水晶之恋电视剧

故事背景为一战时(⏭)期(👯)的(🗓)德(🐰)国。曼弗雷德·冯·里希(xī )特霍(huò )芬(🥂)是(🍐)(shì(🌄) )一(🛺)名(míng )德国(guó )飞行(háng )员，他有(yǒ(🚷)u )着击落80架(🥚)敌(🌦)机(🗡)的傲人战绩，被称为王牌中的(💘)王(👀)牌，他的(🌃)绰(🍳)(chā(🐨)o )号叫(jiào )“红(hóng )男爵(jué )”。本片(piàn )就(🕧)是(🕒)(shì )根据(jù(🧥) )这位(wèi )传奇人物的生平改编而(🙁)成(⏮)。 卢(👻)卡·佛(🛩)洛瑞（吉姆·罗(luó )斯·斯图尔(💭)特(🎨)(tè(✒) ) Kim Rossi Stuart 饰）从小(xiǎo )在非(fēi )洲长(zhǎng )大，父亲经常(🔂)出(👷)差(🦍)，留(😉)下年幼的他和母亲寂寞思念，一日母(🐲)亲(🐂)丧(🚜)身(🛁)汽车(chē )轮下(xià )，目(mù )睹惨(cǎn )剧(🌹)发(fā )生的(🔂)(de )卢(🛩)卡(✔)从此(cǐ )心中埋下阴影。成年后(🥁)的(👢)卢卡回(✒)到(📗)意(🤑)大利，成了知名爵士(shì )钢琴(qí(♍)n )家(😕)，融合(hé )非(🔱)洲(zhōu )元素(sù )的爵(jué )士乐(lè )令他(📋)(tā(🚉) )大(🔭)受欢迎(🛠)，更扬名国际，但是人前的荣耀并(🐽)不(🐢)能(🦇)治愈(yù )他人后的伤痛(tòng )，卢(lú )卡始(shǐ )终(🕛)无(🐮)(wú(🎽) )法(🧕)敞(chǎng )开心(xīn )扉向任何人，更和整个世(🎡)界(🕸)保(⬜)持(🏽)冷漠和梳理，令他内心情绪走(💙)向一(yī )个(🛂)恶(🐢)(è(🏣) )性循(xún )环。随着(zhe )年纪(jì )增大，对(🐛)(duì(😭) )母亲的(🔀)负(🕖)罪(😳)感逐渐填满了他的生活，他的(🐫)音(🈷)乐里被深(📷)藏了(le )许多(duō )痛苦(kǔ )，但(dàn )最终(zhō(🎭)ng )连(🏚)音(👻)(yīn )乐都(😙)(dōu )无法(fǎ )承载(zǎi )这一切，在38岁时(⤵)，他(🍭)灌(😏)录了最后一首独奏作品《能飞(fēi )得多远(🤠)》后(😪)，选(💚)择(😆)(zé )悬梁(liáng )结束(shù )自己(jǐ )的生(shēng )命…(🍟)…(🧑) 《鲛(🏃)鮹(🙏)岛/Isola degli uomini pesce, L'/The Island of the Fishmen》（1979），意大利导演Sergio Martino导演的这(➕)部融合了(🌻)各(🍀)种(👐)娱乐元(yuán )素（尤其(qí )是Giallo film风(fē(🌀)ng )格的(de )配乐(🗝)(lè(✉) )）(🔐)的海岛(dǎo )冒险电影，绝对是一(🏑)部(🎦)极其优秀(🍍)、精彩、被大多数人忽视(shì )了(😓)的(🚛)(de )杰作(zuò )。此(🧥)(cǐ )片据(jù )IMDB有三(sān )个版(bǎn )本：Sweden:93 min | USA:81 min | West Germany:85 min，现(🌘)在(🍑)已(🛵)经发行了DVD-93分钟最长的那个完整版本。我(👎)不(😶)知(🔊)道IMDB上(shàng )那个令人(rén )发指(zhǐ )的“User Rating: 3.2/10 (328 votes) ”分(fèn )是怎(🍫)(zě(🎱)n )么(🌟)搞(✖)(gǎo )出来(lái )的，但我敢说那些给(🦉)本分打了(🗡)低(🖲)分(💂)，而致使它最终被搞出了这么(🐔)一(yī )个令(💊)(lì(🦏)ng )人(🍩)难(nán )以置(zhì )信的(de )平均(jun1 )分的人(⏩)，绝(🦂)对都是有(✨)眼不识泰山。此片不仅在可看性(🍨)上(📵)精彩到了(🐢)无(wú )以复(fù )加，即使(shǐ )作为(wéi )一(😼)部(🐥)(bù(🤲) )典型(xíng )的类(lèi )型片来分析，在类型程式(🤧)运(😃)用(🔧)，剪辑、拍摄技术，声效处(chù )理等各方(fā(🏉)ng )面(🍕)上(🗒)(shà(🔐)ng )，也(yě )都是(shì )继承(chéng )了Giallo film 6、70年代(🚂)(dài )的优秀(⤵)传(❄)统(🖲)经验，拍得极其漂亮的。