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The rivalry between two families prevents budding love from being realized in the younger generation. 凯瑟琳(lín )德纳芙(fú )首(⛏)次出镜 故事梗概：(🤢) 英(🛀)(yīng )文名称(chēng )：The reunion In the 1950s Neo-realism style was given a boost, in part by what was happening in Italy. The films of Rossellini, Antonioni and De Sica made a powerful impression on Brazil's nascent film community. A series of pivotal pictures were made in the 1950s that responded to the wake-up call of the new Italian masters. Needle in a Haystack (1953) by Alex Viany, The Road (1957) by Oswaldo Sampaio and The Great Moment (1958) by Roberto Santos are a few of the better titles. The energy of these films was felt far north of Rio in the state of Bahia, where several pictures were made. (History of Brazilian Cinema) 海滩(📴)边(🤷)，巨浪滔天，英(♊)武的(de )骑(😖)士布(bù )洛克（马克斯(🏸)•冯•西(xī )多 Max von Sydow 饰）(🐇)与(🏏)黑衣死神（本(běn )特(💲)•(🦊)埃(āi )切罗特(tè ) Bengt Ekerot 饰）(🎍)摆(💬)下了一盘生(🦌)死棋(qí(👜) )局。在(zài )下棋的过程中(〽)，骑士在(zài )回顾自(zì(🆗) )己(🐘)的人(rén )生，所见所闻(✈)暗(😮)(àn )合圣经(jī(👞)ng )的图景(🔥)(jǐ(🕺)ng )。十四世纪十字(zì )军(🙎)(jun1 )东征(zhēng )后期，欧洲大陆(🤞)瘟疫蔓延，民(mín )不聊(🐱)生(🎃)(shēng )。布洛克曾遇到过(😸)马(💞)戏(xì )团的一(👰)(yī )对夫(🎹)妻(qī )，丈夫笃信神明(mí(📮)ng )，无比(bǐ )虔诚，妻子则(🛄)更(🚙)加现实(shí )，唯命(mìng )是(🚽)从(🌾)。他们的相濡以沫让(🔬)幸(💅)福(fú )唾手可(kě )得。骑(🔣)士在树林中邂逅(hòu )了(🍫)铁匠(jiàng )夫妇。铁匠非(🐐)常(⛱)粗鲁，他的妻(qī )子很(🆎)是(📉)(shì )风骚，他们(🥢)在树(shù(♑) )林(🔃)里对(duì )着路人(rén )演(🙉)出双簧，仿佛(fó )一(yī(🌐) )对(🔌)可(kě )笑的傀(guī )儡。最(🙍)后(📒)，在经历过集(jí )体膜(🌪)拜(😊)(bài )的祭奠仪(🖖)式后，武(🔌)士和(hé )他的朋(péng )友们(🗞)再(zài )次遇到了死神(🕸)，曾(🏪)经的(de )无助与(yǔ )恐惧(💉)，愤(🕠)怒与怀(huái )疑，都(dōu )化(😒)作(👨)了(le )人生的诘问……(🐖)