新龙门客栈演员

木(🍴)下恵(✴)介が戦後初(🍟)めて(🍏)監督した作品(pǐ(🚜)n )で、久坂(bǎn )栄二(✴)郎が脚本を担当(📓)した1946年公開のド(🌤)ラマ。GHQの指導(dǎo )に(🕜)より、軍国主義(🏵)を批判(pàn )する反(⏫)戦(zhàn )映画として(😶)製作(🐌)(zuò )された。大(🍪)曽根(🏈)家(jiā )は裕福(fú )な(📋)家庭だったが、(🏃)長女の婚約者が(🥗)出征、長男は思(🀄)想犯として検挙(🦗)され(⭐)、画家を目(🏋)指(zhǐ(😴) )していた次(😮)男は(🖖)応召(zhào )、空(👘)襲で(🛳)焼け出(chū )された(🚖)叔(shū )父夫婦が移(🔏)り住(zhù )んでくる(🔢)など、戦(zhàn )争に(💬)翻(fān )弄されてい(🐪)た。軍(jun1 )人である叔(🤲)父は我が物顔(yá(🖕) )で暮らし、その(🆓)叔父(🏪)に感(gǎn )化さ(🌇)れた(👬)三男は海軍予備(🗂)(bèi )学生を志(zhì )願(😲)してしまう。叔父(🌫)は母(mǔ )の許可を(😢)得ずに話を進め(🍷)てし(💯)まうばかり(🏪)か、(👤)長女の縁談(🃏)まで(😛)勝手(shǒu )に進めよ(🚠)うとしていた。や(📝)がて叔父(fù )は終(🚈)戦の知らせを誰(✋)よりも早く入(rù(⏫) )手、物資(zī )を大(🧛)量(liàng )に持ち込(rù(🎒) )み始めた。母の房(🆖)子は叔(shū )父の態(🥫)度(dù(🎳) )を責め、つ(🎅)いに(🕜)は叔父夫(fū )婦を(🏢)家から立ち退か(⬜)せるのだった・(✝)・・。 不久之(zhī )前(💊)，安妮(nī )（凯瑟琳(💣)·赫(💐)本(běn ) Katharine Hepburn 饰）刚(😖)刚和(🛂)丈夫麦克（(🎯)罗(luó(📔) )伯特·米彻姆 Robert Mitchum 饰(🖋)）携(xié )手步(bù )入(😆)婚礼的殿堂，新婚(👯)(hūn )燕尔的幸福刚(🏛)刚(gāng )维持没多(duō(👁) )久，麦克的种种(zhǒ(📺)ng )反常举动(dòng )开始(🚁)让安(ān )妮怀疑(yí(🚆) )，他是否(fǒu )患有精(🗨)神(shé(🚷)n )上的疾(jí )病(🌻)，她甚(⛄)(shèn )至怀疑自(zì )己(🌉)的性命会遭受(shò(🏖)u )麦克的威(wēi )胁。 《宝(🐍)(bǎo )莲历险(xiǎn )记》（(👔)THE PERILS OF PAULINE）是美国1947年(nián )拍(🥑)摄的(🔤)(de )，说的是(shì )活(📕)泼的(⚡)制(zhì )衣女工(🍲)帕尔(🤨)·怀(huái )特偶然成(🤵)为舞台剧演员，并(🛸)暗恋上剧院经理(💸)和(hé )主演(yǎn )迈克(🦍)尔·法林顿。后(hò(🎸)u )来帕尔又被电影(🧣)(yǐng )公司看中(zhōng )，拍(💆)摄了系列惊(jīng )险(🆘)影片(😎)《宝莲历险(xiǎ(🥕)n )记》等(🌇)(děng )，成了很(hě(🚊)n )受观(🧖)众欢(huān )迎的电(dià(🔗)n )影明星，最后经过(🦀)(guò )一些波折终与(🕗)法(fǎ )林顿喜结(jié(✋) )连理。两(liǎng )位主人(🐯)(rén )公(🏕)分别由(yóu )贝(⛔)蒂·(📺)赫(hè )顿和约(🤷)(yuē )翰(🈶)·伦德(dé )饰演。 High school music student Sherry Williams is excited that her actress sister Jo has taken time off from her New York stage career to visit Sherry's school to see her perform in a musical play. Jo is about to step off the train when she hears that a famed Broadway show producer, Arthur Hale, is also stepping off the same train, leading Jo to depart from the other side of the train and make her own way to Sherry's play. 第(🏍)(dì )二次世界大战(🔐)结(jié )束后，曾经的(➖)大都会东京(jīng )放(🏒)眼望去一片疮痍(😜)，破败(bài )凄凉。在穷(📑)苦百姓聚(jù )集的(🐆)长屋街，活(huó )不容(🦕)易活(🧙)(huó )下来的人(♏)们用(🥫)勤(qín )劳的双手(shǒ(💰)u )重新修缮(shàn )自己(🥪)的(de )生活，他(tā )们团(🖋)结一(yī )心，向(xiàng )往(🙈)美好的(de )未来。