而且本(😎)片还可说(🕯)是(🚮)一(📳)部非常地(dì )道的(de )具有(yǒu )“90年(niá(🙆)n )代(🐼)之(zhī )前风(⌚)(fēng )格与味道(dào )”的古典式冒险/惊(🌦)竦(🔉)电影，因为(🈶)它有时候不仅在恐怖效果(guǒ )，在(⭕)(zà(🤴)i )男(🚠)女(nǚ )主人(rén )公人(rén )物形(xíng )象塑(sù )造、(📓)洋(😡)溢(🍭)的异域情调、实景画面拍摄风格和科(🤺)幻(🖼)/幻(➰)想(🎹)——乃至(zhì )浪漫主义(yì )的冒(🍩)(mào )险奇(qí(👝) )遇(🔽)、(🤠)抒情(qíng )思维(wéi )上也(yě )都是颇(😇)为“老式”的(💉)，也(🕌)就(💴)是说——都是优美的。 Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score. 由(🏣)考(🏠)古学家(jiā(⛩) )发现(xiàn )了一(yī )个神(shén )秘的(de )失落(🌐)(luò(😐) )世界，可(kě(🌼) )是却在告知好友钱教授之后就(🐜)一(📩)病(🎇)不起，去世前他托好友(yǒu )钱教(jiāo )授替(tì(📢) )他(📃)完(🐵)(wán )成发(fā )现恐(kǒng )龙的(de )遗志(zhì )。然而这个(🍚)失(🍡)落(❕)的(💫)世界早就受到了诅咒，守护这(🈁)里的尼安(⏪)(ā(🥋)n )泰(🏯)塔人根(gēn )本不(bú )让外(wài )人踏(🌼)(tà )足这(zhè(🗄) )里(🔲)一(🛀)(yī )步，于是他们开始了生存之(🙂)战(🥉)…… 剧情(🕞) 鲁迪（艾尔玛·韦伯 Elmar Wepper 饰）和杜(✂)莉(🐼)(lì )（汉(hà(🤵)n )娜萝(luó )蕾·艾尔(ěr )斯纳(nà ) Hannelore Elsner 饰）(🖱)是(🍃)一(🐙)(yī )对相濡以沫的老夫妻，但噩耗突然来(🚥)临(📧)，杜(🤲)莉得知鲁迪已(yǐ )经身(shēn )患癌(ái )症且(qiě(🚞) )无(😿)救(📺)(jiù(♐) )治希(xī )望，于是(shì )暗自隐瞒实(👫)情，说服他(🖨)一(🐻)同(💦)回到柏林，完成他长久以来的(😠)(de )心愿。到(dà(♎)o )了(🚢)柏(🏏)(bǎi )林的(de )两位(wèi )老人(rén )发现(xià(〽)n )子(🌄)女(nǚ )已经(😨)有了自己的忙碌生活，根本无暇(🍲)顾(✏)及他们二(🌧)人，于是其意去波(bō )罗的(de )海度(dù(📵) )假(🍘)，不(🌛)料(liào )二人(rén )刚到达目(mù )的地住进旅馆(😛)的(🔌)第(🎅)二天，杜莉却在睡梦中去世了。伤心的(de )鲁(🍹)迪(🌭)(dí(💹) )决(🌕)定(dìng )独自(zì )完成(chéng )妻子(zǐ )未偿(cháng )的心(🏗)(xī(🌧)n )愿(🐵)，他来到东京，看到杜莉一直向(👡)往的樱花(🤩)盛(🤠)开(♏)和富士山(shān )，并认识(shí )了一(yī(📷) )位(🌛)年(nián )轻的(♓)(de )传统(tǒng )舞者(zhě )优（入月彩 饰）(🆘)，由(🤼)她带他寻(🏌)找杜莉曾经的日本舞梦想……(🌈) 一(💡)种(🧀)禽流感(gǎn )病毒(dú )在洛(luò )杉矶(jī )传播(bō(🕷) )，而(🥉)(é(🔦)r )一位来自治病控制中心的医生忙着找(✔)出(🏍)疫(🐠)苗(🔳)。 算上“Gone，But Not Forgotten”、“Love Life”，这是(shì )导演(yǎn )Michael D. Akers第三(sān )次执(zhí )拍(🌾)同(📯)(tó(🐫)ng )志题材的(de )电影了。Akers习惯运用高(🚺)密度的画(🔗)面(⏳)营(🔩)造视觉效果，他的人物(wù )角色(🐗)也(🥞)以(yǐ )往往(🕗)(wǎng )复杂(zá )而充(chōng )满立(lì )体感(gǎ(🧡)n )。“Phoenix”中(🖨)每个角色(✌)都被导演赋予了象征意义，水，大(📨)地(🌮)，风(🧡)和火。导演(yǎn )希望(wàng )用4种(zhǒng )元素(sù )来解(🏴)(jiě(🚂) )构(🍦)爱(ài )情的真正含义。