韩国丑闻

Sophie loved Edmund, but he left town when her parents forced her to marry wealthy Octavius. Years later, Edmund returns with his son, William. Sophie's daughter, Marguerite, and William fall in love. Marguerite's sister, Marianne, also loves William. Timothy, a lowly carpenter, secretly loves Marianne. He kills a man in a fight, and flees to New Zealand. William deserts inadvertently from the navy, and also flees in disgrace to New Zealand, where he and Timothy start a profitable business. One night, drunk, William writes Octavius, demanding his daughter's hand; but, being drunk, he asks for the wrong sister. Dans ces « caves » où s'affaire tout le peuple des travailleurs d'un grand hô(🍄)tel, le chef de la caféterie, Donge, trouve le cadavre de Mme Petersen, une riche cliente. L'enquête mené(🌵)e par Maigret lui permet de côtoyer le mari de la victime, un Suédois, Teddy, le fils de Mme Petersen, sa gouvernante, un danseur mondain et Donge lui-même qui est bien le père naturel de Teddy. L'enfant ira-t-il vers son vrai père ou ne quittera-t-il pas le riche Petersen qui l'adore ? L'énigme policiè(🤳)re et l'énigme sentimentale sont résolues par Maigret. A man tries to frame his wife for a murder that he has committed. A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of loneliness than love. The romantic spirit of the cottage, however, overtakes them. 威(🚓)爾斯啟(qǐ )發了黑(🐦)色電(dià(🔰)n )影(yǐng )風(🍁)格，又以(yǐ )這個類(🐘)型風格(🤘)(gé )來處理本片(pià(🛴)n )。平靜小(🔷)城受(shòu )人尊敬的(⛄)教(jiāo )授(🤘)(shòu )原來是納粹(cuì(📹) )餘孽，聯(📲)邦密(mì )探微服偵(⚫)查(chá )，引(😇)發出連場(chǎng )殺戮(♎)。威爾(ě(🎱)r )斯飾演教授，與康(🙁)城影帝(🚇)愛(ài )德華．羅便(🕞)(biàn )臣飾(🤭)演的聯邦(bāng )密探(🔜)，大鬥(dò(🎗)u )演技，成為一(yī )時(🎗)佳話。殺(🔸)(shā )人(rén )毒計更為(🥐)影(yǐng )片(🌄)帶來奧(😁)斯卡(kǎ )最佳原著(💾)劇(jù )本(🍎)和威尼斯影(yǐng )展(🏬)最佳電(👒)影(yǐng )金(jīn )獅獎提(🥉)名，又是(🤫)他最賣座(zuò )的電(📜)影。 一(yī(〽) )部关于婚姻，第三(😕)者，夫(fū(🍢) )妻间的爱情是(shì(🧔) )否经得(💱)起考验(yàn )，夫妻间(🚼)的(de )信任(🕣)是否可以(yǐ )让已(🐉)经破裂(🌗)(liè )的婚姻峰回路(🔽)(lù )转。 The film is best known today for Scorsese’(🦃)s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures