爱上我的衰神

女子高校生(shē(🍻)ng )のＳＥ(🕍)Ｘ(💜)と暴力を描(💦)きながら(🍌)“番格(gé )”にス(✂)ポットをあてたセミ(😠)・ドキュメン(⛑)タリー(🚴)。脚(📪)本は「不(bú(🏬) )良少女　野(yě )良猫の(📪)性春」の宮下(🧑)教雄(xió(🏷)ng )、監督は「セ(🏢)ックス・(🌔)ライダー　(✌)傷(shāng )だらけの欲(yù )情(📤)」の蔵原惟二(🐎)、撮影(⛹)は(🎌)「(秘)極楽紅(⛱)(hóng )弁天」(🎻)の森勝がそ(🍎)れぞれ担当。 根据(jù )宫(🏩)克一同名小说(💗)改编。 A young woman becomes involved in the sex trade in Bangkok 弗(🐒)(fú(🧜) )朗索瓦·默(🏝)(mò )林是一(🍤)个作家(jiā )，擅(🍝)长写极(jí )受欢迎的间(♏)(jiān )谍小说。他喜(🌪)(xǐ )欢把(👠)他(🐠)的日(rì )常生(🐖)活写进(jìn )书里，于是在(🍃)(zài )书中，他自(zì )己化身(🚘)为所有女性心(💕)目中(zhōng )的(🚕)“理想男(nán )人(📷)”鲍勃·圣·克拉尔，漂(🔥)亮的女邻(lín )居(🚞)克里斯(🐃)蒂(🆚)娜是他想象(🥐)中(zhōng )的伴(🏺)侣塔提(tí )亚(🌪)娜，而他的出版商沙隆(💹)(lóng )先生则成为(🐓)(wéi )处处(📷)与(🍒)他作对的无(➿)恶不作(zuò(⛑) )的国际间谍(📼)(dié )卡尔波夫。于(yú )是小(🔯)说与现(xiàn )实生(🦃)活开始(🎎)(shǐ(⚪) )纠缠不清，亦(🏌)(yì )真亦幻…… 《骗术大(📛)观(guān )》，集结众多(duō )港台(🕣)友好包(bāo )括赵(🐾)雷、甄珍(⏫)、孙越、张(🎮)(zhāng )扬、李昆、吴家驤(🕣)、王琛等联合(🌛)主演(yǎ(😨)n )，卖(😶)座亦不(bú )俗(🐻)，再接再厉(😤)推出《骗术(shù(😇) )奇中奇》，亦为集锦片。 未(👝)来世界，一帮年(🌛)青的(de )歹(🎉)徒(🤶)活跃在夜色(💽)里，甚至(zhì(⚪) )闯入民宅胡(🛵)(hú )非为。另一方(fāng )面，以(🅿)桑特(tè )医生为(🏐)首，正在(📃)试(🦄)验一种(zhǒng )仪(👔)器，以实(shí(🚃) )现改选犯人(👞)(rén )的目的。歹徒(tú )的首(⛺)领大卫(wèi )被手(🛃)下人背叛(📌)，打成重伤(shā(😯)ng )手送入桑特(tè )的医院(🛳)，没想到桑特的(🛹)女(nǚ )助(🐁)手(🆙)安娜护(hù )士(🏙)自己就是(🐳)一个喜欢杀(🗒)害(hài )年青男性的(de )女杀(🎺)狂...一部西班牙(🎩)版的《发(😶)条(♋)橙》，安娜的加(⬛)入，让故事(🏛)在深(shēn )刻性(🎯)上又有(yǒu )所加强。 Little Dick, the well-endowed dwarf servant of Master Limpcock is being pursued Nymphomania, an ugly witch who must have 69 orgasms to turn herself beautiful again. Dark, decadent, morbid, passionate - and 34 years later still the strangest memory regarding my very own personal history of watching movies since I was five years old. Despite the fact that this French/Italian production from the early seventies delivers incredibly strong performances by Helmut Berger at the peak of his career, the always excellent Francoise Fabian and the fabulous Paul Meurisse, that it shows you wonderfully filmed locations, and comes up with a solid script including a couple of interesting though perverted characters, the movie itself disappeared totally out of sight. Maybe you need to know Europe or even European or Italian movies to get along with it - I'm not sure about that. But I cannot understand why „Les Voraces" (German title „(❤)Die Gefraessigen") fell into a black hole of total obscurity like hardly any other movie I've ever watched before and since.