Peter Tchaikovsky created some of the most romantic and beloved music ever. Surely he must have a man sensitivities for above human passions and pitfalls. Not so, says Ken Russell (Women in Love, Crimes of Passion), director of the lavish Tchaikovsky bio-pic The Music Lovers. Declaring that he was “fed up with the reverential treatment of musical heroes,” Russell sold his film to backers by describing it as a “love story between a homosexual and a nymphomaniac.”
Metello struggles to escape from the poverty that led to the premature death of his parents, and that is the lot of the working class in northern Italy during the second half of the 19th century. Metello fights his way out from his condition through hard work, a determined will to resist oppression inherited from his father, but also by taking advantage of his good looks when dealing with women. Metello progressively assumes an important role in the organization of an emerging workers movement, and attempts to conciliate his risky political activities with his private life.
A secret agent is murdered by his jealous wife who mistakenly interprets his absences from home as acts of infidelity. This triggers a deadly chain of events. Will she be next?
讲(👭)述一战传奇飞行(🚚)员“红男爵”的人生(🛩)。
1970年1月占士美臣(James Mason) 來(😋)香港取景拍攝電(💢)影 《雙面人顧先生(⬇)》 The Yin and the Yang of Mr. Go (aka The Third Eye) ，邀請導演胡金銓(🔼)客串飾演日本商(🥠)人一角，片酬高達(🦍)十六萬港(🔁)元，打(dǎ(🐃) )破港(gǎng )台(🧞)兩(liǎng )地(🕕)演(yǎn )員片(💐)(piàn )酬紀(🍪)(jì )錄，無人(🌚)(rén )可望(🍏)(wàng )其项(xià(💎)ng )背。
一个(📪)(gè )道貌(mà(🛂)o )岸然(rá(🦏)n )、威(wēi )风(🈴)凛(lǐn )凛(👃)的(de )警官(guā(🥍)n )因为(wéi )嫉妒(dù )和(🐯)侮(wǔ )辱而(ér )杀死(🌳)(sǐ )了情(qíng )妇，并若(🤛)无其事地调查此(🎊)案，后来因心虚毁(🌌)灭证据。由于他人(📃)性尚未彻底泯灭(🥓)，在强有力的证人(🚫)面前承认了罪行(🚥)。但所有同事和长(🕟)官为了自(😆)身的利(😵)益而阻止(🐴)他认罪(😃)，并“循(xún )循(💿)善(shàn )诱(🤷)”。在(zài )众人(🐁)(rén )的启(⛴)(qǐ )发和(hé(🤱) )教育(yù(🖇) )下，他终(zhō(🌚)ng )于承(ché(👆)ng )认了(le )自己(💅)(jǐ )的“清(🗃)白(bái )无辜(📺)(gū )”，证明(míng )了自(zì(🛎) )己是(shì )“不(bú )受怀(🌴)(huái )疑的(de )公民(mín )”。
Anthropologist Dr. Brockton (Joan Crawford) unearths a troglodyte (an Ice Age 'missing link" half-caveman, half-ape) and manages to domesticate him - until he's let loose by an irate land developer (Michael Gough) to go on a rampage and kidnap a little girl. Crawford's last feature film.