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「 農夫(🆗)成員陸永與(💺)C君、衛詩雅(👩)、夏尉喻（Barbie）(➰)及勞浩羽等(🍜)人出席電影(🐄)《笑林寺》煞科宴(🍞)，衛詩雅笑言(🐻)跟農夫合作(🛫)好辛苦，拍攝時(⛱)NG好多次(cì )，NG到(🤱)自己(🕞)也覺不好意思，試戲已(🕴)不停笑，沒有(🈲)一個(📼)鏡頭不好笑，農夫還經(🌺)常爆肚，令(lì(🍨)ng )到她(🚊)好難接住(🛃)，其中有場戲(🗡)要打農夫。陸(🈵)永笑(🎞)聞言指衛(🍗)詩雅拍打戲(🚠)四肢不協調(😊)，C君搞笑謂衰過(🐇)阿嫲，晨運阿(💡)婆都好過衛(🎤)詩雅，但自己只(😼)被對方的美(🤷)色迷倒，因為(🤮)沒甚麼可以做(📷)到。 Three men in London compete for the love of a dance-hall girl. In pre-WW1 England, a youngster is expelled from a naval academy over a petty theft, but his parents raise a political furor by demanding a trial. I saw this at the London Film Festival in 1995 or 1996. The print had been lovingly restored from sections scattered around the world, including some from archives in Moscow. Somebody near me said "I'm really looking forward to this", which was understandable, since the director, as Michael Curtiz, later made some jolly swashbucklers and Casablanca, and the LFF had previously come up with several almost unknown silent masterpieces, including Jacques Feyder's Visage d'enfants. Lisa Ryder是一个年(😞)轻的女警(jǐng )察，最近晋升为(📩)侦探，此次她(🧣)被派(🍋)往加州的小镇上去追(💐)踪一个被警(😸)察成(🎚)为冷面杀手的(de )凶犯，但(👧)是最终她发(😶)现这(🏁)个杀人凶(🏮)手不过是个(🚣)幻想中的人(🚎)物. Maude Brooks is in love with an aviator, George Pinckney. Maude tells her father that she intends to marry George, as he is a splendid fellow, but her father will not listen to her. So she decides to elope. Maude meets George at the machine and together they fly up into the air. Mr. Brooks, who has been apprised of his daughter's intentions, starts in pursuit. He also flies in an aeroplane until something goes wrong. Then he has to descend and by devious routes manages to reach the express train, which runs to the neighboring town, where his daughter has fled to be married. An exciting race takes place between the flying machine and the locomotive. When the train reaches the station, Mr. Brooks hails an automobile and arrives at the church just as his daughter has changed her name to Mrs. George Pinckney. He is furious, but Maude's persuasiveness leads him to see things in a different light. This epic was the last in a series of silent sword ‘(☝)n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it.