混江龙李(🎭)俊(jun4 )在(⚓)揭(jiē )阳岭(lǐng )上迎(📗)宋江，从李立(🔐)的(de )人(👦)肉(ròu )案板上(📌)救出(💣)宋江，后(hòu )来又(yò(👍)u )两度搭救宋(🧟)江，从(📵)此(cǐ )走上(shàng )梁山(🌵)。李俊在水浒传(chuá(🛠)n )的前(👨)半部不显山不露(🈴)水，等到后半(📽)部书(🆓)中，李(lǐ )俊的(🦇)(de )功绩(🎬)却逐(zhú )渐辉煌起(🙇)来(lái )，其(qí )表(🚍)现让(🌈)人(rén )刮目相看。李(👲)俊(jun4 )在梁山水(shuǐ )军(🚉)头领(🌞)中位居(😶)第(dì )一，战高(gāo )逑，李俊(🤾)捉了水(shuǐ )军统(tǒ(😿)ng )制刘(🍎)(liú )梦龙；征王庆(🏳)，他在(zài )宛州(🌝)(zhōu )率(🎈)水军取得大(📌)胜；(🥢)义(yì )释胡(hú )俊，智(🚉)取云安，还最(🕔)(zuì )后活(huó )捉了寇首王(🎾)庆；征方(fāng )腊太(📵)(tài )湖(😪)小结义一段，李俊(🎢)(jun4 )英勇忠义，有(🍃)勇有(🎇)谋，不(bú )但取(🍖)了苏(📬)(sū )州，还刺死(sǐ )了(🌫)飞(fēi )水大将(🔼)军(jun1 )昌(🗨)盛。
被指(zhǐ )控杀(shā(🛠) )害妻子的(de )Parry（亨弗(🏾)莱·(🐯)鲍嘉(jiā(🏓) ) Humphrey Bogart 饰）坚持(chí )他是无罪(⌛)的，并(bìng )在被(bèi )押(🏁)往(wǎ(👽)ng )狱中的路上逃跑(📋)(pǎo )，在(zài )路上(✖)(shàng )他(➖)截了一辆过(🖲)路(lù(🏜) )的车(chē )，让(ràng )司机(🧔)载他去旧金(😰)山。然而(ér )司机认出他(🤵)是罪犯，想要(yào )告(♈)发他(🚫)。Parry将司机打晕(yūn )后(🌈)，在一个陌生(💇)女子(⏬)Irene（劳(láo )伦·(🤞)白考(🧖)尔 Lauren Bacall 饰）帮助下躲(🥒)(duǒ )过警察的(✔)(de )追捕(📞)，来到(dào )Irene家中(zhōng )。原(⛎)来Irene的(de )父亲曾被误(🐫)判杀(🐖)(shā )死妻(😣)子而(ér )死在狱中，于是(💘)(shì )她一直在(zài )关(🚦)注Parry的(💤)案件。Parry去(qù )找他(tā(🤟) )的好(hǎo )友，路(📎)上的(😱)计程(chéng )车司(📫)(sī )机(🧝)也(yě )认出了他，并(🔶)介(jiè )绍他(tā(💼) )去一(yī )个整容医生。在(⛰)医生(shēng )那里(lǐ )，Parry接(🎷)受了(🎈)整容手术，然而(é(🙀)r )等他回到他(🎠)好友(🐲)家中(zhōng )的时(🍐)(shí )候(🙍)，发现好友意外死(🛐)(sǐ )亡。他顿时(🕥)成了(🆚)嫌疑人。背负两宗(🤶)(zōng )命案而“改(gǎi )头(🌝)换(huà(🌹)n )面”的Parry能(🖨)(néng )否沉冤得雪，真(zhēn )正(📻)的凶手(shǒu )又是谁(🚩)？
一(🔁)位新(xīn )墨西哥州(🎈)(zhōu )的牧场主(😢)人，由(🏏)(yóu )于过(guò )分(♌)热(rè(🗂) )心工作而逐渐疏(👷)(shū )远了(le )他的(📒)(de )家庭，家人并没(méi )有放(📇)(fàng )弃他(tā )，而是积(🦄)极地(♉)帮助他(tā )，最(zuì )后(🛳)使得他又重(🌐)回了(🛫)家(jiā )庭的(de )怀(💡)抱。
A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of loneliness than love. The romantic spirit of the cottage, however, overtakes them.
太(🐑)平洋战争爆(bào )发(💉)前(qián )，青年沈(😁)亚伦(🕺)在一次(cì )舞会上(🐖)认识了一个带着(🛷)面(mià(🔏)n )具的神秘(mì )少妇，沈亚(yà )伦深(🐘)(shēn )深地被少(shǎo )妇(🚙)所吸(🛁)引，不久(jiǔ )他就收(😦)到(dào )了神秘(❌)少妇(🏢)邀请(qǐng )他赴约的(😂)(de )信，沈亚伦与依(yī(🤵) )旧带(dài )着面(🔺)(miàn )具的少妇共度了(le )一(🧡)个(gè )甜蜜(mì )的夜(🎻)晚，从(📑)此少妇就(jiù )消失(💦)(shī )无影了。 (💲) 三(🤗)个月(yuè )后，沈(🌭)亚伦(🎋)从少妇的来信(xì(🔸)n )中知(zhī )道了(😺)她原(🔟)来在十几岁(suì )时(🕑)被迫嫁给了一个(🌿)老年(🚵)富(fù )翁，不久前丈(✅)夫去世了，她(♍)只想得(dé )到一个(🥑)自己(🌊)(jǐ )的孩(hái )子，便有(🚏)(yǒu )了于沈亚(😂)伦的(🎩)那(nà )次约会。 (🛵)几个月后，少妇告(🌉)知(zhī )沈亚伦(👒)自己生下(xià )了一(yī )个(🔌)男(nán )孩。
Celestine, the chambermaid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man. But Mr Lanlaire is not a right choice: all the house is firmly controlled by Mme Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, ex-officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive, and does not share his mother's anti-republicans opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and also Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity ? Will sinister and inflexible Joseph let his views upon Celestine be ruined ? A quite disillusioned depiction of humanity.
The film's use of color was a landmark breakthrough. It was a process different and superior to technicolor. We can do it today in say, Kodacolor, and "The Red Shoes" did indeed quite approximate it but good as that was, it did not equal SF,