尸体派对ova

江湖奇侠(🚅)梅星河（王羽 饰(shì(✂) )）武(👐)功(gō(🏀)ng )高(gā(🧤)o )强，其(🥩)(qí )绝(🌮)招夺(🚸)命流星神(🏅)乎其(🎸)神(shén )，人(rén )所(suǒ )共(gòng )惧。某日，剑侠柳青衣邀请(qǐng )梅星(👆)河(hé(🔕) )，前去拜(bà(🕡)i )访名(🌻)震江(💩)湖的另一(🔌)高手(😣)——(🍤)天(tiān )魔(mó )星花无(wú )病（成龙 饰）。花无病（成龙(ló(🎵)ng ) 饰）武(wǔ )功(gō(🗻)ng )绝伦(💬)，其妻(⬛)花雨(👒)夫人(🐝)颇喜(🍎)男(ná(🌈)n )色。为(wéi )防(fáng )止(💨)(zhǐ )丈夫阻挠，她在花无病体内(nè(🎍)i )下毒，毒(dú )发之时(shí(📊) )，痛苦(🛠)难忍(🍺)。每年(😣)花无(🅿)病须(💶)向(xià(🐥)ng )妻子乞(qǐ(😆) )求(qiú(🥛) )解药，因此他言听计从，好不(bú )愤懑。 电(diàn )影描述一群(🤠)法国(🍩)生意人在(〰)一(yī(🕦) )战期(🦓)间(jiān )来(lá(💷)i )到象(🙊)牙(yá(🌹) )海岸做贸易，期间遭遇法国与(yǔ )德(dé )国开战(zhàn )，他们(🐟)自发的组织起(🥞)一支(🛰)雇佣(🔧)(yòng )军(💴)对德(🍯)(dé )国(🎉)(guó )人(👅)发动(dòng )攻击，途(✂)中经历了很(hěn )多事情(qíng )，引(yǐn )发(💋)了很多戏剧性的故(🌻)事…(🤲)… This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. 影(🕷)片讲(📄)(jiǎng )述(🚇)(shù )了(🙅)一个(🤘)(gè )马赛克(💠)镶嵌(🔕)风格的轻喜剧爱情(qíng )故事，有(yǒu )点类似于奥地利现(📴)代文(❔)学之父(fù(🙉) )亚瑟(🍨)•施(🚰)(shī )尼茨勒(🦅)的作(🎹)品《轮(🔷)舞》（曾(céng )由马克(kè )•奥菲斯(sī )和罗杰•瓦迪姆两(🚙)度改编成电(dià(🐷)n )影(yǐ(🗝)ng )）。导(💠)(dǎo )演(🌶)艾伦(😴)•鲁(🐊)道夫(⭕)擅长拍摄探讨(🕒)(tǎo )两性关(guān )系(xì )的爱情(qíng )电影(😝)，作为大导演罗(luó )伯(🍟)特•(🌋)奥(à(🌈)o )特(tè(🕦) )曼的(🍢)徒弟(🏃)，他曾(🕳)经在《漫长(🍍)(zhǎng )的(➖)告别(bié )》、《纳(nà )什维尔》、《西塞英雄谱》等(děng )奥特曼(mà(🈁)n )执(zhí(⏫) )导的影片(⛷)中担(🐒)任副(🗃)导演之类(🏏)的(de )工(⏱)作。在(🆘)(zài )《纳什维尔》完成后不久，艾伦•鲁(lǔ )道夫就(jiù )在奥(🐏)特曼指导下拍(🛹)摄了(🔸)《情挑(🚢)(tiāo )洛(🚃)(luò )杉(😧)矶》，因(🕋)此该(🚢)片在形式上与(🖖)《纳什(shí )维尔》以(yǐ )及奥特(tè )曼后(❄)来的《浮世男女(nǚ )》相(👖)类(lè(⛅)i )似(sì(😧) )，是一(🐼)幅70年(🕳)代洛(🚳)杉矶的浮世绘(☕)(huì )。演(🧕)员(yuán )阵(zhèn )容在如(rú )今看来也十分耀眼，基思•卡(kǎ(💕) )拉丹(🌎)、劳(láo )伦(📎)•赫(💗)顿、(🚫)萨莉•凯(💧)勒曼(📪)、茜(🌎)(qiàn )茜•斯(sī )派(pài )塞克以及哈维•凯特尔都在(🤝)(zài )其(🌚)中贡(gòng )献(xiàn )了(🛢)出色(🚈)(sè )的(🚼)表演(🦌)。如果(🏓)说真(🏉)要给(🎒)影片挑(tiāo )一(yī(🔝) )些刺的(de )话，就是那些难听的配乐(🎉)帮了(le )不少倒(dǎo )忙(má(🤲)ng )。 一段(🏅)(duàn )不(🐴)堪回(👤)首的(🎖)中国(🖌)近代历史，由(yó(😛)u )大(dà(🗯) )导演张彻娓娓道来。清朝末(mò )年政局(jú )腐(fǔ )败，社(shè(♈) )会民不聊生，慈(🚉)禧太(♎)后与(👐)一群(qún )愚(🏢)昧无(🥡)(wú )知(🤜)(zhī )的权贵大臣不但毫无抵御外国(guó )列强侵(qī(😺)n )占(zhàn )，以及保护人民(🍶)的能(🗜)力，反(🛵)(fǎn )而(💛)迷信(🏒)(xìn )以(💟)(yǐ )吞(🏔)符念(niàn )咒，自称(🍇)无坚不摧的「义和团(tuán )」可以抵(dǐ )御洋人，决意向(⤴)列强(📕)宣战。