欲网突击

Archana, an educated daughter of retired principal loves Professor Sukhesh. This love born out of intellectual impact is supported by the fond hopes of her father that leads to matrimonial alliance. Archana's mother is of a different class with materialistic notions of life and she too unwillingly gives her consent to the marriage. Seeds of marital love have not yet flowered into sweet joys of wedlock when whims and ego's of Archana and Sukhesh start clashing. Though a dutiful loving wife of a sweet husband, Archana is very much the daughter of her mother, who with all good intentions intervenes in the day to day life of the couple. Understanding leads to misunderstandings and the lovers start misinterpreting each other's sentiments. This ultimately leads to break in marriage - hence the ultimate- eventual separation. Kora Kagaz answers the struggle of intellectual lovers who find it difficult to enjoy marital bliss. The film is a lesson in both love and marriage. Britt, deluxe call-girl, is punished by the brothel owner because she was not accomodating enough to a customer. From now on, she must obey to all customers sadistic wishes, or else. 有(👂)料駐(zhù )車場に勤める政(zhè(😳)ng )行(🐻)と(🐫)修(xiū )の二人が、新宿の雑(⛅)踏(😖)の中で幸枝とその友人(ré(⭕)n )ミ(🏥)キ子(zǐ )の二人の少女と交(🚁)わ(💧)した会話から、政行と幸枝(🌃)の(⚓)間に愛が芽(yá )生えた。その(🏯)夜(🍶)(yè )、二人(rén )は、政行(háng )の(⛏)ア(📅)パートで何気ない一夜を過(🍴)し(👃)た。電車(chē )の轟音(yīn )に耐え(🤭)き(🍃)れず政行(háng )は幡ケ谷へ引(🈳)っ(📕)越した。そんなある日、政(🍰)(zhè(🍤)ng )行(🚾)は幸(xìng )枝と再会(huì )し、彼(📓)(bǐ(🥗) )女(nǚ )は政行(háng )のアパート(💊)に(🤓)移(yí )って来た。数日後、二(🌿)人(☝)が外出から帰ってみると、(🛐)部(👽)屋に小太りの中年男が寝(📌)そ(🚄)べっていた。男は保険(xiǎn )屋(🎾)だ(👗)といい、腹(fù )痛を理(lǐ )由に(💸)居(🗡)候をきめこんだ。奇妙な三(❌)人(🔻)(rén )の同居(jū )生(shēng )活が始(shǐ(🍮) )っ(📛)た。政(zhèng )行は駐(zhù )車場をや(😽)め(💿)、(📐)修(xiū )とコンビでトラック(🐍)の(🔝)長距(jù )離輸送を始めた。そ(🍘)ん(👝)なある日、政行が仕事(shì(🎚) )か(⤴)ら戻ってみると、幸(xìng )枝と(🐛)中(🗄)年(nián )男は床(chuáng )を並べて眠(🔨)っ(🥤)ていた。「火葬場が近く一(🖐)人(😇)で寝るのがこわくて……」(🔁)そ(🏥)んな幸枝をいとおしく思(🙁)い(🤤)ながらも、二人の間(jiān )に(🕜)冷(🍫)たい風が吹(chuī )き抜けた。二(💨)人(😃)(ré(🙏)n )は修の住む、新(xīn )宿のア(♏)パ(🛥)ートへ移った。そして、こ(🕙)こ(🕤)で幸枝(zhī )が妊娠(shēn )してい(🚪)る(❓)ことを知った。「おろせよ」(👟)政(😙)行(háng )は冷たく突き放(fàng )し(➿)た(🐅)。幸(xìng )枝にとっては身の切(🛃)ら(💑)れるほど切ない夫の言葉だ(👓)っ(🚪)た。家(jiā )賃の問題(tí )、赤ん(🗳)坊(😝)のこと、二人はむしゃく(🙅)し(👔)ゃを振(zhèn )切るべく調布に(💷)引(⚽)っ(💗)越した。幸(xìng )枝は妊娠九ヵ(🖋)月(🎐)(yuè )だった。やがて、男(nán )の(👩)子(✅)が生まれ、とやかく言っ(🌓)た(🚌)政行も親馬鹿振(zhèn )りを発揮(💩)し(💍)、二人は幸福だった。しか(🎟)し(🈸)、管理人のクニ子は、い(💀)つ(🎚)もこの夫婦を好奇な眼で見(💅)(jià(✊)n )ていた。そして、幸枝と赤(😦)ん(👹)坊(fāng )に対して露骨な悪意(🚄)の(📇)こもったイタズラをする(🕣)の(🏤)だ(🚂)った。さらに幸(xìng )枝の最愛(🏪)の(🍃)田舎(shè )のおばあちゃんが(🔥)死(🎨)(sǐ )んだ、という知(zhī )らせ(✉)に(🍿)より幸枝(zhī )の心が乱れたた(🏯)め(🚁)、気分転換のために、ま(🗑)た(😮)引っ起(qǐ )すことにした。今(🎧)度(👤)は下町の葛飾区で格安の家(✔)を(🌺)見(jiàn )つけた。隣のおばさん(🍇)文(🌔)子はとても親(qīn )切にして(🛣)く(🤨)れた。実は政行たちの家(jiā(👯) )は(🚴)、(🈵)昔一(yī )家心中(zhōng )があり、(🏠)長(🍺)く空(kōng )き家になっていた(🐮)の(📈)だった。