廣(🤪)東人(🛸)(ré(🏂)n )張(zhāng )三(sān )波(梁(🆎)醒波(👏))與(🦍)外省人李四寶(劉恩(😌)甲)同屋共(gòng )住(zhù )，各自(🥚)經營(🐛)的洋服店(diàn )又(yòu )開在(🚽)隔壁，因語言(yán )、觀(guā(🥒)n )念、(🍎)文化不同，加上(shà(😼)ng )生意(🐠)上的競爭，兩(liǎ(🐚)ng )人(ré(🚐)n )頓(🍺)成冤家。集合國粵(yuè(🧝) )語(yǔ )片演員同場演出(🚋)，國(guó(😰) )粵語對白同時出(⏹)現，開(🌁)(kāi )風氣之先，大受歡(huā(💊)n )迎，因此拍成系列片(pià(🏾)n )。故(gù(🍾) )事取材社會現(👜)實卻(🍋)(què(🕗) )拍(pāi )得趣味盎(⛅)然。上(🤑)一(💢)(yī )代(dài )雖(suī )有隔膜(📼)，但下一代已在香港社(🧟)會落(🦐)地生(shēng )根(gēn )，他們如常(🤢)工作、交(jiāo )友(yǒu )、戀(🕘)愛，融(💮)洽共處(chù )，沒(méi )有(😀)繼承(♒)上一代的省籍(😧)(jí )情(📰)結(💎)，更願意努力(lì )代(dà(🤫)i )父調解，正是南北文(wé(🐝)n )化(huà(✌) )與生活由衝突而(🏴)歸(guī(🕷) )於(yú )融和的大趨勢。
懷(🚩)有(yǒu )不(bú )倫戀秘密的(🗑)上班(🚳)族(zú )石野貞一(🔓)郎偶(💛)然(🍘)在路(lù )上(shàng )遇(🌽)(yù )見(🧠)鄰(🎁)居杉山孝三。過(guò )沒(😡)多久，杉山孝三(sān )卻(què(🥔) )因(yī(🎦)n )故捲入一樁謀殺案，其(👸)關鍵時刻不在場(chǎng )證(🥛)(zhèng )明(🤚)(míng )，只有石野貞(🙀)一(🌕)郎(lá(🥈)ng )能(néng )夠證實他(👶)無罪(🛥)。然(🌕)(rán )而(ér )，不論是通知(⌛)刑警的鄰(lín )居婦人、(⏸)指認(👠)犯人(rén )的(de )相機店(🏅)老闆(🍃)證詞、筆(bǐ )跡(jì )鑑定(🖲)人的回答──每(měi )個(🧠)人都(🦊)在說謊。
一个(gè(💣) )乡(xiā(🦀)ng )下(🛥)小姑娘扎齐是(☕)个(gè(😗) )言(🎵)语粗鲁又脾气暴躁(🐵)(zào )的(de )孩(hái )子，而且十分(💯)叛逆(🤮)(nì )，在说脏话之余还经(🌼)(jīng )常(cháng )与(yǔ )大人们捣(🐪)乱。可(🚋)是在巴黎生活(🚺)的(🌉)两天(🖕)时(shí )间(jiān )里(lǐ(🤦) )，她却(☝)感(🤒)受到成人(rén )世(shì )界(📙)的冷漠和虚伪，发(fā )现(♈)(xiàn )这(❄)个世界存在着严(😠)重(chó(🛒)ng )混乱失序，所有她(tā )认(👴)(rèn )识的人都在对她说(📠)谎(huǎ(📒)ng )，连她妈妈在内(🎺)，都(dō(🧘)u )缺(💐)(quē )乏真诚善意(🍔)的交(🌀)流(🌈)和(hé )沟(gōu )通，这使扎(🏻)齐在离开巴黎时感到(🛩)自己(😽)已(yǐ )经(jīng )被(bèi )折腾得(🏿)老了很多。
行(háng )商の帰(🛅)りの(⏺)山道で、飛(fē(🔕)i )騨(🏠)山中(🚉)の部落の青年(💤)・蓑(😩)吉(🗻)は、若い女(nǚ )の呻(🍮)き声を聞き駆け寄(jì(🛸) )った(🐋)。その娘は、庄(zhuā(💃)ng )屋(wū(🚃) )の娘・お絹で、失神(🐔)した彼女の太股には(🍚)白蛇(♿)が巻き付いて(🖐)いた(🏩)。
