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德(💁)雅(🍬)(yǎ )米拉现在很希望(😫)能(🅰)(néng )开始服用避孕药，因(🍰)为她和(hé )男(nán )友的关(🚎)系(📬)已非常(cháng )火(huǒ )热。佐(🐡)艾(🌨)(ài )的母亲不情愿地向(😪)(xià(🗡)ng )她提供保(bǎo )险套。奈(😈)吉(🐊)玛把她(tā )的避孕药藏(🥙)起(🎤)来，因为她的(de )父(fù )母(🤦)会(🔆)搜她的包。艾(ài )莲娜太(🛤)容(🖱)(róng )易怀孕。 伯爵夫人(➖)(ré(🍵)n )伊丽莎白(bái )·巴托里(⚡)(lǐ(🛰) )，来自特(tè )兰西瓦尼(🎐)亚(🎹)历史上(shàng )最(zuì )臭名昭(🦊)著(🤰)(zhe )的女同志吸血鬼的(🚉)(de )人(🧀)，几个(gè )世纪前，沐浴(🐈)在(📽)处(chù )女的血保持她的(🐘)青(🏯)(qīng )春，到达(dá )接(jiē )手(👲)洛(🐭)杉矶德古拉(lā )伯(bó )爵(😛)的(🚣)城堡(bǎo )，她的吸血鬼(🤓)的(🌘)丈(zhàng )夫。与此(cǐ )同时，3000岁(🙊)的(✉)木乃伊(yī )贺夏普。冯(🌡)雪(📃)，埃(āi )及一个邪(xié )恶(è(🦖) )的(🕡)女巫，生活在一(yī )个(🏄)博(🦔)物馆(guǎn )和捕到深夜。德(💨)古(🏧)(gǔ )拉，同时(shí )，花费太(💕)(tà(👳)i )长时间观(guān )看旨在受(🔜)害(💮)者Tanya和米(mǐ )娜(nà )，否则(😥)天(🐀)(tiān )亮前回到城堡，摧(🌗)(cuī(💲) )毁了初升(shēng )的太阳的(🙀)光(📀)。 Renfield，德(dé )古拉的昆(kūn )虫(📚)为(🌤)食的(de )仆人，因(yīn )为(wéi )他(🍦)花(🚖)了太多时间(jiān )狩(shò(❇)u )猎(👪)的时间(jiān )比看萤火虫(🚼)，多(📺)内(nèi )疚未能挽(wǎn )救(🙌)他(✉)的主人。伊丽(lì )莎白，谁(🔵)藐(📻)视Renfield的，涉及到他(tā )（(🕯)闪(🕐)回）她在特兰西(xī )瓦(😑)尼(🌱)亚的(de )肮脏的血洗澡(🈶)过(🥁)去(qù )。然后她(tā )强迫Renfield的(🌝)找(🛬)(zhǎo )到她的一(yī )个女(🥔)事主。 Mao has a pallet repair business and a heavy vehicle garage in an anonymous industrial area of a Paris suburb. He decides to open up amosque for his employees, but he designates an imam for it without consulting with them. Some of the workers object to the choice, and aggravated social conflict soon follows. Going against all clichés, after Wesh wesh, qu’est-ce qui se passe ? and Bled Number One, Rabah Ameur-Zaïmeche pursues his amusing poetic plunge deep into the heart of the world of Maghreb immigration, and this time, into the working world. His film, themed on the color red, is an involved work as well as a work of art, a forum where civil dialogue and religious questions are expressed with a great freedom. Backing up his extremely personal mise-en-scène, Ameur-Zaïmeche invents characters in rhythm with the movement of the pallets that the actors move about, in the theatrical setting of the company workplace. A poetic masterwork full of humor and tenderness, Dernier maquis was selected for the Directors’ Fortnight this year in Cannes. 在(🔖)乡(🎌)(xiāng )下港边经营理髮店(😌)(dià(🍹)n )的石川健(jiàn )次，最近(🆓)跟(🏨)年轻女(nǚ )子结婚，石川健(😰)次(cì )的妻子沉(chén )默(👄)(mò(🛤) )寡言，拥有美艳(yàn )气(qì(🧜) )质(🚕)以及神(shén )秘的双瞳(🍬)，他(🕣)们一(yī )起经营理(lǐ )髮(🤾)店(😕)。石川健次的(de )妻子十(🦗)分(👈)怪异，理(lǐ )髮完后，都(dō(🕓)u )会(🐉)发生离奇现象，并且(🌏)色(🔇)诱(yòu )男人，主动脱衣和(🐮)(hé(🐜) )男客激情(qíng )作爱，事(🏀)(shì )后男客都(dōu )是暴毙(🌥)身(🚑)亡。