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怪獣ブ(🦕)ーム(👄)のさなかに日活(🥑)が1967年(🥀)に製(zhì(🌬) )作し(🐟)た怪獣映画。渡(dù(🏾) )辺(fǎ(🤾)n )明の原案を(🛌)、『放浪のうた(➰)』の(👄)山崎巌と、(🗂)『殺るかやられ(😩)るか(💡)』の中西隆三がシナリオ化し、(📄)『日(📠)本仁(rén )侠(xiá )伝(yún ) 花の渡世人(🏾)』の(🆖)野口(kǒu )晴(qíng )康が監督した。巨(🚭)(jù )大(🥠)怪獣の脅威と親子(zǐ(🛎) )の情愛(🐴)を中(🍾)心に描(miáo )き、恋(❄)愛も(🐯)のの要(🌍)素ま(🌪)でも取り入れた(🐚)意欲(🔨)作。雑(zá(😷) )誌記(💒)者の黒崎浩(hào )は(🔰)、カ(🙏)メラマンの(🔒)小柳(liǔ )糸(jiǎo )子と(👽)共に(🏤)、船津社長(🖌)の命(mìng )を受けて(🚅)南海(🚽)諸(zhū )島(dǎo )の探検に出かけた。2人(ré(🏼)n )には(🏵)、生物学助(zhù )教授の殿岡が(🚩)同行(🌳)したが、たまたま、ある火(Ⓜ)山(shā(🖇)n )島(dǎo )に上陸した3人は(⏲)、薄気(🐖)味悪(🤙)い洞窟を見(jiàn )つ(😜)ける(🖋)。その奥(📪)には(🏤)巨大な卵があっ(🍙)て、(🗒)島(dǎo )民(🤫)(mín )の(🕗)話ではガッパの(🚉)卵(luǎ(🈶)n )だという。ガ(👮)ッパとは、身長(🗃)70メー(👢)トル以(yǐ )上(📃)(shàng )、ワニのよう(😆)な鱗(🐩)のある太い胴体と4本の足(zú )、そ(💱)して(☔)、前足から尾(wěi )にかけて大(😔)きな(🐪)羽根のある爬虫類である。ち(🍺)ょう(🤰)ど卵が割れてガッパ(🔡)の子供(❄)が現(🚨)(xiàn )われたが、思(✅)わぬ(🐓)獲物(wù(🥈) )に喜(🦓)んだ黒崎は、ガ(✡)ッパ(🦀)の怒り(🍉)を恐(🎯)れる島(dǎo )民(mín )の(🍆)反対(🛶)を押し切っ(🌞)て、日本へ連れ(🥅)て行(🌜)(háng )くことに(🦑)するが・・・。 故(🈚)事梗(👀)概： Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score. Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great Southern Hawaiian Fruit Company, but Chad is reluctant. So Chad goes to work as a tour guide at his girlfriend's agency. Written by Pat McCurry {ccgrad97@aol.com} ◎片　　长　85 Mins 香港商人(🅿)金(jī(🤫)n )浦(pǔ )以高价购入废船，引(yǐn )起(🙎)(qǐ )台(🙊)北国际刑警的(de )注(zhù )意，派出女(🥌)干探(🛷)李淑(shū )华(huá )侦(zhēn )查。而(🌳)金其实(🏰)是在(🌓)紫(zǐ )阳(yáng )观的掩(🌗)护下(🎮)贩卖(mà(🕥)i )一(yī(👝) )种名为‘快乐丸(👴)’的(🕰)(de )兴(xìng )奋(🖱)剂，并(📙)大量分(fèn )销各国(⛱)。美国(😦)特警史蒂芬(🆒)(fēn )因(yīn )女友加入(🤽)邪教(⏬)，服用(yòng )过(guò(🚒) )量‘快乐丸’而(🤵)(ér )身(💒)(shēn )亡，所以决心消灭‘快(kuài )乐丸’(🤙)，只身(🎪)东飞。金收(shōu )到史来港之消息(⛹)(xī )，派(🏜)手下王艳艳及陈进(jìn )负(fù )责(🚩)跟踪(🔧)，并设下(xià )圈(quān )套色诱(🧛)史。李乔(🕢)装进(〽)(jìn )入(rù )紫(zǐ )阳观(🌍)，取得(🏿)观内治(🌜)病(bì(🐍)ng )用(yòng )之符水前往(🎻)化验(🚁)(yàn )所(suǒ(😦) )分析(🧕)，并验出符水含(há(🌿)n )有(yǒ(🍷)u )鸦片成份，警(🍕)长(zhǎng )方一坤前来(💢)调查(📝)... 卡尔库鲁(lǔ(🥛) )斯(sī )教授遭到印(🕦)加人(🚠)绑架(jià )，丁丁和船长一直(zhí )追(zhuī )踪(📖)来到(💺)南美洲。在这(zhè )里(lǐ )，印加王的(😬)威严(🧦)使他们一无所获，因为人(rén )人(📫)(rén )都(🌞)害怕印加王。丁丁(dīng )勇(🍞)(yǒng )敢地(🦅)帮助(🌍)印加小(xiǎo )孩(hái )佐(🔕)里诺(🚃)，使跟踪(🔡)他们(🌠)(men )的(de )印加人对他改(👸)变了(🤳)看法(fǎ )，同时(👘)丁丁也获得(dé )了(📦)(le )佐里(❇)诺的帮助。他(🧤)们(men )误(wù )闯入印加(🤰)王的(🌿)神(shén )庙成为(📺)了太阳神的囚徒，而(é(🚒)r )等待他们的惩罚是被(bèi )太(tài )阳活(🤧)活烧(🚩)死。最(zuì )后(hòu )，聪明的丁丁利用(🌇)日(rì(🥄) )食(shí )现象摆脱了困境，拯救了(📦)教授(⏱)和受苦的科(kē )学(🥨)(xué )家(🔣)。