Seven men break into a home to fight over who is going to take the inheritance of the old man who was killed there.
国(🦓)际慈善(💖)(shà(🛐)n )会议荣(💿)誉(🚇)会长(zhǎ(😔)ng )的(🙃)夫(fū )人(ré(🈺)n )为了帮助(🔦)残疾(jí )患者，携价值6亿日元(yuán )的钻石“法老之星”来日展览。期(qī )间宝(bǎo )石(shí )被盗，考夫曼(màn )夫人的女儿亦被掳走(zǒu )。保(🍿)险公司会(📇)(huì )长众树(🔋)(shù )公威（(⏮)丹波哲(zhé(🎙) )郎 饰(shì )）(🐾)拜托前警(🖼)视总(zǒng )监(🎪)岚山（池(👖)部良 饰）(🎬)帮忙寻找(💰)钻石(shí )和(😨)女孩(hái )的(🚬)下落。
来(🐓)自(⛲)(zì )南美(⌛)的(🥦)(de )马克斯(🔮)·(🕓)伯雷(lé(🍱)i )表(🤖)面上是(🍐)个(⚓)海上贸易(😣)(yì )的商人(🚷)，暗中(zhōng )却从(cóng )事(shì )军火、毒品、绑架甚(shèn )至强迫卖淫等(děng )罪恶勾当。某(mǒu )国接连(lián )派出四名特工(gōng )前往(wǎng )他(tā(🎬) )所落脚的(🥤)伊朗(lǎng )首(🎤)都德黑兰(⛴)，却无一(yī(🕵) )例外，皆遭(🚸)杀(shā )害。为(🧑)(wéi )避免公(🤖)开行动(dò(🎅)ng )引起国(guó(⏳) )际纠纷，该(🆖)国(guó )聘请(😢)神秘的杀(🎆)手“骷(kū )髅(🥍)13”（高仓(😥)健(🤠)(jiàn ) 饰）(🏢)前(💤)(qián )去刺(🥏)杀(😔)马克斯(🔀)(sī(🔷) )。骷髅(lóu )13本(🛰)名Duke·东乡(🧘)，是一名混(🆒)血儿。经过(guò )慎重考虑，东(dōng )乡接(jiē )下(xià )这个任务，并(bìng )和该国女特工凯瑟琳(lín )假扮夫妻潜入(rù )伊朗。他的行踪不久(🏭)(jiǔ )便为(wé(👈)i )马(mǎ )克斯(🌼)的团伙所(😇)(suǒ )得知，对(🦂)方相继派(🤰)出(chū )瓦尔(💥)特、西蒙(👛)(méng )、道格(🚬)(gé )拉斯等(📙)高手前(qiá(👻)n )来阻挠(ná(🐦)o )。高手对决(🦅)接(jiē )连(💰)展(😼)开……(〰)
In the wake of a Supreme Court decision to outlaw the death penalty, California passes an initiative that designates San Bruno island as a dumping spot for first-degree murder convicts, free to do what they like except leave. The main camp of convicts is controlled by the tyrannical Bobby, who rules with an iron hand, and the women are used as sex slaves. A.J. and a group of more free-minded murderers have escaped and gone into hiding. When A.J. and his men liberate the women from Bobby's custody, tensions mount to an all-out confrontation for control of the island.
A widow invites a number of guests to stay at her mansion. She reveals that she knows that one of the group killed her husband. Soon they too are being murdered one by one.
Carmen Suite is a one-act ballet created in 1967 by Cuban choreographer Alberto Alonso to music by Russian composer Rodion Shchedrin. The premiere took place on 20 April 1967 at the Bolshoi Theatre, Moscow. The music, taken from the opera Carmen by Georges Bizet and arranged for strings and percussion, is not a 19th-century pastiche but rather "a creative meeting of the minds," as Shchedrin put it, with Bizet's melodies reclothed in a variety of fresh instrumental colors (including the frequent use of percussion), set to new rhythms and often phrased with a great deal of sly wit. Initially banned by the Soviet hierarchy as "disrespectful" to the opera for precisely these qualities, the ballet has since become Shchedrin's best-known work and has remained popular in the West for what reviewer James Sanderson calls "an iconoclastic but highly entertaining retelling of Bizet's opera."