(měi )国(🐶)的(de )劳资冲(🌙)突。格氏描(🍅)述他(tā )自(🐘)己的构想(📲)(xiǎng )：“四个(🕜)大(dà )循环(🧜)故事好(hǎo )象四条河流，最(zuì )初(🥉)是(🔊)分散而(ér )平静地流动(dòng )着，最(🙆)后却(què )汇(👍)合成一条(🏌)(tiáo )强大汹(🎮)涌的(de )急流(liú )"。本片一(🚎)开(kāi )始，是(🐻)一个(gè )母亲推摇篮(lán )的镜头，插(😢)(chā )入惠特(🏓)曼的(de )诗句(😘)：“如(rú )今(🔇)如(rú )同昨(😓)日，世(shì )间(🌼)的人情变(🔴)(biàn )化循环无穷(qióng )。摇篮摇动(dòng )着(➰)，为人类(lè(🤩)i )带来同样(🦉)的(de )激情(qí(🔲)ng )，同样的优(📏)(yōu )乐悲欢(🏁)。"这(zhè )字幕(👘)之后，展开第一个(gè )作为全片(👩)基(🎮)(jī )调的现代篇故事(shì )。随着剧(😲)情(qíng )的进(📗)展，导(dǎo )演(📃)经常切入(🤭)(rù )另外三段故(gù )事(🍼)，成为四(sì(🚬) )段平(píng )行发展。最(zuì )后，画面仍(ré(🏔)ng )回到母亲(🌏)和(hé )摇篮(🦁)，呈现(xiàn )出(📃)“人类从(có(😭)ng )不容异已(🍚)到(dào )宽容(✴)(róng )的进化"的主(zhǔ )题。作为故(gù )事(👪)核心的现(🐱)(xiàn )代篇“母(🈳)与(yǔ )法"，内(📆)容描(miáo )述(🎎)四个失业(🥣)(yè )的男(ná(🚎)n )女工人从小(xiǎo )镇来到都市(shì(🚌) )中(🙏)找工作，有人误入歧(qí )途，有人(🦏)渴(kě )望过(📹)正常的家(🕡)庭(tíng )生活(❇)。正派(pài )的男主角被(⛄)(bèi )诬陷为(🚍)杀人(rén )凶手，被捕(bǔ )后判处死刑(✋)(xíng )。行(háng )刑(💔)之日，真(zhē(🚬)n )凶良心发(🏉)现(xiàn )，在最(🍫)危险(xiǎn )的(🏊)一刻将男(🚢)(nán )主角救了出(chū )来。从这个(gè )故(✂)事(shì )中，可(🍙)以看(kàn )出(🐢)二十世纪(📽)(jì )初期美(😠)国的(de )一般(👨)社会状(zhuà(🐺)ng )况：农村不(bú )安定，都市(shì )阴(🖊)暗(👂)(àn )而复杂、劳(láo )工生活困苦(⏸)(kǔ )、法律(🌥)问题(tí )重(📝)重等。格(gé(🍊) )里菲思在本(běn )片中(⛏)进一步表(🎅)演(yǎn )他在“平行(háng )剪接"方面的(de )杰(🚎)出才能。他(⏹)利用四段(🌘)(duàn )故事中(🛶)的类(lèi )似(🏇)情(qíng )景作(🎗)比较剪(jiǎ(🚭)n )接，使分散(sàn )的情节显得(dé )统一(🚕)有力，并因(🕟)类似镜(jì(🤹)ng )头的多次(📱)重(chóng )复而(🚿)(ér )使剧情(🚽)产生(shēng )出(🗝)热情奔放(fàng )的情绪高潮(cháo )。譬(😸)如(😗)有一(yī )段镜头是这(zhè )样剪接(😾)的：一、(📫)耶稣基督(📥)被(bèi )士兵(🤸)押着前(qián )进；二、(🕐)巴(bā )比伦(💾)的村女(nǚ )向情侣奔告(gào )国王的(👾)危急；三(📯)(sān )、现代(🏔)的少(shǎo )女(🥠)拚命为救(💇)(jiù )她的爱(⛄)人而(ér )奔(💋)走；四、在巴黎大屠(tú )杀中(zhō(🏞)ng )，新教徒企(😋)(qǐ )图在群(😴)众骚(sāo )乱(🥤)的街道上(💫)(shàng )援救未(😹)婚妻(qī )。格(⬇)氏利用(yòng )移动摄影、镜头(tó(🏻)u )、(🚮)划过镜头(tóu )等技巧连接(jiē )四(✍)段平行发(🅱)(fā )展的情(🗽)节，节奏紧(🥦)凑流(liú )畅。格氏甚(shè(💰)n )至在(zài )个(🛑)别的故事(shì )片段中使用(yòng )短短(🍀)的倒叙(xù(🍶) )技巧（FLAXHBACK）(🚨)来(lái )交代(🌷)情节，显见(🤰)他的“电影(🍢)(yǐng )文法"的(🏐)确比(bǐ )同时代的导(dǎo )演高出很(📗)多(duō )。除此(♓)之外(wài )，格(✏)氏在本(bě(💻)n )片中(zhōng )亦(🍓)首创“大(dà(💒) )特写"和“大(🥎)(dà )远景"的镜头(tóu )，以加强观(guā(🚝)n )众(🏑)的心理感(🏥)(gǎn )觉（如：特(tè )写(🏄)女(nǚ )人紧(🧒)握的手(shǒ(🎨)u )，表现她在(🏻)(zài )听到丈夫判(pàn )死(🚣)刑的消息(🙁)(xī )时的焦急；以大远景拍(pāi )摄(🔈)资(zī )本家(🏘)独坐办(bà(🏆)n )公室中，暗(📉)(àn )示他庞(🍷)大的(de )支配(🆎)权力）。