她吸(xī )取(qǔ )男人 的(👦)精(🌂)(jīng )气，以保持自己成(🌓)(ché(💠)ng )为青春艷(yàn )丽女人，男人(⛺)在悦(yuè )乐的另一(yī(🚸) )边(📆)温柔的(de )死。可悲(bēi )的(de )好(🕧)色(🔵)男人们，接(jiē )连(lián )在(🔅)其(🔎)理髮(fà )店内，风流淫乐(🌖)后(🌚)(hòu )死亡。丈(zhàng )夫石川(🚅)健(📀)次，知道(dào )和他妻子性(💂)交(🛹)后的(de )男人必死(sǐ )，有(🏣)一(🍛)天，他忍不住(zhù )决定和(🙆)妻(🏎)(qī )子作爱，同样「乐(⛎)(lè )」遭恶运(yùn )，作鬼也(🐈)(yě(🌙) )快活……….. 【内容简(🥘)介(🔩)】 Lives of several people intertwine during an eventful day in Mumbai. これまで数々の(🌇)難(🙌)事件を解決に導いてき(😾)た秘密潜入捜査官(⛱)(guā(🧥)n )“ワイルドキャッツ”の(🌃)ハ(🈺)ニーとバニー。清(qī(🚺)ng )純(🚲)(chún )派アイドル・かお(😀)り(📛)がイベント中に突(👧)然(🏫)フルヌードになって(🎮)引(👀)退に追い込まれた(🧡)と(🍓)いう怪事件を担当(dā(👥)ng )す(🥑)ることになった2人(🔮)は、アイドルになり(🎭)す(📄)まして潜入(rù )捜査す(🤛)る(🦔)ことに。そんな彼女(🔃)(nǚ(🛏) )たちの前に、暗黒(hēi )結(🙄)社ブラックホーク(👉)ス(🍆)の女(nǚ )ボス・ベニタ(🥓)カ(❔)が現われ……。人気(👑)グ(📣)ラビアアイドルの森(🀄)下(🏳)悠里＆かでなれお(💜)ん(🐣)がW主演を務めるセク(🥊)シ(🏍)ー・アクション。 帕(🐮)于(😦)（亚(yà )瑞克·阿莫苏(💄)帕(📡)西(xī )瑞 Arak Amornsupasiri 饰）、法哈(🕷)（Pattarasaya Kreuasuwansri 饰）和纳姆(mǔ )（拉(🚪)查(🔠)雯(wén )·万薇瑞亚 Ratchawin Wongviriya 饰）(🦄)是(🔰)(shì )学生时代的好友(🆕)，三(🍕)(sān )人之间感(gǎn )情十分要(🍆)好。一直(zhí )以来，纳(nà(🥜) )姆(😫)都将对于帕于的(de )感情(🗺)深(🚭)深(shēn )的藏在心(xīn )底(⬛)，因(😌)为(wéi )她(tā )知道，帕于真(😤)正(🈳)(zhèng )喜(xǐ )欢的其实(shí(📮) )是(🔩)法哈。 Dead On Site is the story of a group of media arts majors who decide as a final project to take over a vacant house where a yakubd.ccfamily had been wiped out a year before. They plan to re-enact the murders and web-cast them on a site while they search for clues to the killer. Mao has a pallet repair business and a heavy vehicle garage in an anonymous industrial area of a Paris suburb. He decides to open up amosque for his employees, but he designates an imam for it without consulting with them. Some of the workers object to the choice, and aggravated social conflict soon follows. Going against all clichés, after Wesh wesh, qu’est-ce qui se passe ? and Bled Number One, Rabah Ameur-Zaïmeche pursues his amusing poetic plunge deep into the heart of the world of Maghreb immigration, and this time, into the working world. His film, themed on the color red, is an involved work as well as a work of art, a forum where civil dialogue and religious questions are expressed with a great freedom. Backing up his extremely personal mise-en-scène, Ameur-Zaïmeche invents characters in rhythm with the movement of the pallets that the actors move about, in the theatrical setting of the company workplace. A poetic masterwork full of humor and tenderness, Dernier maquis was selected for the Directors’ Fortnight this year in Cannes.