藏身之所 豆瓣

劉別(bié )謙(🦅)遺(yí(😕) )作，其筆觸修成了(📔)(le )正(zhèng )果。孤女要步(⛱)叔父(fù )後塵當水(⛳)管工，卻跟英(yīng )國(🐨)(guó )這個講究階級(💏)與男(👃)(nán )女(nǚ )有別(🎋)的社(🔻)會格格不(bú(🚖) )入。逃(🔻)出納粹魔掌(👙)的波(💑)(bō )蘭(lán )詩人，像找(〰)到同道(dào )中人(ré(🥤)n )般發現了她，但她(⚫)(tā )這(zhè )時卻跑去(📆)當女傭，還打(dǎ )算(🔅)像正常人一樣嫁(⏪)(jià )入(👺)(rù )尋常紳士(🌂)家。來(👑)了(le )美國(guó )二(🚇)十多(🛃)年，劉別謙(qiā(🥜)n )才(cá(🎇)i )將自身處境總結(🔻)起(qǐ )來。片中上至(🤙)貴族下至(zhì )僕(pú(🎁) )人儘管嘴臉可笑(👊)，但不致面目可憎(🤔)，反而(🐄)(ér )都(dōu )有幾(🚑)許人(🌌)性的落墨(mò(🌲) )，也許(🎒)這才是劉別(🖐)謙(qiā(💿)n )筆觸(chù )的最高境(🛹)界。更厲(lì )害(hài )的(🌴)是，這些筆觸彷(pá(🉑)ng )彿都(dōu )融會在兩(🌓)個主角身(shēn )上(shà(🎢)ng )，不經意間能跟觀(🎠)(guān )眾(👤)心(xīn )靈互通(🥫)。今天(🧞)回看(kàn )，這是(✏)他最(🥎)歐洲化的(de )作(🖌)品(pǐ(🧐)n )，近親不就是雷諾(⛅)(nuò )亞(yà )。 二战的一(🍯)个夜晚(wǎn )，英(yīng )国(😯)官员Ralph Denistoun在纳粹德国(♏)(guó )执(zhí )行一个间(😈)谍任(🧜)务，目的是从(🥌)Krosigk教授(🍞)那里找出(chū(🏠) )毒(dú(😳) )气方程式。在(🎈)此期(✨)(qī )间(jiān )，他得到了(🥪)Lydia和吉卜赛(sài )乐(lè(🌧) )队的帮助。自然，在(🧠)(zài )这一路上也会(🍔)有罗(luó )曼蒂(dì )克(🧦)相伴…… 新加坡(🤽)(pō )华(🈚)(huá )侨何平，因(🥊)为被(🍲)控(kòng )告谋(mó(🧝)u )财害(🐵)命而被判处(🎣)以(yǐ(🏒) )死(sǐ )刑，何平不甘(⛸)心就(jiù )这样(yàng )含(🌍)冤而死，因此在(zà(⛏)i )执(zhí )行死刑的前(🐦)一天，和狱(yù )中的(🍑)牢友(⏯)一起越狱(yù(Ⓜ) )。然而(👌)逃亡途中，何(✌)(hé )平(🤵)无意间传进(🦖)了当(🐮)日宣(xuān )判(pàn )他死(🙊)刑的法官家中(zhō(🔽)ng )，与法官及其侄女剑秋(qiū )相(xiàng )遇。剑(✈)秋的父亲因(yīn )含(💝)(hán )冤而死，所以剑(🎴)秋(qiū(♈) )对何(hé )平的(🍽)遭遇(🐽)也心生同(tó(💩)ng )情(qí(🏿)ng )，不但帮助何(🌼)平逃(📚)(táo ) 避警(jǐng )察的追(💃)击，还细心(xīn )照(zhà(🕦)o )顾他，自然而然地(🏃)(dì )两人(rén )也互有(🚽)好感，剑秋(qiū )更(gè(🕗)ng )想办法让何平离(🛣)开(kā(💃)i )苏州(zhōu )，找机(🌍)会洗(🤚)刷冤情(qíng )。 The film is best known today for Scorsese’(🌻)s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’(🖥)s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures Inspired by the radio program of the same name, Night Editor features Charles D. Brown as the editor of the New York Star. In flashback, the editor tells the tale of police lieutenant William Gargan, who forsakes his happy home life for the love of no-good society dame Janis Carter. Both Gargan and Carter begin cheating on their respective spouses, and while on a romantic rendezvous the couple witnesses a murder. They can't report the crime without revealing their own infidelities, a dilemma which leads to blackmail, double-crossing and a second murder attempt. A twist ending caps this snappy little 65-minute morality play. The script of Night Editor was based on the story "Inside Story" by Scott Littleton, previously dramatized on the Night Editor radio series. ~ Hal Erickson, All Movie Guide Seaman Hook has big plans for after the war, mostly involving rushing home and marrying his sweetie. So do his fellow seaman, but theirs involve buying bonds. The superist hero of them all, Mighty Mouse, easily brushes aside molten lava and stems the tide of an island volcano, set off by the torrid dancing of Krakatoa Katy, the hottest dancer of them all. Then he carries all of the island natives to the safety of higher ground, where Katy leads them all in a jive-chanting jitterbug dance in tribute to their hero.