该(💅)动画(huà )片(pià(🐆)n )为纸偶动画片。从(👮)(cóng )前(qián )，一个(📳)老汉和孙(👬)子(zǐ )牵(qiān )着(🤴)一头驴去赶集，一(🐪)(yī )路(🍶)上就骑(📦)驴与否、(🛫)怎(zěn )样骑等(👢)问题产生(🔯)了诸(zhū(🧣) )多困(🥚)惑，也闹了不少笑(🤫)话。
詩人・金(🛢)子光晴と(🥛)長年生(shēng )活(💍)(huó )をともにした(🐲)女性(xìng )の関(🤵)係を綴っ(🎗)た「金(jīn )子(📅)(zǐ )光晴のラブレ(🐧)ター(😞)」を、東陽一が(🚈)映画(huà )化(huà(🐋) )。高橋恵子(🈚)（旧・関(wā(💷)n )根）が中村嘉葎(💁)雄(xióng )との大(🥓)胆なラブ(🔣)シーンに挑(🕕)戦し、話題を呼(✨)(hū )んだ。30歳以(👣)上も年(niá(🦃)n )上(shàng )の詩人(🌆)・小田（(💕)中(zhōng )村(🧓)(cūn )）(🤵)を愛した有子（(🛬)関(wān )根）は(🐔)、他人に(😼)白い眼で見(👎)られながら彼の(🥘)訪れを待(dà(❔)i )っている(🧔)。勝手に籍(jí(🌐) )を入れられたり(💭)、堕(💠)(duò )胎(tāi )をさせら(🙇)れても有(yǒ(📵)u )子(zǐ )は小(🍫)田を愛し続(😿)けるが。
五代家里(📽)有独(dú )生(shē(🗳)ng )子女，名字(⛹)叫珠子(zǐ )，因(🔨)为她的爷爷五代(🐙)(dài )谦(qiān )三从(💝)呆了13年的(✝)监狱(yù )归(guī(🛤) )来，给珠子(🈁)平日里(📵)(lǐ )的(❇)(de )生活带来了很多(🌾)意(yì )想(xiǎng )不(🧠)到的事情(👂)，经常欺(qī )负(🌻)她的学生也不敢(🚣)猖(chāng )狂，父母(⛓)亲的(de )关系(⛹)也有了好转(🦁)，但(dàn )是好景不长(🤡)，有一(🚜)(yī )天(tiān )，爷爷给珠(😷)子看了(le )隐(yǐ(🔭)n )藏在阁楼(🔫)里面的那(nà(😛) )个(gè )手提箱，哪里(😇)边摆(bǎi )着(zhe )令(🕞)人眼花缭(🍌)乱，数(shù )不(bú(👩) )清的钱……
本片(🎷)是(shì )由(yóu )《一(🐠)笼傻鸟》的(🍦)原(yuán )班(bān )人(🚙)马拍摄的续集。影(🔇)(yǐng )片(✴)讲述艾宾（米歇(📥)(xiē )尔(ěr )·塞(🕶)侯 饰演）(💹)由于(yú )不(bú(🔮) )满男友雷纳托说(🌃)他年(nián )纪大(🔇)，于是扮成(🦎)女人(rén )的样(⏫)子走上大(dà )街，希(🔙)望证(🤹)明自己(jǐ )魅(mèi )力(🐻)不减。却不想(💷)半(bàn )路(lù(😲) )遇到正在逃(🏭)亡的间(jiān )谍(dié )，卷(🥪)入了一场国(✉)际(jì )间(jiā(💳)n )谍战……
The biographical drama of the difficult recovery of the actress Patricia Neal with the help of her husband, the writer Roald Dahl after having suffered from a sudden attack.
在(📁)虚妄同(tóng )学(xué )会(🚶)的表象下，她(💪)们(men )有(yǒu )着(🏓)憧憬爱情缠(📷)绵的(de )悸(jì )动……(😼)風祭(🛺)ゆき 扮(bàn )演(yǎn )友(🎓)田太太朝子(🌴)
18岁的(de )邮(yó(🦈)u )差朱利斯是(⏺)著名黑(hēi )人(rén )女(⛺)歌手瑟尼亚(🏊)·哈(hā )维(🌊)(wéi )斯的忠实(🛫)歌迷。但他(tā )偷录(🎢)了瑟(🦉)尼亚的演唱(chàng )会(🐊)歌曲。这盒(hé(😩) )磁带差点(🍋)迫使瑟尼亚(✏)(yà )放弃自己的自(😐)尊。同(tóng )时朱(🛶)利斯也偶(😒)然得(dé )到(dà(😚)o )一盒指正卖淫和(🕛)毒(dú )品(pǐn )集(🔮)团头目的(🏨)磁带。朱(zhū )利(⏲)斯因此卷入了警(🎵)(jǐng )察(📞)(chá )和黑社会黑白(😾)两道(dào )的(de )追(🍷)杀之中。
SYNOPSIS
This award-winning 1981 film is as realistic a portrait as exists about the struggles of working-class families in industrializing Brazilian cities. The two families whose stories are told, live out the contradictions, violence, and almost overwhelming difficulties that are part of living in Sao Paulo, Latin America's most industrialized metropolis. The film won Fernanda Montenegro (CENTRAL STATION) one of her first international best actress awards, and the film itself was awarded the Special Jury Prize in 1981 at the Cannes Film Festival. It's definitely one of the best films to have come out of Brazil in the 80's.