暴(🚊)走"シリーズ第3作(zuò )目(💇)で“暴走族(🏭)(zú )"と呼ばれ世(🌮)の中に反(🥨)感を持(♓)つ(👜)少(shǎo )年たち(🛷)とブルジ(😃)ョワの少年たちとの対(🌗)立を描く(😸)。真(zhēn )夏の焼(shā(🦋)o )けつく(🥙)太陽の下(💯)を暴走するバ(🐰)イクの群(😵)(qún )れ―(🛶)。暴走族(zú )グル(🕕)ープの一(🕉)郎らは、金持ちの男女(🧘)グループ(🔐)で女王とし(🔝)て君臨す(🍣)る夢子に(🔻)ヨットの舵取(🥄)り役とし(🤫)て庸われる。やがて一(👎)郎(láng )の金(🎷)持(chí )ちグルー(🗓)プに対す(💗)る怒り(🎞)は(🤯)頂点に達し(🍷)、葉山(shā(🦐)n )沖の離(lí )れ島で決闘す(👯)ることに(📁)。すべてが遊び(🐝)なのさ(🎯) ギラつく(📋)波間に命を捨(🎧)てること(🤷)さえ!ナ(🥥)ナハン暴走・(🐘)グループ(🏙)抗争・シンナー陶酔・(🎏)激情SEX・ヨ(🐜)ット帆走の(✒)狂騒の果(♑)て―太陽(🖋)も死んだ。
22岁(suì(🤒) )的青年(niá(🌔)n )齐木顺（水谷丰 饰）(📐)其家中经(😈)营(yíng )一家修(xiū(😛) )车行，他靠(🎳)父(fù )母(🌨)出(🛬)钱开了一个(🤓)小酒吧，年(🕹)轻貌(mào )美的美(měi )子（原(🐑)(yuán )田美枝(🚕)子 饰）在酒吧(🐲)中作女(🏦)招待(dài )，久(🐷)而(ér )久之，两人(🤕)产生了感(👑)情。
28세의(🌬) 정숙은 북괴 대(🖱)남첩자로(🎛) 침투했다가 한 애국시민(🛄)의 신고로(⏲) 체포된다. 대(🕺)공분실 정(🍠)경감은 정(🥢)숙이 철저한 정(✊)신적 무장(⛔)속에서도 따듯한 피가(🗽) 흐르고 있(🌓)는 여성임을 발(🅱)견하게 되(⛲)고 구원(🔠)을(📨) 결심하다. 한(👃)편 정숙은(🐇) 침투 현장 답사 중 뜻하지(㊙) 않았던 교(🥉)통사고를 당하(❔)게 되고(🧑), 정겸감의(🚍) 배려로 종합병(🔻)원에 입원(🖌)하게 된(🛒)다. 병원생활에(🦄)서 자유의(🔢) 소중함을 깨닫게 되고, 환(🔤)자 중 축구(🐞)선수 이찬에(🏞)게 연정도(🏓) 느끼게 된(🍇)다. 퇴원이 임박(🥪)한 날 밤, 저(😇)격범에게 저격당한 정(✳)숙은 저격(🔴)범이 이미 죽은(🎈)줄 알았던(🆒) 자신의(🚪) 남(📿)편임을 알고(✖) 그들의 잔(🎨)인함과 악랄함을 다시 느(🧠)낀다. 그녀(〽)는 위선과 허위(➖)로 걸쳤(✉)던 그 위장(🕓)의 옷이 얼마나(🖲) 무가치 하(🍮)고 바보(🦑)스러웠던가를(🎙) 절감하고(🕠) 옷을 벗는다. (출처 : 시나리(👈)오)
故事描(💻)(miáo )述流浪(là(📲)ng )汉冯大(dà(🐉) )刚（蔡弘(😩)）路过劫案现(➕)场，土匪(fě(🔛)i )龙文轩(xuān )为灭罪(zuì )证(🚔)欲将之击(🚴)毙；冯被保安(🛒)队发现(xià(🏾)n )更以为(🗞)(wé(💔)i )他曾参(cān )与(💤)行劫，将他(🔃)关进死囚牢里。龙(lóng )恐冯(🕖)成(chéng )后患(🧡)，企图收(shōu )卖狱(🦄)中的扒(🎍)手杨灵（(😑)姜大卫）向(xià(🚸)ng )流浪汉(hà(🦍)n )下毒手(📫)(shǒu )。杨为正义之(💝)士，知冯同(💭)是黑狱(yù )蒙冤，故设法(fǎ(🤣) )逃狱；谁(🏷)料此次的逃(🌗)狱竟使二(📙)人(rén )成真(🎤)正(zhèng )的死囚(qiú(🤝) )……
A man accidentally learns that he has a mystical connection with sharks, and is given a strange medallion by a shaman. Becoming more and more alienated from normal society, he develops an ability...
票房(🏂)77年第4.
取材自莎士比亚(💎)的(de )喜剧《威(📒)尼斯(sī )商人》，以(🍅)舞台剧的(👱)形式拍摄(🈂)，辛辣的(de )讽刺(🥕)、巧妙的(☔)布控无处不在，同时充分(🔢)(fèn )地利用(✨)(yòng )夸张表(biǎo )演(⛵)的技(jì(🛄) )巧，传承莎(⬜)翁的人本精神(💜)，表达(dá )了(🛏)创作(zuò(🤥) )主题思(sī )想。
A docile black law student is possessed by a 1940's mobster in mid-70's New Orleans. The mobster seeks revenge upon the people who killed him and his sister.
电(🤨)影描述一(🔪)群法国生意人在(zài )一战(🗃)期(qī )间来(🔚)到(dào )象牙海(✉)岸做贸易(🦐)，期间遭遇(🎈)法国(guó )与德国(🍢)(guó )开战，他(🔞)们自发的组织起一支(🎮)雇佣军对(🕷)(duì )德国人(rén )发(♓)动攻(gōng )击(🚯)，途中经历(🌘)了很多事情(😌)，引发(fā )了(⛷)很多(duō )戏剧性(xìng )的故事(😜)……
Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.