电视剧罪域

A strange series of solar flares proves fatal for inhabitants of the Earth, except for the fortunate few who are somehow immune from the effects. Animals go insane and human beings turn to white powder, leaving behind only empty clothing. A handful of survivors attempt to rebuild their lives on the de-populated Earth. L' ultima chance is one of those Italian films overdubbed in English in order to appeal to english-speaking audiences. It's about the love of a woman for a criminal who stays at the motel she owns. Well, it's a little more complicated than that, but it's an interesting plot. The movie, however,is poorly made, complete with lousy acting (Andress being an exception). Suspense is maintained throughout the movie, which is certainly a plus. 科菲(fēi )是一名(🎓)护士，她(🤴)的妹妹染上了(le )毒(🗨)(dú )品，并(❗)被受污染的海洛(⭕)因严(yá(📜)n )重(chóng )伤害(hài )。科菲(🌨)开始了(🚰)复仇和维(wéi )持(chí(😕) )正义(yì(🍪) )的使命，杀(🤧)死了毒贩、皮(🍜)(pí )条客(kè(🌲) )和从她身边走(📍)过的匪徒(💂)们。 The classic English fairy tale about a boy named Jack who sells the family cow for some magic beans. The last of veteran moviemaker Marcel Carne's theatrical films, La Merveilleuse Visite was a surprisingly restrained film by one of the most colorful filmmakers in France. Jean (Gilles Kiher) stars as an angel who has fallen from heaven and landed in a picturesque French village. Nursed back to health by the local priest and his helper, he returns the favor in a surprising fashion. La Merveilleuse Visite is based on a story by H.G. Wells. ~ Hal Erickson, All Movie Guide 瑞(ruì )典唯美(😵)派情色大(🚖)师乔.萨诺（JOE SARNO）(🤾)1972－1974年的(de )名(🏩)作“少女三部曲(💆)”之(zhī )一(yī(⏳) ) Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it. In Victorian London, a beautiful young man is given a portrait of himself by an admiring artist. Soon after this, he treats a young woman cruelly and then notices that his portrait seems to look meaner than it used to. Eventually, he cannot endure the portrait and hides it in the attic. As the years pass, he becomes ever more unscrupulous and dissolute. His friends remark how he is as handsome as ever and never seems to age. But up in the attic, his picture becomes uglier with his sinful ways 本武(wǔ )俠片於(😌)1972年拍成，由(🎈)何夢(mèng )華(huá )導(🌃)演(yǎn )，江(👔)陽編劇，娃娃影后(📮)(hòu )李(lǐ(🙉) )菁、趙雄、楊志(🥛)卿及王(❎)俠主演。故(gù )事(shì(🛵) )描述(shù(👅) )，威遠鏢局少主兼(🍆)滄州(zhō(😈)u )總(zǒng )捕頭(tóu )萬超(🥈)凡（趙(🏸)雄），與鎮(🛳)(zhèn )北(běi )鏢局(jú(🚀) )千金秀秀(🐿)（李菁）青梅(🤔)(méi )竹(zhú )馬(🚧)。超凡不知秀秀(🥠)之父樊芝(🔐)龍（楊(yáng )志卿(✔)）除嫁禍(👠)萬家劫鏢外，亦(💮)(yì )為(wéi )其(🐏)殺(shā )父主兇。後(🐓)秀秀撞破(🚙)其(qí )父(fù )的愛(🦒)(ài )妾與(🌥)門徒通姦，險遭滅(🐤)(miè )口(kǒ(⛺)u )，幸(xìng )得超凡及時(🥊)趕到相(🙋)救。超(chāo )凡得(dé )秀(😩)秀與冷(🏃)面劍客（石天）(⏮)相助(zhù(👎) )，終揭(jiē )穿樊連串(🏫)陰謀…(🖍)… 七十(shí(🚁) )年(nián )代初(chū )黃(⛄)潮泛濫，警(🛤)察包庇下(xià )，色(🧕)情(qíng )事業(🏅)在港九遍地開(⌛)花。龍(lóng )剛(🏃)的(de )本片是粵語(📍)片中少有(🐼)地把娼妓(jì )當(😲)作社會問(😨)題作全面的探(🏤)討。以(yǐ )五(🍷)名(míng )妓女的遭(🎖)遇交織(👆)出有血(xuè )有(yǒu )淚(🧒)、有喜(🥒)有悲的故事，大肆(👱)(sì )賣(mà(🧠)i )弄煽(shān )情、色情(🐀)暴力之(🔳)餘也諷(fěng )刺(cì )上(🛎)流(liú )社(🌄)會的虛偽(🛌)、嫖客的醜陋(🕳)和社(shè )會(🍰)(huì )的貧(pín )富懸(🉑)殊。其中，老(🈲)妓王(wáng )萊(lái )的(📣)途(tú )窮日(🥗)暮和金霏與丈(🍤)夫龍(lóng )剛(🙊)(gāng )抵受(shòu )不住(🎪)黑社會與(🏃)生活壓力(lì )而(⛳)(ér )全家(jiā(🏆) )服毒慘死尤其(🐢)令人感嘆。