影(🐯)片(🌧)(piàn )讲述了五十年代的曼谷(gǔ )黑道(❤)上(🌨)，与(🏕)(yǔ(♒) )伙(🕢)伴们怀着青春的本钱，一边(biān )随(suí(🤙) )着(🍝)猫王(🥘)的(🌎)(de )ROCKROLL肆(sì )意舞动，一边在腥风血雨、你(💗)(nǐ(🌄) )死(sǐ(🎌) )我亡的江(jiāng )湖(hú )里翻来覆去(✌)。少年阿(⤵)(ā(😢) )飞的生命(mìng )在(zài )丰富的情节和漂(🏐)亮的画(🔄)面(🗑)推动(dòng )下(xià )，被处理(lǐ )得(dé )饱满而(🦗)不(🔝)乏层(🛠)次(🔖)，剧力跌宕起(qǐ )伏(fú )，流露出(chū )黑(hē(🎋)i )帮(🌷)袅雄(🗜)的(💓)悲剧感。本片上映后(hòu )大(dà )受欢迎(🤜)，除(🛤)夺(🥒)得(🏓)当(🆑)年票房冠军外(wài )，还获得(dé )当(dāng )年(👺)泰(🎐)国电(📠)影(🌃)学院最佳影片、最(zuì )佳(jiā )导演及(💇)最(🌸)(zuì )佳(💸)(jiā(🚣) )男主角奖以及布鲁塞尔国际电(dià(🐣)n )影(🚲)(yǐng )节最佳影(yǐng )片(piàn )奖。
著名唱片出(💝)版商(shā(🕹)ng )威(🚤)廉旗下(xià )的(de )签约歌手相继遭到三(🕦)名蒙面(🌞)持(🕞)(chí )枪(qiāng )男子的杀(shā )害(hài )，警探史卡(👼)利(🐯)在调(💙)查(😡)此案时也(yě )惨(cǎn )遭毒手。为(wéi )迅速(🖤)破(☝)案(🅱)，警(🥩)察(🥅)局调来智勇双(shuāng )全(quán )的黑人警(jǐ(⏫)ng )探(🐆)米尔(🍮)斯(😐)，配合精明强(qiáng )干的唐尼(ní )根(gēn )共(📗)同(🌙)破案(🆑)。经(🏩)过多方调查取证(zhèng )，发现曾经(jīng )红(🐲)(hó(💍)ng )极一时的摇滚乐队因经营不善(shà(❔)n )处(chù )于(🅿)窘(🎚)迫之(zhī )境(jìng )，而他们的成名曲版(bǎ(🔔)n )权又被(📪)威(🐶)(wēi )廉(lián )掠去，于(yú )是他们在向威廉(🎃)敲(🚤)诈(zhà(⬛) )巨(🎖)(jù )款的同时(shí )，开始谋杀与其签约(🔔)的(🍷)歌手(🎪)，以(🖍)(yǐ )此(cǐ )向其施压(yā )。唐尼根和米尔(🛴)斯(💈)在历(😻)经(💉)曲折后(hòu )，终于将这(zhè )些丧心病狂(🛑)的(💇)凶手(🥂)绳(👷)之(zhī )以法。
こどものこわい話 怪奇(🤥)冷(🔜)蔵庫「怪(guài )奇(qí )冷蔵庫」「不思(🚈)議ドラ(🚬)イ(💟)ブ」「のぞきからくり」「リモ(📡)コン大(🎁)作(👜)戦」
片中的主要人(rén )物(wù )在30年代(💼)的(📩)(de )纽约(🏒)都(⛹)是闻之令人胆寒(hán )的黑帮。邦(bāng )皮(🚳).约(💞)翰逊(🧛)受(🎟)入狱的黑帮女老大(dà )之(zhī )托，代管(🐁)(guǎ(🐬)n )赌(dǔ(🚆) )毒(🐿)买卖。与别的帮派先是合作(zuò )，后又(🏋)火(🤭)并(bì(⏸)ng )，直(📪)打得血流成河尸横(héng )街头。原(yuán )因(➗)(yī(🦐)n )是他这个黑道人物有自己的特(tè(💻) )色(sè )，身(🌊)为(🕳)黑(hēi )人(rén )，他不以白人的马首是瞻(✨)，更(gèng )不(🔛)(bú(📁) )让所谓道(dào )规(guī )行律束缚自己。所(📂)以(🍶)，以白(🏡)人(🍀)(rén )舒(shū )尔茨为代(dài )表的黑道人物(🌧)也(♊)视他(⏫)为(🤵)(wéi )圈内的“不(bú )法之徒"。从影片中我(📴)们(♋)可以(🍀)看(✉)(kàn )到(dào )，邦皮虽(suī )然(rán )赚的是黑钱(🗿)，但(🏜)这些(➡)钱(🐕)很多又(yòu )回(huí )馈社会。人们视他为(🔚)哈(🆓)林区仗义(yì )疏财的罗(luó )宾(bīn )汉，对(🍥)社会有(🈺)贡(🐲)献的英雄。这(zhè )位(wèi )已于1968年去(qù )世(🚔)(shì )的着(🐥)名(🈯)“暴徒"也许不会想到，今(jīn )天的电影(🕧)(yǐ(💖)ng )人(ré(🤷)n )会(🚔)以他的生平来表现一种阳刚(gāng )之(🕟)(zhī(🤘) )气。
Thomas Arslan's second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district. The family itself encapsulates the culture clash that is at the centre of many German-Turkish films. In Arslan's film, the mother is German, the father is Turkish and the children have to make up their own minds about their cultural allegiances. Seventeen-year-old Leyla tries to escape from her family by spending most of her time with her best friend Sevim. Her twenty-year-old brother, Erol, has chosen Turkish citizenship and, consequently, has to do military service in Turkey. His mother objects but Erol finds the prospect of continued unemployment and mounting debts, which he cannot repay, in Berlin far more threatening than the prospect of military service in Turkey and leaves. Eighteen-year-old Ahmed is the is about to do his 'Abitur' (final exams at secondary school) and, despite being the most 'assimilated' of the three siblings, finds the experience of living in between two cultures difficult.
The story of a broke but talented composer, Mike, and his search for true love. The question is, how to find it, especially when your insecurities tends to make you jealous even when a girlfriend strokes your cat. Mike's alcoholic writer father who believes all his ills will be cured by finding his runaway wife, tells him there is only one thing that makes life worth living: "the empress"; perfect sex that goes on for days with a woman so beautiful you could cry. To Mike, however, the empress is love that lasts forever, not sex that lasts for days.