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Desius Heiss is the French-born owner of an antique shop on Sly Corner who bears a grudge against society. His imprisonment and tortue on Devil's Island has left him with scars down his back from repeated whippings. With little care for the authorities, Heiss has allowed his shop to become a center of criminal activity and enjoys a secret career as a receiver of stolen goods. His daughter, Margaret, is a violin virtuoso and knows nothing of her father's criminal activities. But when the antique shop's assistant, Archie Fellowes, discovers the illicit trade in stolen goods, he threatens to blackmail Heiss. Desperate to keep his criminal activities a secret from his dauther, Heiss decides to silence the blackmailer. But when Inspector Robson takes a close interest in the shop at Sly Corner, Heiss must stay one step ahead of the police if he values his neck. 伊丽莎(🎀)白和约翰结婚(🚀)(hūn )后(hò(💿)u )，第(dì )一(yī )次(cì(😊) )世(shì )界(jiè )大(dà(🥇) )战(zhàn )爆(bào )发(fā(🚥) )了(le )，约翰(♍)应征入伍，去了(😻)前线。不久伊丽(🥝)莎白接(🌌)到噩耗，约翰在(🔻)一次战斗中死(😵)亡。但约翰约翰(🛀)并没有(📨)死 亡，他经历了(👛)(le )多(duō )次(cì )手(shǒ(🥂)u )术(shù )容(🛴)(róng )貌(mào )有(yǒu )了(🎶)(le )很(hěn )大(dà )的(de )变(💉)化。所以(🛥)当他多年后回(💡)到美国，几乎无(🕷)法辨认 抗战胜(🏺)利后的(🕑)上海，女大学生(📶)吴剑华因家贫(👲)失学，寄(🦎)住在姨父家，但(🍱)(dàn )因(yīn )看(kàn )不(⌛)(bú )惯(guàn )奢(shē )侈(🐼)(chǐ )任(rè(🥋)n )性(xìng )的(de )表(biǎo )妹(🗽)(mèi )罗露娜，又搬(🈺)到同学(🤺)李萍家。李萍和(💸)经商的丈夫离(🎷)婚后，因(🚍)生活所(✋)迫做了(🐶)舞女，不久贫病(🤣)交加而死。吴剑(🎁)华得到(🚞)同(tóng )学(xué )刘(liú(🍲) )光(guāng )的(de )帮(bāng )助(🕚)(zhù )，创(chuà(🐾)ng )办(bàn )了(le )一(yī )个(⛏)家庭工艺社，并(🌫)准备办托儿所(🏩)。这时传(🚳)来姨父工厂倒(🌅)闭、罗露娜因(🛂)伤人而(🏣)被捕的消息。托(🚑)儿所开幕之日(❤)，与吴剑(jiàn )华(huá(🕴) )心(xīn )心(😫)(xīn )相(xiàng )印(yìn )的(🏈)(de )刘(liú )光(guāng )被(bè(🛂)i )害(hài )身(🅰)(shēn )亡，吴剑华带(😛)着一颗伤痛的(🆎)心，坚强(🍲)地去完(📹)成刘光(🥉)未竟的社会事(💏)业。 "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’(🦓)s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’(😤)s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." A man and a woman fight over the last bottle of champagne left in San Francisco--she wants it for a wedding, and he wants to use it to christen a ship. Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves.