美(měi )国当局(jú(🅱) )为(💋)了维(wéi )护大石(🦀)油寡头的利益(⏬)(yì )，鼓励(lì )资源消(😋)费，强制规定(dì(🙈)ng )卡车司(sī )机的时(❎)(shí )速(☕)为55公里/小(🎫)时（最耗(hào )油的(🏾)时(shí(🎥) )速)。一伙绰(🖕)号分别叫(jiào )鸭子(😧)、猪(🔟)圈的(de )几个(🈂)大卡车司机对此(🗓)(cǐ )极(🚂)为不(bú )满(🕖)，无视法律保持经(🍜)(jīng )济(📂)时速(sù )行(🍹)驶，并在公路上(shà(😶)ng )与一个贪(tān )腐(♏)的警(jǐng )察斗智斗(📈)法，卡车司机们(🎻)的(de )队伍日(rì )益(🦄)壮(⏩)大，政(zhèng )府动用(👌)军(jun1 )警进行(háng )镇(♓)压，最后当局将鸭(🥎)子的领(lǐng )头车(🎌)炸(zhà )毁在桥上，然(🌔)而鸭(➰)子(zǐ )却奇(👥)迹(jì )般生还(hái )，受(🦏)到美(🛣)国民众英(👆)雄(xióng )般的欢(huān )呼(🔣)。这是(⛑)中国改革(🤦)开(kāi )放后引(yǐn )进(🤞)的第(🐧)(dì )一部美(🤠)国电影
片名：茶(🚗)童戏(👗)(xì )主（赣(🤔)南采茶戏）
片(pià(⛪)n )名：曲(qǔ )解爱(😊)神(shén )(完整收藏版(🗣)(bǎn ))Eros Perversion
本片是“安托(😣)万(wàn )系列”的最(🍉)后(🤲)一部，特吕弗(fú(🔰) )有选择(zé )地插(👁)放了安(ān )托万（(⛲)让(ràng )-皮埃尔(ě(🚐)r )·李奥(ào ) Jean-Pierre Léaud 饰）(📬)一路成长(💠)的点(🚵)(diǎn )滴。安(ān )托万三(🍡)十而(🤮)(ér )立时，职(👣)(zhí )业上，成功进(jì(💣)n )入一(➗)家印刷厂(🚞)，成为(wéi )一名作(zuò(🔄) )家，出(⌚)版了自传(🐕)体小(xiǎo )说；婚(hū(🥨)n )姻上(🐉)，与克里斯(🚏)汀（克劳迪(dí )·(⛎)贾德(dé ) Claude Jade 饰 ）的(🖇)缘分走到尽头，但(🌫)两(liǎng )人离婚(hū(😘)n )后亦是朋友(yǒ(✊)u )，在(🔃)两人(rén )办完离(👞)(lí )婚手续，共同(❔)回忆过去一幕(mù(🎯) )幕的甜(tián )蜜往(🍖)事时，仍会心生(shē(😯)ng )美滋滋(zī )。
A village mob is in pursuit of an arsonist. Fleeing from their hysteria, a seventeen year-old boy stumbles into a country house. He finds its owners, Jacques and Catherine, leading lives of monotony and habit. Jacques is a painter who divides his time between his canvasses and painting lessons he gives to the mentally ill in a nearby institution. Catherine is ill at ease in her arid, almost hostile surroundings, nurturing some unspecified dissatisfaction.
根據(🤙)(jù )古龍《七種武器(😎)之碧(🙉)(bì )玉刀》改(♌)編。由古龙化名欧(📷)(ōu )阳(🍇)弘导(dǎo )演(⛎)。
Bush Mama powerfully captures the anger of America when the dream envisioned by Martin Luther King met with violent suppression and the stark reality of inner city neglect exposed by the uprising in Watts in 1965. Haile Gerima's iconic film shows the Black community under siege, harassed and starved of opportunities. It is a powerful portrait of the political awakening of a mother struggling to survive on welfare and bring up her daughter. Deftly combining fiction with documentary, including footage of the LAPD questioning Gerima and his crew during filming, the film draws on a range of topical events from police killings, treatment of Vietnam veterans to the militant liberation movement in Africa. The mesmerising performance of Barbara O. Jones shows the protagonists shift from passivity to empowerment. The film vividly conjures her interior world, a fractured reality filtered by memories and anxieties as she moves towards political consciousness following the arrest of her husband for a crime he didn't commit.
菲(fēi )博学园中有(🍿)一个(❕)学生(shēng )组(🔞)织，参与的全是白(🔫)种英(📪)语(yǔ )系的(❔)有(yǒu )钱人，很少人(🥎)能忍受他们，只(😬)有汀(tīng )沃摩能和(🐌)伪善的他们相(📤)处，沃摩用(yòng )什么(🔼)使他们(men )信服？(🚹)