《多(🌥)特和袋(dài )鼠》其(🆖)实(shí )是一部实景与卡(kǎ(⏹) )通(🌈)人物相(xiàng )结合的动(dòng )画(🧝)电影(yǐng )，它讲(🌑)述(🚢)(shù )的是一(👾)个(🎽)(gè )名叫多(duō(✔) )特的小女(nǚ )孩在森林(lín )里(🚏)迷路了，但是遇到了一(yī(❤) )个(😋)好心的(de )袋鼠(🍹)，袋鼠带着她(🔭)在森林(lín )冒(🐎)险(🚉)然后(hòu )最终(🉐)把她(tā )送回(🌡)了(🦀)(le )家。
马本(běn )诚（张丰(fēng )毅(🏴) 饰）是个非(🅿)法(fǎ )入境的(🤵)“逃(🖨)港者”，他因(yī(📚)n )打人被判(pà(👠)n )入狱八年(nián )，出(✔)狱后闻言老(lǎo )母去世和(🙁)(hé(🈂) )妻子杜霞(xiá )（吴家丽 饰(🙏)）提(tí )出离(🏬)婚(🔉)，万念俱灰(🚀)(huī(🏏) )的他自(zì )杀(🤘)未遂，却落得终(zhōng )身残疾(jí(🖇) )。返回大(dà )陆后，举(jǔ )目无(🌧)亲(🍒)，他四处寻访(👫)再婚(hūn )的杜(🔨)霞，杜霞的哥(🏄)哥(👉)杜伟（秦沛(🚺) 饰(shì )）找人(🔊)来(🎖)(lái )痛打一顿(dùn )这个曾(cé(🚴)ng )经的小舅(jiù(🎃) )子。马本(běn )诚(🦋)把(✖)杜(dù )的表侄(🉐)小(xiǎo )征（肖(🔫)俊(jun4 )琨 饰）扣做(🌨)人质(zhì )，逼杜霞(xiá )露面。从(⚫)(có(🖱)ng )此，一大一小的(de )两人成了(🥫)(le )朋友，流(liú )浪(😞)人(😦)群出没的(🌯)地(🎥)(dì )方都留下(🉐)(xià )了他们的(de )身影。一日，为(wé(🛺)i )救横卧在(zài )铁轨上(shàng )的(🚡)拖(🆓)拉机(jī )，本诚(🏫)拖(tuō )着残疾(🚂)的双腿迎向(💙)飞(😒)奔而(ér )来的(🌹)火车(chē )，小征(🕰)却(🥩)滚下陡峭的路基(jī )。在医(🈚)院(yuàn )里，杜霞(🏙)(xiá )告诉本(bě(⬅)n )诚(💗)，小征(zhēng )是他(😙)的亲(qīn )儿子(🍜)......
一(yī )位罗马执(💜)(zhí )政官，在(zài )他前往指挥(✒)一(💏)场(chǎng )边境战争(zhēng )的路上(🗝)，住在一座省(🔖)城(💲)里(lǐ )。城里(🐿)居(➗)(jū )民尽管不(👁)(bú )喜欢这种情形，但认为这(📬)(zhè )是目前最(zuì )好的选(xuǎ(🌜)n )择(👇)。
《鲛(jiāo )鮹岛/Isola degli uomini pesce, L'/The Island of the Fishmen》（(📠)1979），意(yì )大利(🎍)导演(yǎn )Sergio Martino导演(👆)的(💄)这(zhè )部融合(👱)了各种娱乐(🛏)元(♐)素（尤其是Giallo film风(fēng )格的配(⏪)乐）的海岛(💯)冒险电(diàn )影(🍷)，绝(🔶)对(duì )是一部(🥇)极(jí )其优秀(📴)(xiù )、精彩、被(🎤)大多数(shù )人忽视(shì )了的(🎫)杰(🚵)作(zuò )。此片据(jù )IMDB有三个版(💧)本：Sweden:93 min | USA:81 min | West Germany:85 min，现在已(🏩)经(📃)(jīng )发行了(🌆)DVD-93分(🐮)(fèn )钟最长的(🙋)那个完(wán )整版本。我不知道(🏢)(dào )IMDB上那个令人发指(zhǐ )的(❌)“User Rating: 3.2/10 (328 votes) ”分(🐳)(fèn )是怎么搞(🚷)(gǎo )出来的(de )，但(🎥)我敢(gǎn )说那(🤓)些(⚡)给(gěi )本分打(👡)(dǎ )了低分，而(😆)致(🥩)使它(tā )最终被搞出了这(🔰)么一个令(lì(🌻)ng )人难以置(zhì(📲) )信(🌥)的平均分的(🐇)人，绝对都(dō(💑)u )是有眼不(bú(💌) )识(🥏)泰山。