他(💯)又利用(yòng )影片染色的方法(fǎ )来(🎑)加强各种(🦔)(zhǒng )特殊效(🎌)果（如夜(💢)景用染(rǎ(🔽)n )青色的影(🚕)片(piàn )、点(➡)灯的房(fáng )内用(yòng )染黄色的影(💤)(yǐ(🛒)ng )片、巴比(🏫)伦(lún )城火烧时用(yò(👩)ng )染红色的(〽)影片）。这(🔩)种(zhǒng )影片(🐈)染色方(fāng )法虽非格(➿)氏首创(chuà(🍶)ng )，但却没有(yǒu )人像他这样(yàng )在一(😵)部电影(yǐ(💉)ng )片中大胆(🚛)的全面采(😙)用。令人(ré(🦌)n )惊异的是(🤑)，这样一部(😜)内(nèi )容复杂的大(dà )制作竟然由(🌃)(yóu )始至终(👢)没有(yǒu )一(🗼)个完整的(⬛)剧本(běn )，而(👮)只是靠(kà(⛅)o )格里菲斯(🔕)的临场即兴创(chuàng )作而成。此(cǐ(🎲) )外(🛶)，本片也(yě(🈸) )没有(yǒu )任何布景的(🏆)(de )设计图，但(🦁)(dàn )格氏却(🦁)能够(gòu )命(📆)人搭盖出宏伟得哧(🐓)人(rén )的巴(🛃)比伦布(bù )景。在拍摄巴比(bǐ )伦攻(🐪)耶路撒(sā(😑) )冷的场面(🙄)时(shí )，更在(🕷)一天(tiān )之(🚅)内同时动(🤩)用一万五(🆎)千(qiān )名临(lín )时演员和二百五十(📏)辆战(zhàn )车(🎏)。他这种(zhǒ(⛷)ng )大手笔使(🍀)得(dé )当时(🐆)意大利(lì(😹) )出品的历(🏯)史巨片(piàn )也瞠乎其后(hòu )，由此(❄)也(😴)可以看出(👝)格氏(shì )对自己的创(😩)(chuàng )作能力(🏖)如何(hé )自(📺)信(xìn )。或许(🎐)(xǔ )正如(rú )格氏自己(👿)的(de )格言所(🏷)说：“艺术经常都是革命性(xìng )的(🕑)、爆炸性(🍘)(xìng )的，以及(🔞)轰轰烈(liè(🛄) )烈的"。看《忍(📿)无可忍》一(🕰)片幕前幕(📔)(mù )后的表现，可知格里菲(fēi )思的(⛱)(de )确是一个(🌒)身体力行(🐅)的艺(yì )术(🎤)家。 《环(huán )球(👡)卫士》讲(jiǎ(🏒)ng )述四个不(🚠)合(hé )群的青少年亚历(lì )克斯(💷)、(🍈)珍珍(zhēn )、(🥊)大流士和加布里埃(🎂)尔(ěr )参加(😶)了夏令(lì(🐵)ng )营，活动刚(🗞)(gāng )刚开(kāi )始，外(wài )星(🥉)人(rén )突然(🚄)入侵了(le )地球，尚未(wèi )适应环境的(👶)他们发现(🚛)自(zì )己即(🔨)将要面(mià(🎺)n )对的困难(🔳)比学习(xí(🚵) )如何划独(📯)木(mù )舟和爬绳索(suǒ )更大。原本(bě(🥫)n )熙熙攘攘(🏪)的营地如(🙂)今只(zhī )剩(🥐)他(tā )们四(🔼)个，孩子们(⏮)意外地(dì(👚) )被委以一把(bǎ )钥匙，这把(bǎ )钥(🆖)匙(🎤)藏有阻(zǔ(🎦) )止外星人入侵的(de )秘(🗓)密。没有(yǒ(🧠)u )任何成年(🎬)人或电子(🌭)设备(bèi )的帮助指引(👞)(yǐn )，他们要(📔)做(zuò )的事(shì )情显而(ér )易见(jiàn )：(🐀)团结一致(🌳)(zhì )、战胜(🌮)恐惧(jù )、(👋)拯救世界(💎)。这部宏大(🥂)(dà )的动作(👖)冒险(xiǎn )片由约瑟夫·麦(mài )克金(⬛)提·尼(ní(✖) )彻（《霹雳(🐆)(lì )娇娃》）(💭)执(zhí )导。 MARIZZA is the first of Murnau's peasant films. Marizza is tired of her smuggler employer's orders for her to play up to the gendarmes so that he and his men can ship contraband. She leaves and begins work at the farm of an impoverished aristocrat, Mme. Avricolos and her twin sons, Christo (dynamic) and Antonino (dreamy). Marizza