1944年10月，波兰奥(🛷)斯威辛集(🚕)中营，在(🦇)焚化炉工作的波兰犹(🚀)太人和(hé )匈牙利犹(yó(🕯)u )太人正(🕕)密(mì )谋暴乱(🖖)，捣毁焚尸(🥖)炉，由绰(🌲)号“海什”的波(🔽)兰人（史(🥍)蒂夫·(🏽)布西密 Steve Buscemi 饰）负责联络(🈁)。匈(xiōng )牙利犹太(tài )医生(🍜)米卡洛(😰)斯（阿兰·(🧐)柯德勒 Allan Corduner 饰(🗿)）因在(✨)双胞胎繁(🚜)殖(🍁)学领域的(♒)突出成就被狱警(jǐng )慕斯菲尔(🈁)(ěr )德（哈威(😌)(wēi )·凯特(✏)尔 Harvey Keitel 饰）(🌺)特别优待，他(🧡)不愿眼看(🏨)匈牙利(🐎)人霍夫曼（大卫·阿(🎥)奎特 David Arquette 饰）用(yòng )枕头捂(🍯)死(sǐ )一(😇)位自杀(shā )失(🚁)败的狱友(🙀)，与其产(🈁)生矛盾。附(🔴)近(😳)女子监狱(🐬)向焚化(🚁)炉偷偷运送火药的行(🐼)迹暴露，蒂娜(nà )（米拉(🍊)·索维(🌳)诺 Mira Sorvino 饰）和洛(🗺)萨（娜塔(😙)莎·雷(🎢)昂 Natasha Lyonn 饰）被(📤)折(🐾)磨致死。就(🆕)在霍夫曼心急如焚等(děng )待暴(🎠)乱时(shí )机到(🥏)来的(de )时候(🌥)，他在毒(😆)气室的尸堆(🚪)里发现了(👟)一名奄(👓)奄一息的少女。要不要(🧚)救人？会不会打乱暴(🐽)(bào )乱计(🕷)划？霍夫曼(👬)和狱友无(🏬)所适从(💗)……
An advertising executive, trapped in a tree by a gang of would-be muggers, manipulates them into fighting to save his life.
尤优(🎭)（(✖)葛优饰）(🤰)接到个(⚽)美差，拍一部宣传记录(🌨)片记录好莱(lái )坞大腕(⚪)导(dǎo )演(😶)泰勒（唐纳(🚾)德•萨瑟(⌛)兰饰）(😱)在中国拍摄(🐣)影片的工(🤓)作过程。一开始工作顺利(lì )，但(🔵)随着(zhe )制片人(😾)托(tuō )尼（(🚰)保罗•(🧤)莫索尔斯基(🎦)饰）的到(🦏)来，事情(🍾)起了变化。闲下来的尤(🕎)优和泰勒、泰勒的助(🐄)(zhù )手露(🐼)茜（关之琳(🦅)饰）到寺(👙)庙游览(🍻)，三人相处(🐗)得(🕗)非常愉快(🔌)。不料几天后泰勒因心脏病发(🚋)作，生命(mìng )垂危，他(tā )希(🥤)望尤优(🍻)能为自己操(🚖)办个喜丧(🚩)葬礼，尤(🈹)优揽下活儿。
影片根据(⛹)真实事件改编(biān )，描写了(le )二战(🍧)期间(jiān )，德国(😶)大指挥家(📥)、柏林(📙)爱乐乐团艺(🆖)术总监富(🍅)特文格(😤)勒因为种种原因向纳(🔂)粹妥协，担任(rèn )了纳粹(💀)文(wén )化(😹)部门的职务(🧗)。战后，美国(🍊)对富特(🤓)文格勒在(🏑)二(🌗)战中的行(👦)为进行了调查，力图在他的身(💴)(shēn )上找到纳(nà )粹思想(🍏)的痕迹(❕)。
The National Crime Squad (NCS) was formed in 1998 from the amalgamation of the six former regional crime squads and tackles serious and organised crime across England and Wales. Conceived as a single drama in two parts, NCS Manhunt followed an NCS team led by DI John Borne as they investigated a criminal who was targeting a police officer. A full series of three two-part dramas followed a year later.
A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.