首を吊(diào )った鴨(yā(🍫) )居(🐧)、血の海の畳。政行は恐怖に(🥈)堪(🚽)えながら、幸枝には知ら(🐞)せ(🆓)なかった。しかし、数(shù )日(🕳)後(🎷)、幸(xìng )枝が分不相応なダブ(🌜)ル(💻)ベットを買ったことから(🏋)、(👓)政(zhèng )行は幸(xìng )枝も心中(zhō(👷)ng )の(🕍)事を知っているんだろう(📇)と(🖐)思(🏄)った。かつて血で汚(yú )れた(🚞)畳(🏞)(dié )の上では寝れなかった(🚐)の(🐒)だ。その日、隣の主人敬造(❌)(zà(📄)o )が鳥の羽を剥いでいた。その(🤱)羽(🥟)(yǔ )が幸枝の鳥アレルギー(🖊)を(💁)刺激し、その夜から幸枝(🥦)の(🏉)挙動が一変し、突如政行を(🐾)殴(⚪)りつけたりした。翌日(rì )、(🙄)幸(🌺)枝(zhī )は米屋の店員をビー(💒)ル(📜)ビンで殴(ōu )って大怪我を(🌓)さ(🕕)せ(🐜)、彼女は目を異様(yàng )に光(🥃)ら(🤣)せて、トリの股に食いつ(🏝)い(🏾)ていた……。幸枝は精神病(🏾)院(🎠)の鉄(zhí )の扉の中へ保護(hù )さ(🥏)れ(📟)た。数日後(hòu )、政行は引っ(🗯)越(🍕)(yuè )しをした。今度は赤(chì )ん(🧠)坊(🏸)と二人きりで……。 外号小(xiǎ(💸)o )老(🥍)虎的沈新（孟(mèng )飞）是国(😯)术(🍱)馆里的武(wǔ )术高手(shǒu )。一日(🛵)，馆(🦃)长要(yào )沈新和上(shàng )门踢馆(😠)(guǎ(🤣)n )的(🏂)陈之龙（石天）过招，自以(📒)为(❎)是的(de )陈之龙当(dāng )然不是(shì(🔘) )沈(🛳)新的对(duì )手，吃(chī )了败仗后(🤯)黯(⛩)然离(lí )开。某日陈之龙被高(gā(🙍)o )大(🍿)良（冯淬帆）追债，沈(shěn )新(🐺)路(🍮)见(jiàn )不平出手相助，高大良(👑)不(😔)满沈新多管(guǎn )闲事，打死陈之(👥)(zhī(🔯) )龙，故(gù )意嫁祸给(gěi )沈新。 沈(💮)新(🍓)不甘(gān )心被诬赖，誓言要亲(❓)(qī(🛺)n )手逮捕(bǔ )真凶。他(tā )从警局(jú(⛸) )里(🔛)逃出来(lái )，躲在(zài )女友谭芳(🗨)（(🍭)李琳琳）家。警方也因觉(jià(🌼)o )得(🥈)事有蹊(qī )翘，便(biàn )故意让沈(shě(🐑)n )新离开(kāi )。为了除掉沈新(xīn )，高(🥥)大(👛)良派同伙的美(měi )丽（林(lí(🌬)n )玑(🤦)）跟踪(zōng )谭芳，打(dǎ )算要比(bǐ(🖖) )警方早一步找到(dào )沈新。 沈新(🚎)到(🐸)处奔走(zǒu )打听高(gāo )大良的(🛵)下(😿)(xià )落，高(gāo )大良则是(shì )三番(🥃)两(💨)次派人杀(shā )害沈新，却都被沈(🥋)新(⚫)(xīn )击退。国术馆的(de )同事因(yī(🏗)n )担(🗳)心沈新(xīn )的安危(wēi )，主动告(👈)诉(🕡)警方沈新的藏匿地点。但(dàn )此(👢)时沈新(xīn )正在与(yǔ )高大良派(📢)(pà(😙)i )来的高(gāo )手拼得你死我活(🐖)(huó(🐂) )，经过一番搏斗，沈(shěn )新终于(yú(🉑) )打败高大(dà )良，警方(fāng )也及时(⚓)(shí(🤑) )赶到现场逮人，还沈新清白(🍕)。 Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it. A down on his luck gambler (George Seagal) links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of desperation, he pawns most of his possessions and goes to Reno for the poker game of a lifetime. A film set mainly in casinos and races, as the two win and lose (but mainly win), get robbed, and get blind drunk. This film is currently available via the good folks at Something Weird Video. It is without a doubt the worst porn film ever made. Somewhere John waters is green with envy that these would-be stars slipped through his fingers. In fact, if ever radical Christian conservatives want to truly turn teenagers off to sex, this is the film they should show them. At first, you'll be horrified to be witnessing this naked hillbilly, trash, couple pawing each other drunkenly. The overweight, beehive-wearing, leading lady twangs and drawls her way through a tirade of improvised insults and personal attacks with her drunken male costar until you almost forget entirely that this couple are attempting to make a sex flick. This film is so bad it is awesome. Sure to be like nothing you've ever seen before.