电影指环王

几(🍢)个年轻姑娘在意大(🤺)利的旅(🖌)行从威尼斯开始，经佛罗(🈷)伦萨，到(🏷)(dào )罗马结(jié(⬛) )束，爱(à(🧗)i )梦想、爱新(🦒)奇的她们最(🥩)终找到(🌴)了她们各自(🏉)的一份爱情(❇)。影片的(♎)摄影精良，没(🙃)有(yǒu )浪(🏘)费地(🎈)(dì )中海岛(dǎo )国的美(💓)(měi )丽风(🏤)光(guāng )。三个女孩青春靓丽，各有特(🏮)点，观看此片(🕞)将给人(👰)一种愉悦的(❌)感受。 EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films. 自(zì )《那(🐻)夜(yè )的(🎫)妻子(zǐ )》后已(🌵)(yǐ )没见这么(🤰)绝望的小津。战后作(⛹)品中，只(👧)这一部发生在严寒的冬(🦒)季，亦只(🌥)(zhī )这么一(yī(🍵) )部，探(tà(🌰)n )往破碎(suì )家(🌛)庭那缺去的(💍)一员。已(🎛)出嫁的大女(💻)儿没法与丈(🏺)夫相处(🔖)，回到父亲的(👮)家寻(xú(🗻)n )找避(📦)难(nán )所；未(wèi )出嫁(😯)的(de )二女(🛫)儿(ér )忽然怀了孩子(🉑)，夜夜到夜店(🥐)等候负心汉(🔗)的出现(📑)。与父亲下属(⛹)私奔多年的(🐚)(de )母亲，突(🤰)然闯(chuǎng )进两(😵)女(nǚ )儿的生(🈂)活，可二女儿打掉孩(🎋)子后，再(🆑)没法承受残酷的现实。戏(❄)剧化的(🌌)故(gù )事在小(🤟)(xiǎo )津晚(🚡)期(qī )作品中(🐚)(zhōng )不多见，但(📷)低调的(🔤)处理手法炮(😽)制了不少经(⬜)典场面(📏)。母亲在辞别(✒)东京的(👔)列(liè(🙇) )车上不(bú )断探头(tó(🔶)u )张望女(🏸)(nǚ )儿一幕(mù )，几乎预(🐢)见老人晚境(😹)将至的凄凉(💔)。豁达面(🏘)对生命，是小(♈)津往后作品(🚶)的出(chū(😪) )路。 Miss Paisley adopts a stray cat. She names him Stanley. Stanley sneaks into the room of the violent tempered Mr. Rinditch. He tells Miss Paisley to keep the cat out of his room, but she fails. The cat sneaks into his apartment and Rinditch kills it. When Miss Paisley finds out, she grabs a knife to kill Rinditch, but she has second thoughts. She sits down and falls asleep. In the morning she wakes up wearing different clothes. The knife is also missing. She discovers that Rinditch has been stabbed to death and that a janitor has been charged with the crime. She is convinced she is the murderer but the police don't believe her. The janitor is later convicted and executed. Miss Paisley then discovers Stanley's collar. She remembers the murder. She did kill Rinditch and threw her bloodstained clothes and knife into a river. She now does the same thing with Stanley's collar so that no one can trace the crime to her. 理(lǐ )查德(🎏)．萨里执(zhí(🎡) )导的一部海难电影(💂)。故事描(🚽)述一艘豪华邮轮遭遇海(🏅)难，二十(👎)六名乘客挤(😇)(jǐ )上一(😦)艘(sōu )只能容(🍗)(róng )纳十二(è(✈)r )人的救(🎳)生艇。在这险(🖖)难时刻，负责(🌎)安全的(📎)救生艇主只(🚣)得作出(👛)生与(😕)死的决(jué )定。气(qì )氛(👠)紧凑(cò(🅾)u )，生动(dòng )地反映(yìng )了(🏛)人海众生相(🍆)。蒂龙．鲍尔(🍁)扮演艇(🏅)主表现不俗(🥢)，梅伊．塞特(🛬)灵的表(🅱)演也(yě )极为(💫)精(jīng )彩，她(tā(🏅) )自1962年后(hòu )成为瑞典(📂)著名的(🥦)导演。 又名：卞胭脂 Evan Wallace and his wife Janet take Janet's wealthy mother on an sightseeing trip to Mexico. Janet's Mother suddenly dies in the back seat of their car. They cover the body and stop at a café for a soothing drink. When they return, they discover that the car has been stolen. Since they need the body to claim their inheritance, they hire a detective. The detective eventually finds the body at a funeral home. He says he will ship the body to Los Angeles for a small "fee". The Wallac'es agree and pay him. Upon arriving in Los Angeles, a doctor pronounces the body dead but he notes that the body is not that of a woman, but an old Mexican Man. John Brown and Company makes furniture and has been a solid business for years. But young Harold Skinner wants to shake things up and make modern furniture. John Brown will have none of it. Soon Harold meets John Brown's wife, an attractive woman in her 30s, who married for money -- though she denies it. Unlike her husband, she's excited about Skinner's modern ideas and wants to help him. Especially after the two of them become lovers. Harold comes up with a "wonderful horrible idea" to get John Brown out of the way: convince him he's losing his mind. 十九世纪(🍿)美国的爱情(🧖)故事如(🗝)何变(biàn )成现(❌)代(dài )中国的(💹)(de )家庭伦(😎)(lún )理剧，洋伞(❓)裙怎样重新(✨)剪裁成花布衫？那(💰)就要看(🕴)程刚改编露意莎·梅·(👅)奥尔科(🕒)(kē )特1868年的(de )代表作(zuò(🚲) )《小妇(fù )人》的(📼)妙手了。沈氏(👊)家贫，沈(🛺)母（黄曼梨(🏝)）要靠典当(👂)来渡年(🔁)关，可幸沈(shě(🕷)n )家四姊(zǐ )妹(🍨)个个(gè )孝顺，二姊梦(🦈)湘（夏(🤩)萍）与四妹梦琴（莉莉）更是(🙋)时刻铭记父(🔓)亲无私(🍂)助人的训(xù(🌛)n )诲。电(diàn )影以(🌋)梦(mèng )湘(🍃)与邻(lín )家少(⛹)爷尚官武（(♌)张瑛）的感情发展(🔈)为骨干(🌗)，把不同的副线如救助穷(🈵)困妇(fù(👽) )弱丶梦(mèng )琴得病(bì(🚖)ng )等穿插(chā )其(💟)中，丰富而匀(⛽)称地描(🎇)绘出沈家女(🌫)性的生活百(😙)态。程刚(💪)按1933年荷里活(🔑)版的同名电(🚽)(diàn )影为蓝(lán )本，将(jiā(✔)ng )西式风(🍋)(fēng )俗套入中国语境，但态度严谨(📤)，从不硬搬，借(🙁)镜之馀(🌿)又不失适度(🚫)原创，并处处(🎣)(chù )强调(💧)乐(lè )善好施(🗂)(shī )的精神。