此片不(bú )仅在可看(💺)(kà(🏾)n )性上精彩(cǎi )到了无(wú )以(🖤)复加，即使作(🕢)为(😖)(wéi )一部典(👫)型(🦋)的类型(xíng )片(🕡)来分析(xī )，在类型程式运用(🕊)，剪辑(jí )、拍摄技(jì )术，声(⌛)效(💄)(xiào )处理等各(🔋)方面上(shàng )，也(🧙)都是(shì )继承(🎫)了(🕵)Giallo film 6、70年代的(de )优(⚓)秀传统经验(⛎)，拍(👁)(pāi )得极其(qí )漂亮的。而且(😆)本片(piàn )还可(🔍)说是一部非(⛪)常(⛺)地道的(de )具有(🔥)“90年(nián )代之前(🎗)风格与味道(🛺)”的(📟)古(gǔ )典式冒险(xiǎn )/惊竦电(🆓)影(💲)，因为(wéi )它有时候(hòu )不仅(🧠)在恐(kǒng )怖效(🔌)果(♉)(guǒ )，在男女(🥤)(nǚ(📪) )主人公人(ré(🌿)n )物形象塑造、洋(yáng )溢的异(🗑)域(yù )情调、实景画面拍(🔴)摄(🏡)风格(gé )和科(🦄)幻/幻(huàn )想—(🐐)—乃(nǎi )至浪(🍙)漫(👕)主义的冒(mà(🤹)o )险奇遇、抒(🛎)情思维(wéi )上也都(dōu )是颇为(🍋)“老式”的(de )，也就(♈)(jiù )是说——(🆘)都(👈)是优美(měi )的(🏤)。
影片由布莱(🦁)恩·米勒(lè(✝) )执(🏈)导，Rain在(zài )片中的角色马克(😃)是(💄)一位非(fēi )常冷酷，勇敢无(⏳)畏的男性(xì(🥢)ng )。除(🐻)了威(wēi )利(💑)斯(🎮)和库(kù )萨克(🐆)之(zhī )外，其他(tā )演员还包(bā(🌭)o )括“50美分”柯蒂(dì )斯·杰克(🐜)(kè(🔝) )逊和杰森·(😫)帕特里克。影(🍙)(yǐng )片计划在(😳)(zà(🛸)i )感恩节之(zhī(🎵) )后于阿拉巴(🎬)马州(zhōu )开拍。而(ér )Rain也将在近(🍫)(jìn )期奔赴(fù(🐞) )美国。 据悉，该(🛸)片(👔)(piàn )由兰道(dà(😟)o )尔·艾米(mǐ(🏧) )特、George Furla、Adam Goldwormm、Pak Ho-Sung、(👁)Fred Song共(🍥)同担纲影片制作，韩(hán )国(🈴)联(🌼)合投(tóu )资公司也会参与(🐰)制作，预(yù )计(🎏)制(🆔)作成(chéng )本(🌐)在(🔣)1000万美元。
詹(zhā(👌)n )妮是个爱(ài )马的乡下(xià )女(🔏)孩，但父亲却(què )让她不要(📠)(yà(🔱)o )接近马，因为当(dāng )骑手的(📌)母(mǔ )亲因赛(😱)马(🌒)发生意外去(💏)世了(le )。父亲定(🐯)(dìng )下了规矩(jǔ )，如果她再到(🍹)邻(lín )居家骑马(mǎ )，就把她(🤙)(tā(🗡) )送到墨(mò )尔(🤘)本的寄宿学(🆖)校去(qù )。
真木(🎩)(mù(🐞) )栗勉，作(zuò )家，住在(zài )一座(📨)破(💇)旧的大厦(xià )里，生活(huó )窘(🔊)迫，这(zhè )次终(🆘)于接下了一(🏵)个(🕵)比较大(dà )的(🥇)活-写一(yī )部情色小说。指(zhǐ(✊) )望着这个(gè )翻身的他(tā(😱) )不(⛱)断的(de )在思索着(zhe )题材，在(zà(🧢)i )屋中不断的(🈹)踱(👈)步(bù )时，他发(🐡)(fā )现了墙上(🏨)有一个小洞，可(kě )以看到隔(📲)(gé )壁空着的屋子，于是他(🕯)每(🐒)(měi )天都期待(🦒)(dài )着能有年(✂)(nián )轻女孩(há(🧠)i )搬(🐏)来这里，可以提(tí )供他写(🙌)(xiě(🔲) )作的题材(cái )。一天，终于有(🦎)一个女孩(há(⌚)i )搬来这间(jiā(📲)n )屋(📀)子，于(yú )是他(🐅)……
Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score.