火影忍者mad

The title of the film leads the viewer to expect lots of violence, and Lenzi certainly doesn't disappoint in this respect. We've got bowling balls to the head, a young woman having her face scraped off on a moving train, a man impaled on a sharp fence and many other such delights. Overall, it has to be said that this film isn't very original, but Lenzi injects some freshness into it with a barrage of exciting chase scenes (the best of which take a point of view shot from the front of a motorbike) and violent shootouts. The good thing about these Polizia movies is that they are played out for pure entertainment value, meaning that Lenzi is free from trying to be arty, and can pack in as much violence as he likes; a fact which is often capitalised on. The film benefits from a strong Italian cast, including Maurizio Merli; who may be no Clint Eastwood, but still delivers a strong and entertaining lead performance. John Saxon gets to join in the fun also, and there's also a place for fellow American actor Barry Sullivan, in the role of the villain. Overall, if you're into Italian cop movies; this isn't one to miss! 勒维（达(dá )斯汀·霍(huò )夫(♉)(fū )曼 Dustin Hoffman 饰）在(🌙)不久(jiǔ )之前(🧣)刚刚(gā(⛵)ng )失去(✔)了父亲(😭)，这(zhè(🔽) )让他和(🥣)哥哥(🌥)多(duō )克(🔄)（罗(💢)伊(yī )·(🚲)施奈(🔉)德 Roy Scheider 饰）(🚖)之(zhī )间的感(🗨)情(qíng )变得更(💤)加紧密。某日(🐋)，勒维邂逅了(➕)名为(wéi )艾(à(🕛)i )尔莎（玛尔(🚐)特(tè )·克勒(🔃)尔(ěr ) Marthe Keller 饰）的(🤼)美丽女孩(há(🍽)i )，瞬间坠入情(💊)网的勒维(wé(🌃)i )随(suí )即向艾尔莎展(zhǎn )开了热烈(liè )的(de )攻势，很快，两人便走(zǒu )到了一起。 二战(👋)(zhàn )结束，时间(👀)流(liú )逝，伊莎(🗒)(shā )找(zhǎ(🎿)o )到了(👥)新雇主(🚮)，受命(🤚)于一(yī(🥢) )个主(🀄)人喜欢(💖)进口(📋)(kǒu )少女(🗞)当作(🐸)性奴(nú(🈸) )的阿拉伯(bó(🤾) )家(jiā )族。一位(🛄)美国(guó )百万(🎺)富翁(wēng )的女(🍅)儿，一位电(dià(🦉)n )影明星和一(🛄)位妩媚动人(🔢)(rén )的(de )马术教(🥍)练都是(shì )他(📩)的最新(xīn )牺(🕶)牲品。 拍摄过(💶)(guò )程 Maurizio Merli may have come to fame as a Franco Nero impersonator; but after that he really came into his own and if his name is on the cast list (particularly if it's at the top of the cast list), you're pretty much guaranteed a good film. This one was the final outing for Merli's Commissario Betti character, and he ensures the ace crime fighter goes out with a bang as Marino Girolami's film is packed to breaking point with car chases, shootouts and fist fights and certainly delivers on the promise of being an action packed thriller! The plot focuses on Commissario Betti. Once again, he's aggravated at the amount of crime going on in the city and his attention is focused mainly on two big crimes; a bank robbery and a kidnap plot. The Commissioner battles bravely to ensure the crooks are brought to justice but soon realises that there's no point in merely sorting out the henchmen and decides to go after the man he believes is heading the criminal operations; slimy businessman Albertelli, although bringing justice on the head criminal may not be so easy... Duras's first work of short fiction, Des journées entières dans les arbres (Whole Days in the Trees and Other Stories), was published in 1954. Consisting of four stories, Des journées entières dans les arbres touches on several themes that Duras explored more fully in her later work—particularly the developing sexuality of young women—but in form and structure is more similar to her earlier works, which tend to be realistic and conventionally structured. サド・マゾ小説の大家(jiā )団鬼六の代(dài )表作の映画(🌕)化(huà )で、美(🕟)しく雅やか(😣)な生花(huā )の(🦎)家元が(👎)、嗜(🗺)(shì )虐の(🤫)魔手(⬇)(shǒu )にか(🕥)かっ(🚰)て、Ｓ(👭)Ｍの(😦)世界(jiè(😃) )に落(🔌)ちこん(🍣)でいく姿を(😰)描く。脚本は(🈹)「女(nǚ )囚１(🍧)０１　性(xì(🐌)ng )感地獄」の(🅰)久保田圭司(💧)、監督は「(🕟)四年三組の(🧚)はた」の藤(⬇)井克彦(yàn )、(🎏)撮影は「濡れた壷」の水野尾信(xìn )正がそれぞれ担(dān )当。