《黑与(yǔ )白(bái )》是(👽)(shì )什(shí )么意思(sī )？两种(zhǒ(👮)ng )颜色(🔋)？两个对(🐥)(duì )立(🌽)面？还是(❌)两(liǎ(📷)ng )种极端(duān )？不(😂)管(guǎn )是什么(me )，很(🐼)显(xiǎ(😛)n )然，黑(hēi )与(yǔ )白是(shì )一(yī )种(💥)反差(chà )。概括(kuò(🏼) )起来(⛑)说(shuō )就是(🕠)一(yī(🆙) )种不能(né(✴)ng )面对(🖐)对(duì )立面的(de )状(🚥)态，类(🔫)似只能看见黑色和白色的“色盲”。
新年到来(😑)之际(🧒)，伊莲（Eva Birthistle 饰(👐)）和(🌟)丈夫约拿(😇)（Stephen Campbell Moore 饰(🕛)）带着三个孩(🧝)子凯(🚯)茜（Hannah Tointon 饰）、米(🚰)兰达（Eva Sayer 饰）和波利（William Howes 饰）(😴)驱(qū )车前往(wǎ(🥝)ng )乡下(👱)，与妹妹(mè(🏻)i )克洛(🐚)（Rachel Shelley 饰）一(yī )家(🤨)四口(kǒu )共度新(❌)(xīn )年(💽)，只(zhī )有伊莲(lián )的大女(nǚ )儿凯茜(qiàn )因(yīn )为(🚞)不(bú(🌇) )能(néng )参加(✒)好(hǎ(📃)o )友的聚(jù(♍) )会而(🈵)有(yǒu )些闷闷(mè(💿)n )不乐(🕓)。久未见(jiàn )面的孩(hái )子们快(kuài )乐玩耍，大人(👕)们愉(🌴)快畅谈，但(😘)欢乐(🥢)的气氛慢(🔳)慢被(🤩)不安的因素所(❔)侵染(⛷)。先是波利变得(🎻)沉默孤僻，接着米兰达也显(🍏)得惴惴不安，其(👂)他的(🏆)孩子(zǐ )也(♍)相(xià(🤲)ng )继(jì )出现异(yì(👔) )样。大(dà )人们完(🥚)(wán )全(🤳)没有(yǒu )注意到(dào )孩子们(men )的变化(huà )，只采(cǎ(🍸)i )取粗(🙉)暴(bào )和敷(🌸)衍(yǎ(🌱)n )的手段(duà(😁)n )解(jiě(👱) )决。次(cì )日聚餐(🛵)(cān )之(💚)时，孩子们(men )突然陷(xiàn )入混乱(luàn )与惶恐(kǒng )。纯(😯)真(zhē(🌂)n )的天使(shǐ(🆓) )们由(🎄)此(cǐ )化为(💜)令大(🛎)人战栗不安的(✅)魔鬼……
Jones is brought back to his home town to help investigate a series of murders linked to childhood friends and events that occurred years earlier.
A sexually unsatisfied young woman decided to pursue various sexual experiments and scenarios.
Ten years after his death, the Paris Opera Ballet payed tribute to the American choreographer who considered the Paris Opera as his second home after New York City Ballet. The three pieces performed here illustrate not only the diversity of the choreographer’s repertoire and sources of inspiration, but also his love of music and his all-embracing attitude to the performing arts. Jerome Robbins brought new energy to classical dance, introducing 20th century urban rhythms, confirming its status as a modern entertainment form and instilling it with the interrogations of contemporary theatre.
东城大(🙈)学附属医院，桐生恭一（吉(🌽)川晃司 饰）、(👞)鸣海(🗯)凉（池内(♉)博之(🐖) 饰）、垣谷雄(⏲)次（佐野史郎(🈸) 饰）(😣)等(děng )七人组(zǔ )成的团(tuán )队成功(gōng )为26位心(🚃)(xīn )脏(🤭)肥大(dà )的(🦕)患者(👄)(zhě )实施过(🔵)(guò )极(🎠)为困(kùn )难和危(💃)(wēi )险(🙌)的巴(bā )提斯塔(tǎ )（左室(shì )减(jiǎn )容）手(shǒ(🏜)u )术。然(🔢)(rán )而，接(jiē(🏃) )连3次(🛴)手(shǒu )术失(🤞)败(bà(♈)i )不仅令(lìng )患者(🚕)当(dāng )场死亡(wáng )，也使(😖)(shǐ )这个团队的信心备受打(🍥)击。为避免扩大(🧟)影响(👏)，院长（国(🕒)村隼(📅) 饰）派遣倾诉(👌)门诊的女医师(🚬)田口(🕶)公子（竹内结子 饰）调查手术失败的原(🔏)因(yī(🛳)n )。田口付(fù(🍊) )出巨(⚫)大(dà )努力(🦉)，却毫(🙅)无(wú )收获。不久(🐉)，厚生(✉)劳(láo )动省调(diào )查员白(bái )鸟圭辅(fǔ )（阿部(💬)(bù )宽(⛩) 饰）介(jiè(🤷) )入调(👨)查(chá )。在二(🍚)(èr )人(🍘)的通(tōng )力配合(🦒)(hé )下，患(huàn )者死亡(wá(🔈)ng )的秘密(mì )渐渐浮(fú )出水面(🍀)(miàn )……
Tehran: seven Iranian transsexuals who live pieces of their own lives on the screen. Boys who like to be girls and a girl with a boy’s spirit and energy. Their spirits are not at one with their bodies, and this is a problem more forceful and burdensome in Iranian society with its traditional precepts and tradition of patriarchy. One can sense the depth of their loneliness and tedium when one sees that they are accepted not even by their own families. These young people are estranged from their own bodies and spirits, and exhausted by this estrangement from themselves and a society that accords no rights whatsoever to them.
来自(🤱)大分(🚗)县犬饲町(🛷)的乡(🦗)下男孩根吉崇(🗽)一（松山健一(🕛) 饰）(🛂)怀着美好的理想来到大都会东京求学，在(🚯)这繁(🎐)华所在，他(🌇)立志(⏺)写出优美(🕯)(měi )动(🎸)(dòng )听的歌(gē )曲(🍱)，成(ché(🐛)ng )为受万(wàn )众瞩目(mù )的时尚(shàng )达人。然而事(🕦)(shì )与(🍥)愿违(wéi )，直(⛄)到(dà(👽)o )毕业他(tā(✅) )的纯(🐙)情(qíng )歌曲依(yī(😫) )旧(jiù )得不到(dào )认可(😿)，反而经(jīng )一番刻(kè )意包装(🐘)(zhuāng )后组成(chéng )的(🚮)死亡(🎸)(wáng )重金属(🌜)(shǔ )乐(🎊)队“底特律金属(🦇)城”（DMC）大受欢(🌄)迎，其(🐀)中根吉所化身的主音吉他手克劳萨二世(😳)更令(📖)万千死忠(🕉)疯狂(🌿)痴迷。
Au milieu d'une campagne calme et désertique s'é(🍑)tend à perte de vue une autoroute inactive, laissé(🍧)e à l'abandon depuis sa construction. Au bord du bitume, à quelques mètres seulement des barrières de sécurité(👩), se trouve une maison isolée dans laquelle vit une famille. Les travaux vont reprendre et on annonce l'ouverture prochaine de l'autoroute à(🎦) la circulation...