莲花闹海棠第二部

故事(shì )背景(jǐng )为(😺)一战时期的德国。曼弗(🚌)(fú )雷德·冯(📽)·里希特(🕕)霍(🚽)(huò )芬是(shì(✋) )一名(míng )德(🎳)国(🍶)飞行员，他(tā )有着击(🚗)落(🛅)(luò )80架敌机的傲人战(🚯)(zhà(🍿)n )绩，被称(chēng )为王牌中(🗺)的(〽)王牌(pái )，他的绰(chāo )号(💡)叫(🧠)“红(hóng )男爵(🤫)”。本片就(jiù(🐕) )是(🏾)根据这(zhè(📶) )位传奇(qí )人(✏)物的生(shē(🐮)ng )平改编而成(🦗)。 影(yǐng )片主人公(gōng )是一(🤢)位年轻的记(📘)(jì )者，他在(🚯)(zài )谷仓中躲(🤓)避黑夜(yè )，受(shòu )到一(yī(📆) )欺骗他的丑陋老妇用(😍)(yòng )扫帚(zhǒu )的(🐴)攻击。他设(🎢)法(😡)用基(jī )督(💶)教(jiāo )传统(🕴)方(📦)式灭之，但她(tā )一下(🚧)(xià(🌞) )却变(biàn )成了漂亮的(😽)女(🧖)人(rén )，显然这(zhè )个女(🛏)人(🎩)被女巫所(suǒ )占有了(🥂)。而(🏛)当女人最(🐋)终死(sǐ )去(⛎)，女(📃)人(rén )的父(🌚)亲吩(fēn )咐他(🦀)夜(yè )夜为(🖱)其祷(dǎo )告，直(🔇)到(dào )下葬之(zhī )日。夜间(⭐)(jiān )女人复活(🚤)，不过(guò )以(🙃)女巫的(de )形式(🌥)，并努力想(xiǎng )得到受魔(🕋)(mó )法圈保护的他。殊死(🔼)拼搏(bó )的最(🚤)后一夜，女(🥀)巫(🤔)唤(huàn )来了(le )夜行怪物(🌈)助(🤷)她一臂之(zhī )力……(📗) Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo. Track list: 影(🐙)片讲述的是上世(shì(🧤) )纪(🐀)30年(nián )代泰(tài )国一个(⏱)巨(♐)大庄园(yuán )里发生的(🍴)(de )爱(🐽)情和恐怖(🍾)故事(shì )。为了(🧖)寻(xún )找老(🏀)公从乡村来(🥐)(lái )到城里的(de )婵，来到(dà(🈁)o )一个巨(jù )大的庄园(yuá(🏑)n )时因为有(yǒ(😹)u )孕在身(shēn )不得不在(zà(🚹)i )此停留片刻。华(huá )丽的(🔼)住宅(zhái )和美丽鲜花围(🐠)绕(rào )的庄园(🎾)里(lǐ )却充(😗)满(💶)了陌生的(de )阴森感。而(🚹)与(💟)这阴森息息相关(guā(💪)n )的(🚳)人(rén )就是庄园主人(⭕)的(🤝)太太(tài )阮夫(fū )人，她(🐮)从(⭐)来不离开自(zì )己的(🕺)(de )卧(🗾)室(shì )半步(🥖)，但会通过(guò(🍋) )管家支配(🌉)(pèi )整个庄园(😛)。在婵(chán )极度不安(ān )的(🎖)时刻她生下了(le )孩子。在(🕓)(zài )这奇异的(🦅)庄园里(lǐ )婵要直面(mià(📿)n )的现实是(shì )什么呢(ne )？(🕍)她和她(tā )的(💉)孩子将(jiā(🔸)ng )面临怎(zěn )样(😚)的命运(yù(🍓)n )呢(⬆)？ 不堪忍受奥(ào )林(🖌)匹(♟)斯众(zhòng )神残暴压迫(🍐)的(🏧)阿(ā )戈斯国王(wáng )亚(🍯)克(🆑)里斯（Jason Flemyng 饰）奋起(qǐ(🎭) )反(🉐)抗(kàng )，对至高无上的(🔋)神(🏐)明(míng )大为(⌚)(wéi )不敬。在冥(🥦)王哈迪斯(🏝)(sī )（拉(lā )尔(🤩)夫·费因斯 Ralph Fiennes 饰）的(de )怂(🐅)恿下，天神宙斯（连姆(💚)(mǔ )·尼森 Liam Neeson 饰(🚯)(shì )）决定对愚蠢的(de )人(🌤)类施以(yǐ )惩罚。