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风格(📅)(gé(🍥) )独(🎙)特(🌮)的(🥦)飞(💍)车(😁)动作片。编(biān )导乔(qiáo )治．A．罗梅罗企图将(jiāng )一(😓)(yī )群机(jī )车骑士塑造成中世纪(🚹)跃(〰)(yuè(🕟) )马(🎱)沙(🥠)(shā(🍘) )场的武士，他们由埃德(dé )．哈(hā )里斯率领组成(☕)一(🚆)个(🎲)巡(🚽)回(🧦)(huí(🐉) )表演(yǎn )团(tuán )，领袖犹如亚瑟王，其他(tā )团(tuán )员则(🤛)如圆桌武士，彼此遵(zūn )循(xún )着中世(❣)纪(😄)的(♏)荣(👚)誉(🍤)法则来生(shēng )活(huó )，在八十年代的美国堪称(chēng )异(❇)(yì(🌹) )数(🔟)。全(🧠)片(🛤)故(💛)事(📔)性比较单薄(báo )，所以(yǐ )显得稍嫌松散冗长，但(dàn )飞车(chē )场面拍得不错，特技(jì )部(👗)(bù(🚑) )分(🐦)也(🦇)(yě(🔣) )颇(🍙)为紧张刺激，在同类(lèi )影片(piàn )之中是别具创作(♏)野(㊗)心(🎡)的(🤚)(de )佳(🦃)作(🎼)(zuò )。 The widower Choi is impotent. He adopts the infants Mun and Su-ryun and raises them. Mun graduates from college in Seoul but he can’t adjust to Seoul life so he returns to Choi’s home. Mun learns that Su-ryun is not his sister in blood and he falls in love with her. When Choi discovers Mun and Su-ryun meeting secretly, he forces Mun back to Seoul. Mun meets the dancer Suk on his way and returns home. Since Mun is at home, Choi sends Su-ryun away. Su-ryun is unable to forget her home so she returns home on a day that is raining cats and dogs. Underneath a steel bridge, Su-ryun is raped by Jong-su and ends up dead. Meanwhile, Mun had left home when Su-ryun died. He is returning home when he discovers Choi crying with Su-ryun’s body in his arms. His rage exploding, Mun grabs Su-ryun’s body and takes it away. 在金发殿上(shàng ), 各路(lù )剑(jiàn )客为着(🕐)捉拿蝶无影, 但(dàn )他们(men )不(bú )但捉不(🚕)到(☝)蝶(🐷)无(🕑)影(🚲)而被她偷(tōu )了(le )众人的钱袋. 两广总督特派(pài )范(⏳)(fà(💼)n )大(🍻)铜(🏿)捉(🎫)蝶(🤗), 途(🎍)中范追捕一班(bān )小(xiǎo )叫化至小仙猴家, 而小仙猴(hóu )知(zhī )道要(yào )为社会做点事(🥊), 所(😜)以(🐙)便(🎤)(bià(🎎)n )混(💆)(hún )进西(xī )门狡父探听情报. 发现(xiàn )西(xī )门一(yī(🌴) )派(🐂)与(💰)都(🎽)督(🥖)欲(🆔)造反, 小仙猴(hóu )故意(yì )引范前往破案, 而蝶亦发(😜)(fā )现一(yī )个重大的秘密...... 1981年上映的(⏱)(de )30分(♉)钟(🥜)(zhō(🔎)ng )剧(🚕)(jù )场动画、与《夏への扉》同(tóng )时上映。 1981年11月14日、(🎈)テ(🎠)レ(➕)ビ(🕝)朝(👉)(chá(🏥)o )日(💘)系列の「土曜ワイド劇(jù )場(chǎng )」枠（21:02-22:51）にて放映。サブタイトル「昇仙峡囮(🚴)心(💴)中(😡)」(📺)。視(🎻)聴(tīng )率22.8％（ビデオリサーチ調べ、関東地区）(🌔)。 二(♑)战(🗣)(zhà(🛌)n )爆(🐰)(bà(🐍)o )发前(qián )，一位爱国的老军人为(wéi )了让(ràng )儿子接(🔊)受爱国主义教育(yù )，让(ràng )儿子报(🧗)考(🦍)了(⏫)军(🤱)事(🕌)学(🦖)校，儿子(zǐ )如(rú )愿考入军校 台湾是世(shì )界闻(wé(🍐)n )名(🎗)(mí(🎞)ng )的(🖼)美(🗣)丽(😦)宝岛，民众一向承(chéng )继(jì )传统的精神，乐观奋斗，勤(qín )奋工作，开创美满的生活(huó )。虽(👏)然(📪)有(😉)时(👅)遭(📯)逢国际政治的(de )冲(chōng )击，但全台上下，都能精(jīng )诚(ché(💣)ng )团(📸)结(📤)(jié(🕒) )，合(🧠)作(🆎)无间。本片中青(qīng )年人(rén )的歌团在乡村演出，十(🛡)(shí )几万(wàn )人的升旗典礼，足使您(👶)(ní(🧤)n )感(💾)动(🚟)(dò(🐁)ng )落(🆔)(luò )泪，终生难忘。 Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. 故事(shì )发生(shēng )在(zài )充满了人文(💤)气(🔎)息(🥌)的(🎇)古(🎫)城(🈲)罗(luó )马(mǎ )，马乌罗（米歇尔·皮寇(kòu )利(lì ) Michel Piccoli 饰）和马尔达（阿努克·艾(ài )梅 Anouk Aimee 饰）(🕷)是(📮)一(🎑)对(🔩)相(🚏)依为命的(de )兄(xiōng )妹，两人均是单身，而马(mǎ )尔(ěr )达患(😪)(huà(⚪)n )有(🐇)严(🦅)重(🦄)的(🎡)抑郁症。眼(yǎn )看(kàn )着妹(mèi )妹日渐疯狂与憔悴，走(👢)(zǒu )投无(wú )路的马乌罗起了杀心(📒)，他(🍋)利(✋)(lì(🗿) )用(🚐)自(✴)己的职务之便，找(zhǎo )到了(le )名(míng )为西亚宝拉（米(💌)歇(🌌)尔(🏀)(ě(🥐)r )·(🚐)普(🍫)(pǔ )拉(lā )西多 Michele Placido 饰）的杀人犯，他用(yòng )无(wú )罪释放作为诱饵，将妹妹(mèi )交(jiāo )到了西亚(💋)宝(🕟)拉(❔)的(🛣)手(🌋)中，希(xī )望(wàng )后者能够代替他落下屠刀(dāo )。