日(rì(🙊) )本最(🤭)大の暴力団･神(shén )岡(✌)組の組(🏄)長、(🐴)若頭(tóu )が相次い(⛳)で急(💻)死。組(zǔ )は跡目争(📣)いで混乱を極(jí )め、崩壊へ(🎓)と向(📮)かって行く(📎)。その(💂)5年にわたる抗争をド(💝)キュメ(Ⓜ)ンタ(🤥)リータッチで描(🚆)いた。
Jack Moony, a white cop, has it in for a black lawyer to the drug crowd, Napoleon Stone. That Stone is now dating his ex-girlfriend doesn't help matters at all. Stone is shot after Moony suffers a heart attack and wakes to find that he not only has a new heart, but that it is Stone's and that Stone's ghost is now his constant companion. Stone is insistent that Moony not only take care of his heart now but that Moony solve his murder.
"SONGS FOR DRELLA" may be one of the most emotional pieces of music I have ever encountered. Not only is this disc a tribute to Andy Warhol, but it may also be the finest work of both Lou Reed, and John Cale. These songs feel so personal, one feels as if one is invading the very souls of each of these brilliant songwriters. While telling Andy's story they reveal much of themselves. Reed & Cale take turns covering every conceivable aspect of Andy Warhol's world. From art, work, style, childhood, fear, and envy. No stone is left unturned. One of the most haunting moments on this disc is "The Dream" by John Cale. A true masterpiece of inner terrors, and human weakness. Lou Reed shines on "WORK", "NOBODY BUT ME", and most notably on "HELLO IT'S ME". Here we can hear Lou's sadness, and longing for a friend host. "SONGS FOR DRELLA" is heart wrenching,
某城郊(jiāo )区山路(🍿)上，一个(🔹)抢劫(jié )团(tuán )伙，劫走了(⛵)大批(🐂)外(wài )币(bì )，潜(🐩)入“遗(🌑)传工程(chéng )研(yán )究中心”大楼，杀(🙌)(shā )死(🌩)(sǐ )了警卫，占(🤼)领了(😿)(le )大(dà )楼。这天正逢休息(🚝)(xī )日(rì(💀) )，为保(😏)护楼内贵重(chóng )设(🐥)(shè )备(💓)，不影响第二(🐥)天(tiā(💢)n )召(zhào )开的国际学术会议，公安(🌯)局长(🏵)下令包围大(🔃)(dà )楼(🕺)，并派猎豹(bào )小分队(duì(🗼) )担负歼(🐏)匪任(⌚)务(wù )。他们(men )乘直升(😿)飞机迅(xùn )速赶到现场(🐴)，出其不(🎚)(bú )意闯进大楼内，同匪(🤞)(fěi )徒(🌀)(tú )展开了一(🐸)场格(🈵)斗。匪(fěi )首龙头和女匪野猫(mā(👦)o )劫(jié(👉) )持了正在加(⏹)班的(🐔)(de )教(jiāo )授(shòu )和他的女助(😥)手，并(bì(🖌)ng )强令(🙄)猎豹交出武器(qì(🐴) )。为了(😔)人质的安全(🐗)，猎(liè(😦) )豹小分队只好扔下(xià )武(wǔ )器(🖋)。在一(🏿)场力量悬殊(❄)(shū )的(🚹)格斗中，猎豹被击(jī )昏(🧦)，匪首乘(📧)机(jī(🛁) )对外提(tí )出条件(⏭)，要求(qiú )停止一(yī )切行(🍊)动，并派(👒)(pài )车到楼前待用，否则(😦)(zé )五(🏀)分钟杀一人(🏉)质。公(📂)(gōng )安(ān )局长答应他们的条(tiá(📐)o )件(jià(😤)n )以争取时间(➿)。龙头(🌮)(tóu )和(hé )野猫将人质推(🤼)入一(yī(😜) )间(jiā(⭐)n )试验室后，换上(shà(✡)ng )教(jiā(🔱)o )授和女助手(🤺)服装(🛁)。匪(fěi )徒们走出大楼，刚(gāng )要(yà(🏓)o )登车(🌸)，被我小分队(🛒)(duì )成(🔃)(chéng )员蜜蜂看穿，击毙两(🎌)(liǎng )匪，其(🛸)他匪(👱)徒又退进(jìn )楼内(🏣)。试验室(shì )内，猎(liè )豹抽(🎵)出微型(🏝)小(xiǎo )斧将气(qì )窗砸开(🗂)，救出(🙍)(chū )教授和女(💪)助手(💵)，并配(pèi )合蜜蜂等人逐个消灭(🥞)(miè )匪(🆗)(fěi )徒。龙头和(🚧)野猫(🐂)等(děng )从(cóng )山边地道出(✊)口逃跑(🐈)(pǎo )，猎(🤣)豹等穷追不舍，经(🔸)(jīng )过(🚸)惊心动魄的(♎)战(zhà(💧)n )斗(dòu )，最终歼灭歹徒，猎(liè )豹和(🆎)战友(📮)们又踏上(shà(➿)ng )了(le )新(㊗)的征程。
诸葛孔(kǒng )平(pí(🤫)ng )（郑则(🐱)仕 饰(💍)）乃诸葛(gě )亮第(📂)十八代子孙，他(tā )精通(🥣)天文地(📐)理(lǐ )，平时(shí )还爱搞些(💃)发明(🕢)(míng )创造，不断(🔡)钻研(🐗)捉鬼(guǐ )新法。而孔平之妻王(wá(👾)ng )慧（(🕘)王小凤 饰）(🆙)亦精(🥋)(jīng )通(tōng )名理，功力了得(🤠)，却(què )又(👼)是一善妒之人，经(jīng )常(🌂)怀疑(🌐)丈夫与他的(🅱)(de )师(shī(🦍) )妹（利智 饰）旧(jiù )情(qíng )未(wè(🥪)i )了，醋(🐋)意大发。
Niki and his friends are members of the marginalised underclass living on the outskirts of Santiago. During Chile's transition from dictatorship to democracy (1988-1990), they forge a path from drug- and drink-fuelled nihilism and petty crime into the world of market-driven illegality and Niki begins a seemingly predestined relationship with the middle-class "loca", Manuela. Memorable episodes and characters, quotable dialogue and a mix of earthy national portrait and surrealistic flourish make this one of the key Chilean films of the Nineties. Written by Alejandra