Reviewed By: David Stanners
庆应二(è(🌬)r )年（公元(yuán )1866年）(🗨)，日本正处(🌸)在动乱的(📼)时代(dà(🎚)i )，内(nèi )部(bù(⚪) )萨摩(mó )藩(🚨)和长州(🍲)联合掀起(➰)推翻幕府(🆔)的(de )运动(🛵)(dòng )，外(wài )部(🍋)则有美国(♍)为首的(🌮)西方强国(🕒)的(de )威胁(xié(👽) )。
Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
马克(kè )斯三兄弟(👂)肆无忌惮(💅)地开蛮荒西(xī )部(💾)文(wén )化(huà(🗑) )和(hé )拓荒者(🈁)的玩(🏑)笑。在这部讲述争夺(duó(🍩) )土(tǔ )地(dì )权的(de )故事的影片(🗜)里，格鲁科(㊙)、契科(kē )和哈(hā(🚉) )波(bō )三兄(🚋)(xiōng )弟大出当地政(😤)府洋相，三(🈂)人的(de )无政(zhèng )府主(🤛)(zhǔ )义倾向(💇)终于战胜(👪)了奸诈(🤙)的土地(dì(🌁) )投机(jī )商(👆)(shāng )。
Phillip and Dieter nearly suffocate hiding their sexual identity in the face of puritanical small town values. Joined by a mysterious German relative, the three misfits escape to the big city searching for a place to belong.
成(ché(🎚)ng )成与雅丹(😲)是都市中(👐)的两个(😝)普通(tōng )的(⏭)年(nián )轻人(⛱)(rén )，这一年他们却(🤓)有了一个(🔑)不寻(xún )常的(de )经(jī(🕑)ng )历。
周公是(🌨)个70多岁的富(🦍)翁，因(👰)为妻(qī )子不(bú )能生(shē(🔽)ng )育，想娶个年轻的姑娘生个(🚪)儿子(zǐ )继(🚢)(jì )承(chéng )产业(yè )。一(🐷)次偶然的(💘)机会他相中了一(🧛)(yī )个名(mí(🐰)ng )叫(jiào )带(dài )水的渔(😇)家女，于是(🖐)买了好多(🗜)时髦(má(🕚)o )的东(dōng )西(🔖)送(sòng )给带(🌥)水的父(🌮)母作为聘(⏱)礼。而正(zhè(🥖)ng )值怀(huá(😽)i )春(chūn )佳龄(📆)(líng )的带水(🔝)却看上了周的手(🥌)下——风(😚)度(dù )翩翩(piān )的夏(👖)公子，夏公(📒)子以捧带水做(zuò(📲) )明星(xīng )的(de )托口(kǒu )哄住(🐍)她。怎料带水举止粗俗，品性(🏁)(xìng )不羁(jī(🛰) )，忍受不了严格的(🥉)瘦身美体(📁)的训(xùn )练(liàn )。而一(📚)(yī )直暗恋(⏲)带水的炒蚬仔公(🥞)子娇眼(yǎ(🤓)n )看着(zhe )心(xī(🏩)n )上(shàng )人(😮)执迷不悟(👨)地做富贵(✴)痴梦，展(🔓)开(kāi )了一(🐯)(yī )场谐(xié(🥛) )趣层生(🍲)的夺妻大(🥍)战……
名(🙄)不见(jiàn )经传(chuán )的(📫)(de )钢琴(qín )家(♓)安迪（马提亚斯(🈳)·施维赫(🧕)夫(fū ) Matthias Schweighöfer 饰(shì )）和(🗿)(hé )从未干过什么正经(✡)事整天游手(shǒu )好闲(xián )的(de )本(📰)诺(nuò )（弗(🎈)洛里安·大卫·(🔯)菲茨 Florian David Fitz 饰）(😤)，这(zhè )两个(gè )个性(⭐)迥异似乎(🍽)永远都不会有交(🗿)集(jí )的(de )人(🤛)(rén )，相(xiàng )识(📐)于病房(🌬)之中，两人(🍷)都患上了(💰)(le )无法(fǎ(🌍) )治(zhì )愈(yù(🔜) )的绝症，时(😅)日无多(🦀)。
建筑设计(🧒)师(shī )骠叔(🗝)(shū )（董(dǒng )骠 饰）(🆓)在行业内(🆎)辛勤工作二十(shí(⛔) )年，最(zuì )近(🍨)因(yīn )一单设计受(🐅)到老板赏识，升迁(qiān )之(⛽)余(yú )，更(gèng )获赠一幢山中别(🚊)墅的使用(🤶)权。骠叔(shū )与(yǔ )妻(🍲)子(zǐ )（狄(🍳)波拉 饰）兴高采(🚠)烈的告别(👹)(bié )了拥(yōng )挤的(de )旧(😔)屋，携大女(📇)儿阿珍（(💬)李丽珍(🚙) 饰）、阿(🖲)珍(zhēn )男友(😞)大旧（(😜)何启南 饰(🔳)）探访别(🤵)(bié )墅，虽(🏺)(suī )然(rán )家(🏄)具需要重(✒)新添置、阿珍又(🎶)在别(bié )墅(🎑)中(zhōng )看到(dào )可疑(✍)的黑影，但(🔷)难掩一家人的(de )乔(📡)迁(qiān )之(zhī )喜。然而不久(💤)别墅中便发生众多可(kě )疑(🤹)之(zhī )事，凌(👸)乱的阁楼中似乎(📥)潜藏着对(🅰)骠(biāo )叔一(yī )家(jiā(🌯) )不怀(huái )好(😧)意的鬼魂，大旧请(🍭)来的捉鬼(👱)(guǐ )专家(jiā(📥) )被鬼(guǐ(😍) )物肆意整(🏩)治后，骠叔(👯)欲为恶(🏠)鬼拍照(zhà(🕢)o )却(què )被鬼(🎈)(guǐ )上身(⚾)，受恶鬼影(😶)响的骠叔(🧠)愈发(fā )暴躁(zào )。在(🍉)(zài )这一家(🗣)人要将恶鬼生前(⚽)的悲剧重(🛶)(chóng )演之(zhī )时，住在(🍘)附近的独(🛰)眼道士（梁(🤽)小龙(lóng ) 饰）出(chū )手相(xiàng )助(🍢)……
一个(🚩)男人（冢本晋也(🔸) 饰(shì )）从(🎭)(cóng )昏迷(mí )中醒来(🏡)，突然发现(🎲)自己置身于(yú )一(⤴)间(jiān )昏(hū(🎅)n )暗类(lèi )似(💙)迷宫的(🧜)房间（地(🚊)下室）里(🔌)，关于(yú(🈺) )自己(jǐ )的(👉)一切完全(🍠)没有头(🛳)绪，记忆尽(🏺)失。是(shì )幻(♍)觉(jiào )，还是恶梦？(🕐)然而腹部(📸)的伤口(kǒu )却分(fè(💤)n )明(míng )清(qī(💑)ng )晰和疼痛着。他尝(💅)试在逼仄(🍋)的空(kōng )间里(🏤)(lǐ )移动(dòng )身体，小心翼翼寻(⛲)找出口，其(🍊)(qí )间更(gèng )是(shì )目(🔴)睹(dǔ )了地(🚅)狱般的分尸场景(🚛)。