洛洛历险记主题曲

罗马帝国(🌓)时(shí(🧢) )期恺(kǎi )撒(sā )的(🐛)军队横扫欧(👚)洲，却对高卢的一个(😚)小(xiǎo )村(cūn )庄(🈸)无能为力。原因(yīn )是(👌)(shì )这里的巫(🤑)师会调(🐘)制(zhì )一(yī )种(🏌)让(ràng )人(rén )力大无比(🗺)的药水。为了(🏭)打败这个村子(zǐ )恺(📏)(kǎi )撒让人绑(🛍)架了巫师(shī )把(🕛)(bǎ )他(🏑)送到大(🎑)洋对(🕠)岸的(de )地(dì )方去(🐶)(qù )。村里的勇(🧀)士阿(🌗)斯特(tè )里克斯(💰)和他的伙伴(❇)奥(à(🔴)o )普里克斯一直(🦅)追到(dào )了(le )大(🚥)洋尽(🚉)头，这就是(shì )美(♋)(měi )洲大陆。在(🚷)这里他们(men )和印(yìn )第(🐣)(dì )安人交上(📱)了朋友，成功救回了(🚚)巫师，并(bìng )及(🎡)时回到(🔺)高卢，拯(zhěng )救(🙀)(jiù )了村民。 Joe 'Tom' Yateley is an ex-convict. Trying to leave his past behind, he decides to starts working for the Hawlett Trucking company, which transports gravel. It's an aggressive company, where speed is everything. Doing too less runs in a day? You're out. Red is the most experienced trucker, he can do 18 runs in a day. Tom soon makes friends with Lucy, the secretary, and Gino, a driver. But the record of Red intrigues him and he wants to break it. Gino advises against it, but he helps Tom when he wants to go through with it. Soon trouble begins when Red and the other drivers form an united front against Tom. Just when Tom has enough and decides to pack his bags, Lucy tells him Gino had a terrible accident. She also tells about the corruption of Hawlett Trucking. 一群朋友(🤵)(yǒu )在(zài )一次(👹)(cì )重(chóng )聚的时候说(🐭)起他们(men )的朋(🥓)友费斯悲惨地(🤔)(dì )在(🥢)(zài )四年(😞)之前(🔃)被杀惨剧(jù )，在(💗)某一森林深(♏)处费(🔻)(fèi )斯(sī )被残(cá(🤠)n )忍的谋杀和(🔕)。这群(🌲)年(nián )轻人去到(🚅)了这个森林(🌵)(lín )，料(🈺)想不到一抵达(🔚)(dá ),一(yī )个遗(🗾)传学研究员警(jǐng )告(🍯)(gào )他们立刻(🥢)离开森林，但是(shì )这(⏲)(zhè )时一切已(🛏)经被打(👷)乱(luàn )，同时开(🗓)始了残忍(rěn )的(de )追杀(😨)与逃亡, 真相(🔬)陆(lù )续(xù )大白，这群(📋)人为他们(men )的(🦄)过(guò )去(qù )罪付(😋)出了(🗺)代价。 最(⛏)(zuì )后(🎻)的血腥的揭露(🌈)关(guān )于(yú )这(🌄)个事(👙)实和什么真(zhē(❤)n )的(de )在四年以(🧞)前偶(📥)然发(fā )现(xiàn )那(🦉)夜(yè )晚 公元(🖇)2805年，人(⛽)类文明(míng )高度(🔷)发展，却因污(🙅)(wū )染(rǎn )和生活垃圾(🏗)大量增(zēng )加(🚫)(jiā )使得地球不再适(🏂)于(yú )人(rén )类(🧤)居住。地(🈲)球人被迫乘(☝)坐(zuò )飞船离开故乡(😟)，进行(háng )一次(💾)漫长无边的宇(yǔ )宙(🏨)(zhòu )之旅。临行(🏆)前他们(men )委(wěi )托(🚧)Buynlarge的公(💗)司对地(📅)球垃(🐎)圾(jī )进行(háng )清(🐧)(qīng )理，该公司(🚵)开发(🎐)了(le )名为WALL·E（Waste Allocation Loa d Lifters –(🌁) Earth 地球废(fèi )品(🍶)(pǐn )分(🌤)装员）的机器(🥁)人(rén )担(dān )当(🏰)此重(😘)任。 Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo. 马克（科(kē(🧚) )斯塔(tǎ )斯·(🐰)曼迪勒 Costas Mandylor 饰）自幼(yò(🐒)u )就想成为一(😤)名糕点(diǎn )师(shī )，可是(⛵)，他的家人(ré(📭)n )显(xiǎn )然(💲)并不支持这(🥜)一幼(yòu )稚(zhì )的梦想(🕺)。当叔叔决定(🕶)把家(jiā )里的糕点店(⏯)卖掉时(🎳)，马克(🚵)知道自己的梦(🔊)(mèng )想(xiǎng )正在(📟)离自(😿)己越来越(yuè )远(🌫)(yuǎn )。一次偶然(🏋)之中(👒)，马(mǎ )克尝(cháng )到(🆖)(dào )了一种名(😒)为巴(💕)洛兹(zī )巧克力(🔗)蛋糕的甜点(🎹)(diǎn )，他的梦想再次被(🦒)融(róng )化(huà )在(🐡)口中的美味给点(diǎ(🔦)n )燃(rán )了，他决(👄)定放弃现有的一(yī(🏿) )切，去学习制作这(zhè(🐞) )种(zhǒng )蛋糕。 一(🌎)个已婚裁(cái )缝(féng )，对(📨)老婆没了兴(🚨)趣(qù )，想偷吃，遇到个(👋)奶油蛋(🌭)糕(gā(💳)o )店老板娘，就想(🕋)骗色(sè )，借用(🛶)他一(💧)个风流(liú )单(dā(🌈)n )身汉朋友的(🚋)身份(😀)进(jìn )行(háng )勾搭(🛴)。（