改(🏡)編自Prabhat Kumar Mukherjee的同名小(🏴)說(shuō(🚛) )。Doyamoyee的(✴)丈夫在外地唸書，而(🤣)(ér )她那位高權重的公(🌚)公深(💛)信她是印度Kali女神(shén )的(🏩)(de )轉(zhuǎn )世，堅持媳婦必須(💷)(xū )受(👋)(shòu )到敬仰。當她(🥐)丈(😌)夫(fū(♌) )知(zhī )道(dào )後返(🙉)回家(🕙)中(🍫)，他嘗試讓父親理解(🕊)，但父(fù )親(qīn )卻無動於(📣)衷，對(🗯)他來(lái )說(shuō )，那些(➕)奇蹟(🔨)痊癒的(de )人(rén )，在在證明(🚣)他所深信的(de )是真的，但(🍑)真相(💈)又(yòu )是什麼？(🦅)
（转(😿)自(🍠)IMDB）
千(qiān )年(nián )修(🚌)(xiū )炼(👴)得道的白蛇接受(shòu )魔(🎼)(mó )王指令，化身美女去(⚡)(qù )诱(🗳)(yòu )惑佛寺圣徒。圣徒因(✊)此破戒，并影响了(le )造(zà(🙃)o )佛(fó(🐠) )像的进程。白蛇(🚣)最(📡)(zuì )终(🏣)(zhōng )和圣徒生活(🗨)在一(⛪)起(🈹)(qǐ )，并(bìng )生了儿子。白(🌍)蛇还消灭了一群企图(👈)谋害(⛵)(hài )圣(shèng )徒的家伙(🏫)。尽管(🦓)，夫(fū )妻(qī )生活幸福，还(🍾)完成(chéng )了(le )佛(fó )像，白蛇(🌭)却不(🍕)得不执(zhí )行魔(🥑)王的(🌳)任(🧜)务，显(xiǎn )出原形(🖼)，杀害(😱)圣徒。但(dàn )此(cǐ )时，白蛇(🌤)已经情根(gēn )深(shēn )种，舍(🐌)不得(📪)杀害丈夫(fū )。魔王一气(🖨)之下，将白蛇变成了石(💗)头。后(🎳)(hòu )来(lái )，白蛇的(💬)深(🌈)情感(🔢)动了(le )观(guān )音菩(🕸)萨。菩(🚂)萨(🍸)施法(fǎ )将(jiāng )白(bái )蛇(🆕)变回人形，和圣徒父子(📨)继续(💰)幸福地生(shēng )活(huó(🌫) )
Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.
赵王(🚁)宏宗宠信西宫荼(tú )薇(🌫)(wēi )，疏于国政，正宫(gōng )霭(🤵)(ǎi )仪(🎉)(yí )大感无奈。霭(🥗)仪儿(🗯)子(♊)(zǐ )沉香不值荼薇所(🍫)为(wéi )，偷偷向猩猩习武(🚟)，冀(jì )能(néng )有所作为。王(📉)叔宏(😍)(hóng )业(yè )平胡返朝，悉宏(📈)宗为(wéi )酒(jiǔ )色三月不(🥇)朝，遂(🛳)以黄金锏惩谏(✝)兄长，宏(🏟)(hóng )宗(zōng )、荼薇(💞)二人(🥧)稍(🎾)为收敛(liǎn )。惟荼薇心(👁)有不甘，不(bú )愿(yuàn )居次(🕴)，要求(🔝)宏宗立儿子涎香为储(🈺)君，遭(zāo )宏(hóng )业、霭仪(👔)反对，遂改(gǎi )以(yǐ )文才(🌲)选立(🌕)。沉香文(wén )韬(tā(🏭)o )武(wǔ(🔓) )略(🐮)均胜涎香，立为太(tà(💕)i )子，荼薇更为不忿(fèn )，劝(📸)诱宏宗把宏业调(diào )返(⛪)(fǎn )边(📲)(biān )疆后，多番加害霭(ǎ(📱)i )仪(yí )母子。
八卦记者Marcello原(🦀)本(bě(💯)n )的(de )志向是要成(👮)为一名(🐌)作家，却因为新(💎)闻工(🕕)(gō(⛪)ng )作(zuò )关(guān )系，常穿梭(😇)在政商(shāng )名(míng )流之间(😵)，过着(🕝)堕落(luò )且(qiě )糜(mí )烂的(🕞)生活。一日，他和一位美(🚅)丽女子共(gòng )渡(dù )春宵(🚷)后，回(💢)家发现女(nǚ )友(🕰)(yǒu )为(⚪)他(🐭)吞药自杀身亡(wáng )，Marcello的(🕣)(de )悲伤没有太久，因为(wé(🎂)i )他又赶着到机场迎(yí(👶)ng )接影(🚑)星Sylvia到来，而接下(xià )来(lá(🤵)i )的(de )几天，他们必需要(yà(⬅)o )作(zuò(🥂) )贴身采访…