is discovered in Christo's room by his mother and she banishes Marizza who runs away with Antonino. Mme. Avricolos sets the smugglers on their trail and they are found, poor and starving (shades of TABU). Marizza plays up to the gendarmes, especially Haslinger, in order to get money, but Antonino becomes jealous and attacks Haslinger. Marizza kills the latter to save Antonino, who accuses himself of the murder. There is a last minute rescue of both Marizza and her baby from a burning cabin. Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. After watching the actress Zoya Kadmina perform, Andrei is... Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. After watching the actress Zoya Kadmina perform, Andrei is fascinated with her, and is then astounded to receive a note from her. He has only one brief meeting with her, and then three months later he is shocked to learn of her death. He now becomes obsessed with her memory, and he decides that he must find out all that he can about her. The Ethiopian King offers his daughter to a powerful Pharaoh to secure peace between the two countries. 男(🐒)主Ajax和女主(✅)Annita眼前要(yà(😃)o )步入(rù )婚礼之前，因Annita对Ajax的无理(🍆)(lǐ(🚆) )要求后争(⏹)执(zhí )，不料让Annita饲(sì )养(🚎)的鹦鹉Socrate飞(🐧)(fēi )出屋外(🐻)。Annita无理坚(jiā(🐘)n )决要Ajax要捉回(huí )Socrate才和(🕑)她结婚。Ajax不(🍶)想放弃(qì )这段感情，于是开始追(🆖)(zhuī )踪Socrate的(de )旅(💷)程，还被(bè(🥙)i )警方误通(⏪)缉(jī )他，报(🚰)章还(hái )大(🙆)肆宣传他(🥦)。Socrate被前往哈(hā )瓦那（古巴(bā )城市(🗽)）的Mr.Albanos和女(🍕)儿(ér )Liliana买走(👸)，还好(hǎo )Liliana和(🆒)Ajax彼此有通(🥅)(tōng )信联络(🍩)。Liliana被(bèi )Ajax的痴(🌋)情打动，还开始对(duì )Ajax有爱(ài )慕(🎆)。Ajax在(🍞)旅途中还(💥)经过了(le )异国风格的(🧤)(de )神秘屋子(🛳)和(hé )精神(🐗)病院。Ajax还好(🐍)被Mr.Albanos和Liliana保释和(hé )照料(🕤)。Socrate自己(jǐ )也(🕚)飞回Annita屋里。Ajax和Liliana最后彼(bǐ )此产生爱(👨)意(yì )。Ajax还给(🎰)Annita写信(xìn )说(🍣)要(yào )和Liliana结(🏌)婚(hūn )，Annita这(zhè(🔑) )才痛哭绝(🥫)望(wàng )。 Detective Haffigan investigates the disappearance of a mysterious singing bone that has fallen into the hands of an attractive actor with a gorilla arm. 亨利(🌞)八世(shì )与安娜.博林的爱恨情仇(💁)(chóu )...