某(mǒ(📜)u )天，田代领回来(lá(🐴)i )一个(🌧)名叫(jiào )幸平(👄)（青(🙎)(qīng )木放屁(pì(🔵) ) 饰）(👭)的男(nán )孩。幸平(pí(🐲)ng )的父母(mǔ )双双死(⏩)于(yú )战火，他(tā )一(🛷)个人孤苦伶仃(dī(📄)ng )，朝不保夕。虽然善(⛅)良的(de )人们都很同(🚹)情幸平的(de )遭遇(yù(🕠) )，可是维持自身的(🐘)生(shē(🍚)ng )计已然勉强(♟)，如(rú(🎣) )何再应付(fù )新添(🌾)的一张嘴呢(ne )？几(🏣)经合(hé )计，田代(dà(🧜)i )决定将(jiāng )幸平托(🚲)付(fù )给经营店(dià(🔜)n )铺的老(lǎo )板娘阿(🏀)胤(yì(😡)n )（饭田蝶(dié(🖍) )子 饰(🎹)）。然而阿(ā(🎊) )胤由(♟)于自(zì )身的痛苦(💧)(kǔ )经历，对孩子表(🚼)(biǎo )现出抗拒(jù )厌(🎤)恶的(de )态度。不(bú )过(📍)随着时(shí )间的流(🧔)逝，她心(xīn )底的温(😠)柔母性慢慢地苏(🌉)醒(xǐng )过来…… 纽(🐨)约爱(🕌)乐乐(lè )团的(🎽)(de )钢琴(🛅)手托尼在卡内基(😜)(jī )音乐厅排练时(➕)认识了做清(qīng )扫(🛰)工的诺拉。两(liǎng )人(🗜)相恋结(jié )婚、并(✊)育(yù )有一子(zǐ )小(🤔)托尼(🧚)。后老托尼(ní(🚥) )因为(🖤)自(zì )己的新(🥫)式(shì(🧒) )艺术理念(niàn )得不(🥥)到理解被辞(cí )退(🚖)，酗酒(jiǔ )摔下楼梯(♐)(tī )身亡，诺拉努力(🍷)(lì )想要培养(yǎng )小(📓)托尼(ní )成为能登(⬛)(dēng )上卡内基(jī )音(💼)乐厅的音乐家(jiā(🚸) )，并且(📦)借着工作之(💫)便，让(🏺)(ràng )儿子从小就一(🤦)直观摩(mó )在卡(kǎ(🚓) )内基音乐厅各大(📜)师的(de )演出。时间流(🌞)转，中间穿(chuān )插很(🏚)多当代顶尖(jiān )音(🍲)乐家(🖥)的(de )演出。但(dà(🏄)n )是小(💚)托(tuō )尼也和(😔)父(fù(🌱) )亲一样试(shì )图进(🗓)行(háng )新式音乐(lè(⌛) )的创作，与母亲发(🖕)生了争(zhēng )执并离(🦀)家(jiā )出走。诺(nuò )拉(🍓)后来(lái )成为卡内(🏯)(nèi )基音乐厅(tīng )的(🍤)管理(lǐ )者，并也(yě(🧚) )对很(⚪)多有(yǒu )才华(🕊)的年(🦃)青音乐(lè )家伸出(💸)援(yuán )手，而小托尼(🔝)最(zuì )后也登上卡(🍌)内基音乐厅，完成(🍋)了母亲的梦想。 (根(🕊)据台湾友人Hwa's Memory in the Star提供(🔅)的资(😌)料(liào )编辑) Diijon, a tired magician, gives up his act to study the power of the mind. His wife Victoria, once supportive, now is struggling to pay bills. She urges her stubborn and older husband to return to the magic field where Diijon was considered one of the greats. He refuses but does reluctantly agree to do a hypnotism nightclub act at Victoria's urging. The act goes bad and he's laughed off the stage. He's convinced this is the handiwork of Victoria's ex-lover Tony Holliday. Later, Diijon finds that he does indeed have the power to control men's minds and begins to take revenge on the people he felt made him look like a fool. He hypnotizes his young wife to kill the man. Unfortunately for Diijon, things go horribly wrong. The life of Irishman George Howard who buys an English theatre and strives to improve the standard of musical entertainment. Set in the late 19th and early 20th centuries and loosely based on fact.