结(jié(🍅) )果导(🎨)致(zhì(🖊) )八(bā )国联军(jun1 )攻(🚊)陷北(👁)京，慈禧太后仓 惶逃(táo )难(nán )；人民这才醒悟到，只有(😀)孙中(zhōng )山先生(🈳)(shēng )领(🥃)(lǐng )导(🎖)的革(gé )命(🔖)运动(🌸)，才是(💎)挽救中国的唯一(yī )希望。本(běn )片于台湾实景拍(🌹)摄，战争场面(miàn )浩大(🚍)，并(bì(👮)ng )由钻(🔖)石级(📹)演员(🚸)压阵(🦓)，包括(✳)「影坛长(zhǎng )青(🈂)(qīng )树」李(lǐ )丽华饰演慈禧太后、「功夫小(xiǎo )子(zǐ(💉) )」傅(💍)声(shēng )饰演(🛩)刀枪(👹)不入(❓)的「义和团」(🏬)铁(tiě(🌘) )汉曾献(xiàn )汉(hàn )、性感(gǎn )尤物胡锦饰演一代名妓赛(🧢)金(jīn )花(huā )、红(🛬)歌星(🍇)甄妮(🏂)饰演赛金(💇)花义(😶)妹(mè(🔨)i )小菊，编(biān )写出一(yī )阙英雄儿女的壮志悲歌。 导(🍵)演(yǎn )Jorge Darnell是阿根(gēn )廷(tí(🌖)ng )人，76年(🈷)政变(💍)后离(🚇)开祖(🥊)国流(🚹)亡西(🌭)(xī )班牙、意(yì(⛽) )大利、墨西哥等地，此片在(zài )西班牙(yá )拍(pāi )摄，讲(jiǎ(🍓)ng )我们(🌬)敬爱的德(🍤)拉古(👉)拉爷(🏯)爷经过(guò )几(jǐ(🚉) )百年(😜)后(hòu )来到现代，由于居住的城堡年(nián )久失修(xiū )再(zà(🍎)i )加上前(qián )来旅(📚)游观(🔹)光的(🥝)人很多，而(🌝)他(tā(🎥) )的(de )健(🌍)(jiàn )康和经济条件也越来越窘迫(pò )，虽然(rán )衣(yī(💎) )食无忧(yōu )，但他决定(📊)利用(🥉)自己(🐥)的功(🔭)力改(🎙)(gǎi )变(🥃)现状(🗜)(zhuàng )。影片在超现(🍐)实的诡异气氛中还(hái )原了吸(xī )血(xuè )鬼作为一种动(🤜)物的(⏬)生存本能(⛔)(néng )，略(🐽)带(dà(🔖)i )喜(xǐ )剧元素(sù(🐇) )的故(🛌)事背后表达的是作者对现(xiàn )实(shí )世界的(de )思考和回(⏰)映。 七十年代出(🌔)品的(🎦)(de )大型(📪)战(zhàn )争(zhē(👤)ng )片之(👤)一(yī(😪) )，焦点是美国与日本海军对(duì )垒(lěi )的(de )中途岛战(🍴)役。在当年的一批(pī(🗯) )同类(🚿)电(dià(🤙)n )影(yǐ(🛎)ng )之中(📻)，本片(✉)不算(🍩)是突出之作，导(🥊)演杰(jié )克．斯(sī )米(mǐ )特的处理手法相对比较平庸(🏌)，但超(📥)级(jí )明(mí(📘)ng )星阵(🤱)容却(🚍)可以令今天的(🤟)观众(👥)(zhòng )重睹上(shàng )一(yī )代巨星(xīng )风采，而海战的场面也实(👥)在拍(pāi )得(dé )逼(🍆)真，使(👃)本片(♟)仍维持了(🦀)相当(👟)的趣(🏵)味性(xìng )。主演(yǎn )的(de )巨星包(bāo )括：查尔顿．赫斯(🕋)登、亨利(lì )．方(fā(🕸)ng )达、(🌲)格伦(🐼)．福(🔄)特、(🔠)罗伯(🔳)特．(🐓)米彻姆(mǔ )、克(🔕)里夫(fū )．罗布森、詹姆斯．科伯恩、三船敏(mǐn )郎(😸)(láng )。当(⛄)时还是新(⭕)人的(🎖)汤姆(🤹)．塞莱(lái )克也(🐫)露(lù(😓) )脸(liǎn )演了一(yī )个小角色。 惠淑为市(shì )木家料(liào )理(lǐ(🤐) )家务，目睹市木(🐳)和妻(🌵)子艾(🍍)子彼此恩(🛥)爱(à(🤞)i )，心生(🍅)嫉(jí )妒。于是，她利用市木的母亲(qīn )和春哲(zhé )等(🛴)(děng )人，将(jiāng )艾子致死(🎄)，夺取(🧣)了她(🕋)的财(🤢)富(fù(🗨) )和(hé(🖌) )幸(xì(🍤)ng )福。十年后，艾子(🚉)借助春哲(zhé )为她画(huà )的(de )画像还(hái )魂，回到市木家。艾(🚰)子的(👼)冤魂(hún )将(📂)惠淑(🤨)(shū )和(😨)(hé )市木的母亲(🐡)杀死(🍐)，却因普贤菩(pú )萨的干(gàn )预(yù )没能杀(shā )害市木的孩(🌠)子。市木(mù )扎瞎(🌃)双(shuā(🏺)ng )眼(yǎ(💒)n )，请求(qiú )艾(🚆)子的(💸)原谅(💓)。艾子的幽魂盘旋(xuán )一(yī )日后离(lí )开。