遭遇海(😃)难(nán )流落到(💦)阿(ā )戈斯(💳)的青(qīng )年珀(👯)修(xiū )斯（(🔰)萨(🐅)姆(mǔ )·沃辛顿(dùn ) Sam Worthington 饰(🛵)）(🥝)是(shì )宙斯和亚(yà )克(🤽)里(🍕)斯的皇后生(shēng )下的(🏾)半(📏)神(shén )，他亲眼目睹哈(🌇)(hā(❗) )迪斯所施(shī )下的恐(🏈)怖(🏂)神迹，并得(🍸)(dé )知哈(hā )迪(✴)斯将释放(🎰)北海怪兽(shò(👨)u )克拉(lā )肯惩戒世人，除(🌜)非亚(yà )克里(lǐ )斯将美(📃)丽的公主安(🐆)德(dé )鲁美达（艾莉克(💶)莎·黛沃(wò )洛斯 Alexa Davalos 饰）(🥚)作为牺牲献(🎢)给众(zhòng )神(💻)。在女(nǚ )神爱(🎗)娥（Gemma Arterton 饰）(🦆)的(💅)(de )点拨下，珀修斯知(zhī(🎖) )晓(⏫)了自(zì )己的身世(shì(🦁) )与(🥫)使命，于是决(jué )定启(🐠)程(🥝)杀(shā )死北海怪兽并(🍢)摧(⏲)(cuī )毁哈迪斯(sī )的阴(🕝)谋(🤶)…… 肉类(💤)(lèi )工厂经理(⏱)(lǐ )安德烈(🛵)亚打发太太(⛰)瓦(wǎ )莱里(lǐ )娅去度假(😪)，他好跟情(qíng )人朱(zhū )莉(👣)娅鬼混。没想(👚)到太(tài )太也(yě )是去会(🏔)情夫的。不过(guò )瓦莱里(🤐)娅(yà )并不知(🍬)道，那个(gè(😋) )自称伯爵(jué(🎣) )的情夫其(🍖)实(🏐)只是(shì )个经理助(zhù(🤘) )理(🏜)，而且正是安(ān )德烈(🚋)亚(💱)的(de )助理。更(gèng )糟的是(🚣)(shì(🥜) )，这两对(duì )偷情男女(⏱)(nǚ(😈) )不巧住(zhù )进了同一(📬)(yī(📣) )间酒店…(🦍)… I saw this under the title The Masters on video in the UK. I've seen a lot of Italian movies from this time and if you allow for the limitations of dubbing and budget this film is actually pretty special. The idea of one man manipulating a whole population of a small town is brilliantly handled, and acted by James Mason. Franco Nero and Jennifer O Neal both give decent performances as pawns in a much larger conspiracy. It also has some great inexplicable moments, the frozen bodies on the motorbike, the revelation of what James Mason keeps in his backgarden, the superstitions of the townspeople. This all adds to the intrigue of this fascinating film. Somewhere between exploitation and art this film represents just what I personally look for in Italian movies from the 70's. Recommended, but not for everyone. 一种(zhǒng )禽(🐳)流感病(bì(🐎)ng )毒在洛杉矶(🎥)传播(bō )，而一位(wèi )来自(💹)治病控制中心的(de )医生(💲)(shēng )忙着找出(🔅)疫苗。