元华电视剧

A twisted sleazebag stalks and strangles gorgeous women in this Spanish terror classic. Tom Newcliffe, a rich businessman and expert hunter summons six guests to his huge country estate which he has rigged up with video cameras and a high-tech security system. He tells them and his surprised wife that they are all to stay over a weekend and that all of them will be kept on the estate during that weekend. For each guest, dead bodies have followed in their wake and the way that the dead have been murdered means that one of the guest is a werewolf and Tom has summoned his guests here to discover who it is and to hunt it down... The film has a clip at the beginning asking people in the audience to try to identify the werewolf and near the end there is a 30-second "Werewolf Break" for the audience to think over the evidence... 1972年完成(🎒)的(🤲)《守节》以汉(💅)四郡时代(👕)的战争时期为社会(🤫)大(📢)背景，描写(⏭)一对等待(♉)从军丈夫归来的母(😤)女惨遭轮奸(💈)的不幸故(🦂)事。由于影片强烈的(🔫)社会批判色(➿)彩，送审后(🏽)不得不减去了近20分(🔐)钟的段落。 黑(➖)田藩(fān )藩(🏏)主齐隆侯(🔄)将宠爱的(⛴)妃子生的女(🌧)儿滨千代(😂)公主假扮(📦)男孩，秘密(🧠)继承储君之(㊗)位。菩提寺(🥗)(sì )住持慈(🌗)善和黑锹忍者得知(🕌)此(💇)事，写作秘(⬜)函送往江(😟)户。拜一刀（若山富(🍂)三郎 饰）受(🐘)黑田藩所(🧕)托，追赶主持抢夺秘(🔅)函。 A classic 'italian story', in which an innocent and ignorant worker (witness to a crime) pays in the place of the real guilty, a high society professor. Besides the not so original topic the movie offers good acting performances and depicts perfectly the life of a low-class worker living in the suburbs of an italian city in the mid-70's. 第46届奥斯(🚱)卡金像奖(🏈)(1974)提名最佳摄影和最(👢)佳剪辑。霍尔(🛏)·巴特利(🧔)特执导，菲利普·韩(🏨)、理查德·(🐀)克里纳、(🗿)詹姆斯·(🔪)弗朗西斯(💡)卡斯主演。 While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. 第(😤)46届奥斯卡(🎼)金像奖(1974)提(⚓)名最佳摄影和最(zuì )佳(🖌)剪辑。霍尔(🌬)·巴特利(💾)特执导，菲利普·韩(🍊)、(📇)理查德·(🤰)克里纳、(🚘)詹姆斯·弗朗西斯(🎭)卡斯主演。 具(✳)争议性和(🏑)开创性的喜剧演员(📖)伦尼布鲁斯(🗒)的传记电(⛄)影，全片追溯伦尼布(🏈)鲁斯反政府(🦐)的政治观(👕)点。全片以(yǐ )倒叙的(📠)手法，分别从(🔝)母亲、妻(😻)子和经纪(🍃)人的角度(📟)出发讲叙了(🥍)喜剧演员(🦁)伦尼布鲁(🏓)斯的一(yī )生。