На берегу реки(😝) Со(🎢)ч(🚔)и не(👑)мая танцовщица(🎦) Г(🚒)из(🚏)е(🥔)лла знакомится(🐾) с(💊) Ви(🎵)ктором и влюбляе(🍹)тс(📂)я(🐼) в не(📒)го. Кажется, что В(🏈)и(😥)кто(🕝)р отвечает е(🍄)й вз(🌱)а(💆)им(💁)н(🍏)остью, но вскоре(🏿) та(🦍)н(🛴)цовщица обнаруж(㊗)ив(👙)а(✨)ет е(🎭)го с другой. Увид(💸)е(👯)в Г(💘)и(🍜)зеллу в роли уми(⏸)р(🛳)аю(🍙)щего лебедя, в нее(🐼) вл(📭)ю(🧡)бля(🔯)ется (?)художник Г(🙈)л(📥)инс(📹)кий, стремящ(💋)ийс(🐎)я(🆘) из(📔)о(🚋)бразить в карти(🕹)не(🔭) с(🌡)мерть, и использу(🥋)ет(🆔) т(🐍)анц(👯)овщицу для осущ(🎗)е(🌴)ст(🈷)в(😩)ления своего за(🔢)м(🗑)ыс(🚅)ла.
1925年联合(hé )影片公司出品
贫苦(🏚)的小(🎃)镇(🤬)(zhèn )上，传(🙇)(chuán )教士极(jí )力想解救痛苦的灵(🧞)魂(💆)，却(què )受(🔸)尽镇(zhèn )民讪笑(xiào )怒骂。小(🏇)镇青年(👨)在(📍)损友(〰)的(🎢)(de )怂恿下(xià )，逐渐(jiàn )步入犯罪边缘(🚍)，笃信(📊)上(🚉)帝(dì )的女友(yǒu )也(yě )随之(zhī )陷入绝(😧)望，传(🔱)教(👅)士及时(🆖)阻(zǔ )止年轻(qīng )人(rén )的犯行(háng )，并(🤸)缓(🔹)缓道(🌃)出(💟)自己的荒唐过去(qù )。 为(wéi )了(🍢)凸(❔)显明(🆙)星(🧡)魅力，影片甚至以(yǐ )演(yǎn )员研读(🖤)(dú )剧(⏺)本(💣)、揣摩(💬)角色开场，并在背景(jǐng )投射出(chū(😺) )主(♋)角在(zà(🤛)i )片中的剧情转折。因为欧(🍴)(ōu )洲各(📥)地(🌮)(dì )民(⏭)情(🍈)的(de )差异，结局便拍了三种版(bǎn )本(📬)，三(sā(🛹)n )种(🤽)结局(jú )也反映出丹麦、俄罗斯、(😖)瑞典(🌬)完(📫)(wán )全(quá(🔳)n )不同(tóng )的民族性。
A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com
安·雪莉是一(💵)(yī(🎸) )個紅髮(🤴)(fà )的(de )少女，她是一個孤兒。故事的(💥)開(🚞)始是(⛳)(shì(🔶) )說(shuō )島上一(yī )對兄妹要領養一(🛫)個男(👄)孩(📻)來幫忙(máng )農(nóng )務，但(dàn )領養中(zhōng )心卻誤(💾)送(🎾)了一個(🔜)女孩給他(tā )們，但(dàn )這個女(nǚ )孩(🍰)最(📯)後還(📸)是(🖨)住了下來，這(zhè )對單身(shēn )的兄妹(🐛)(mèi )分別(🏩)叫作馬修·卡斯巴德(dé )和瑪莉(lì(👇) )拉，他(🤼)(tā(🥘) )們住在(☝)愛德華王子島的艾(ài )凡里鎮(zhè(🐶)n )上(🐉)(shàng )。安(ā(🥀)n )有著豐富的想像力且能言(yán )善(🐀)道(🎞)，更(gè(🏛)ng )有(🎱)著(zhe )創(chuàng )作的天份……。
德国默片(🎇)，但(dà(😜)n )具(🏮)(jù )体资料(liào )已不可考，见：
埃尔琳夫人(📀)丢(😑)(diū )下(xià(😰) )襁褓中(zhōng )的孩子(zǐ )，与情人私奔(🍏)。多(🌜)年后(🕘)回(👝)(huí )到故土(tǔ )。在众(zhòng )人眼中，她是(🦐)一个道(🐹)德败(bài )坏的女(nǚ )人。她(tā )向女儿的(🌏)丈夫(🥡)温(🏂)德米尔(🥢)爵(jué )士勒索(suǒ )“封口(kǒu )费”，承诺不(🚰)与(🕍)女儿相(🔞)认(rèn )，以免(miǎn )女(nǚ )儿名(míng )誉受损(🗳)。招(🌍)致人(🕠)们(🗳)怀疑温(wēn )德米尔(ěr )爵(jué )士与(yǔ(⭕) )埃(ā(🎩)i )尔(⬇)琳夫人有染。温德米尔夫人(rén )一(yī )气之(♐)下(🍠)(xià )决定(👎)与爱慕自己的达林顿爵士(shì )私(🚎)(sī(🧟) )奔。埃(🛤)(ā(👆)i )尔琳夫(fū )人不愿看到女儿步自(🕓)己的(de )后(🐦)尘，冒着牺(xī )牲自己幸福的代价挽(🍍)救了(🏕)(le )女(🤦)儿。由始(😻)至(zhì )终，埃尔琳夫人也没有和(hé(🥘) )女(🦅)儿相(xià(🍿)ng )认。
Пастор Тально(♓)к(👺)с я(🦆)р(🚆)остно призывае(🍨)т п(🦃)а(🐙)ству бороться с иск(🌰)у(⏭)шен(😧)иями, однако сам(⚓) с(🤥)та(🏀)н(🚒)овится жертвой(🌄) соб(💹)лазна. В его доме п(♈)оя(🌰)в(☔)ляе(🏷)тся сатана, подт(👵)а(🎵)лки(🕘)вая героя к воро(🧘)в(🚵)ст(🕌)в(👖)у и духовному па(🐑)де(🦄)н(🍼)ию.
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'. Written by Sujit R. Varma
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?