阿(💱)炳（郑(zhè(😘)ng )茂松 饰(🐃)）天资(zī(🏂) )聪慧(huì )，自幼跟父(🐳)亲(⏯)华雪梅(méi )（宁(ní(🚛)ng )化鲁 饰）(🍝)学艺。父(🌜)母(mǔ )双亡(🚺)(wáng )后，他已(yǐ )是无(wú(🤺) )锡城有名的“小天(📨)师(shī )”。孱弱(👌)艺人钟师傅（邵(🅾)(shào )华 饰(shì )）遭恶霸(🅰)(bà )李老(lǎo )虎（董(🦄)玉刚 饰）(🐥)欺凌(líng )，其(qí )女琴(🏂)妹(🐖)（袁梦娅 饰）卖(➡)艺(yì )还债屡遭街(🔸)头(tóu )混混(🕛)滋扰，阿炳因无(wú(🔳) )力(🚏)相(xiàng )帮，心生愧疚(🎉)，遂云(yún )游(📈)他(tā )乡(🥦)。数年后二(🙎)人重逢(féng )，各诉衷(💃)肠(🌑)。官至(zhì )警察局长(🕑)的李老虎(👪)越(yuè )发(🏧)霸(bà )道，由(⛪)于倔犟的阿炳(bǐ(🥝)ng )和(📙)琴(qín )妹不肯为(wé(🔄)i )其唱(chàng )堂(🎣)会，他差人弄瞎阿(👤)(ā )炳的(de )双眼，遭凌辱(🧗)的琴妹(mèi )绝望(wà(📋)ng )中命丧黄(🍽)(huáng )泉。阿炳再度四(🚋)处(🈹)漂零，一腔(qiāng )悲愤(👧)时时灼烧着瞎子(🐦)(zǐ )阿炳(bǐ(📵)ng )的心，回顾几(jǐ )十(🚡)年(🛑)自(zì )己所走坎坷(🌽)之(zhī )路，心(♎)中万般(✨)感慨。最终(😩)(zhōng )，流(liú )传千古的(👡)《二(📝)泉映月(yuè )》从指尖(🌚)流出(chū )......
When a suburban couple go camping for the weekend at a remote beach, they discover that nature isn't in an accommodating mood.
《寧(🛌)(níng )靜海(🔢)》是一部愛(🔵)情倫(lún )理喜(xǐ )劇(🆚)，有(👈)父子相見不知(zhī(🔠) )，母(mǔ )子相(🐠)遇卻(què )不認(rèn )的(📚)橋段。男主角是一(yī(⏬) )位年(nián )輕的工程(👽)師，他最親(💾)(qīn )愛的(de )姐姐，卻(què(🕦) )輕(⛰)生(shēng )人世，他最敬(♊)重的父(fù )親，卻不(🔅)認識這個(♟)兒子。工程(chéng )師被(🤴)億(🍠)萬富翁(wēng )的千金(❤)(jīn )小姐愛(♈)上他，他(🐰)卻(què )又憐(💜)惜一個孤苦無依(🍫)(yī(🤺) )的女(nǚ )護士，這令(🦋)他在兩份(🆑)(fèn )感情(👊)中彷徨難(🗒)(nán )捨。工程師徘徊(📳)在(🏉)千金小(xiǎo )姐和(hé(⏳) )女護士之(❌)間不知道如(rú )何(📠)取(qǔ )決？一個(gè )對(🕤)他(tā )有恩，提拔他(🚌)，遷就(jiù )他(🚌)；另一個對他有(🐀)情(🎰)有義(yì )，為(wéi )他默(🌳)默保(bǎo )存骨(gǔ )肉(👔)，替他重拾(🚤)慈母恩(ēn )情。同時(💢)，工(🙌)程師有一個(gè )因(⏯)經(jīng )商失(🍔)敗而變(🚱)為(wéi )神經(🔜)兮(xī )兮的父親，色(🚊)(sè(🍁) )笑迎(yíng )人捨弃他(🆎)的母親，教(🐲)(jiāo )他怎(👳)(zěn )麼對人(🌁)說？如何抬得(dé(🐿) )起(🍛)頭來？本片(piàn )充(⤴)滿(mǎn )人性(🔷)的光輝，歌頌天(tiā(💘)n )倫骨(gǔ )肉之愛，有人(🐘)情味，令人(rén )感動(🌗)和同(tóng )情(💍)。
英国古典文学勃(🕟)朗特(tè )三姐(jiě )妹的(🖐)传记故事
“Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’(🔄) of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘(🍴)My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.
由倪(ní )匡编剧(🤒)，何(🏧)梦华导演(yǎn )的功(🧦)(gōng )夫片。凌(💯)豪与李(😞)成鹰(yīng )之(🚗)父(fù )，原为合作伙(✉)伴(🏪)，但(dàn )凌父为抢夺(🕢)李(lǐ )母，竟(📻)施计导(👂)致李父家(✳)破(pò )人亡(wáng )。李成(🕗)鹰(🍴)为报父仇，潜入凌(🔯)家作护(hù(⏮) )卫，寻找机会报仇(📒)，期间(jiān )李成(chéng )鹰与(✏)失散兄长坤狮相(🈷)(xiàng )遇，在互(🎾)不知(zhī )情下(xià )，手(🐅)足相残，幸得李(lǐ )母(🚱)及(jí )时透露真相(🎼)，最后误(wù(📶) )会冰(bīng )释，兄弟(dì(🎟) )俩(🐁)同(tóng )仇敌忾，既报(🉐)仇又为(wé(🏏)i )社会(huì(🛋) )诛灭了一(😒)个专干贩毒(dú )勾(🛏)当(👩)(dāng )的罪魁……