◎片 长 85 Mins
讲述50年代的(de )美国(guó )，一(😙)个受自由开放(👨)(fàng )教育的年轻(🥂)(qīng )女孩(hái )搬到乡下保(bǎo )守的浸礼会(huì )教友社区，逐渐(jiàn )成熟的故事(shì )。改编(📧)之Sarah Willis 的小说。1954年，15岁(✋)的Tamara Anderson 厌倦了(le )和其(🚪)父母、兄弟姐妹漂(piāo )离的生活。于是(shì )他们租下了(le )一幢乡村(🤱)农舍，发(fā )现其(😾)(qí )主人(rén )在17岁(💭)的(de )儿子死在家(🛠)(jiā )中后就搬了(le )出去(qù )。Tamara起初对男(nán )孩死在自己的卧室很是(shì(📗) )震惊，不过(guò )一(🗣)家(jiā )人开始去(🎠)适应新的(de )环境，与邻(lín )居交(jiāo )友，学习如(rú )何给与房子(zǐ )一同租下来(lái )的奶(🥦)(nǎi )牛挤奶。不(bú(🏈) )过在当母亲被(♌)诊断(duàn )出结(jié )核病，送到(dào )疗养院康复时，家庭开(kāi )始支离破(🦅)碎(suì )。维(wéi )多利(🛳)亚电影(yǐng )节参(💐)赛作品。
Carmen is happy. She is in love with Carlos, a young man filled with optimism, the exact opposite of his taciturn and tormented friend Leon. On Carlos’ advice, Leon pays a visit to Professor Kamus, whose invention reveals the truth about beings and things. This invention is none other than the cinema, which he presents as a sixth sense. From then on, an unfortunate misunderstanding puts Carlos and Carmen’s love in danger.
由(🍜)才(cái )华洋(yáng )溢的名(míng )漫画家鹤田(tián )兼二的同名(míng )原作(zuò )所(🌐)改编，连(lián )日本(🔬)动画的时代巨(🖖)作《新世纪福音(yīn )战士(shì )》的导演庵野秀明(míng )都为之激赏(shǎng )的作(zuò )品，将呈现(🚍)(xiàn )给各位一段(⛅)(duàn )奇特的科学(🎂)(xué )狂想(xiǎng )！芝娜(CHINA)是一(yī )位中国姑娘，自己(jǐ )开了(le )一家中国餐(cā(😉)n )馆“天回”，而她的(🌽)男(nán )友吉姆则(🌨)是(shì )位科(kē )学(🥙)家，跟在(zài )布兰克瑞奇博士身(shēn )边从(cóng )事研(yán )究 工作(zuò )，布兰(🏺)克瑞(ruì )奇也是(😥)芝娜(nà )的房(fá(⚓)ng )客。这次，布兰克瑞奇制作了一具(jù )“空间反射(shè )望远(yuǎn )镜”，说是能将月(yuè )亮的(🏬)影像投(tóu )射在(🥖)(zài )地球上，并(bì(🐛)ng )创造出一个(gè )一模一样的(de )双重(chóng )空间，这样(yàng )人们不必太空(💐)旅行(háng )就能(né(🃏)ng )看到月亮上(shà(⛱)ng )的一切了。
香港(🚣)商人金(jīn )浦以高价购(gòu )入废(fèi )船，引起台(tái )北国际刑警的注(🍚)意(yì )，派(pài )出女(🤗)(nǚ )干探李(lǐ )淑(📌)华侦查。而金其实是(shì )在紫(zǐ )阳观的掩护(hù )下贩卖一种名为‘快乐(lè )丸’(✴)的兴奋(fèn )剂，并(🐳)大量分销各国(💰)。美国特警史(shǐ )蒂芬(fēn )因女友加入(rù )邪教，服用(yòng )过量‘快乐(😄)(lè )丸’而身亡(🧖)(wáng )，所(suǒ )以决心(✳)消灭‘快乐(lè(🏑) )丸’，只身东飞(fēi )。金收到史来港之消息(xī )，派手下王(wáng )艳艳(yà(🥎)n )及陈进负责(zé(🏡) )跟踪，并设下圈(🕦)套(tào )色诱(yòu )史。李乔装(zhuāng )进入紫阳观(guān )，取得观内(nèi )治病(bìng )用之符水前(qián )往(🛫)化验所分析，并(🌈)验出(chū )符水含(🛄)有鸦(yā )片成(chéng )份，警长方一坤前(qián )来调查...
故事(shì )发生(shēng )在伦(⬅)敦一所(suǒ )破旧(👍)的公寓(yù )中，那(🍲)里住(zhù )着三(sā(🤦)n )个年轻(qīng )人——AK（尤金·哈茨 Eugene Hutz 饰(shì )）、霍利（赫丽(lì )·威(⏱)斯顿 Holly Weston 饰）和朱(⏰)丽叶(yè )特（薇(😢)琪·麦克(kè )卢尔 Vicky McClure 饰）。AK拥有着成为摇滚巨(jù )星的(de )梦想(xiǎng )，同时(shí )，醉心于霍(huò(🔦) )利的他希望(wà(👟)ng )某一(yī )日能够(💞)得到(dào )后者的垂青，而热爱芭(bā )蕾舞的霍利(lì )一心做着进入(✉)皇家芭蕾(lěi )舞(💼)团成为职(zhí )业(🍴)舞(wǔ )者的美梦(🕶)。朱丽叶特则(zé )希望有一天(tiān )能够(gòu )远赴非(fēi )洲，帮助那里的(😫)贫困儿(ér )童。
卡(🌻)尔库鲁斯(sī )教(🍝)授遭到印加人绑架，丁丁和船长(zhǎng )一直(zhí )追踪来到南美洲。在这里，印(yìn )加王(♋)(wáng )的威严使他(📩)(tā )们一无所获(🍜)(huò )，因为人人(rén )都害(hài )怕印加王。丁丁勇敢地帮助印加小(xiǎo )孩(🥖)佐里诺，使跟踪(🧀)他们的印加人(🖍)对(duì )他改变了(🍠)看(kàn )法，同时丁丁也(yě )获得了佐里(lǐ )诺的帮助。他们(men )误闯入(rù(🕕) )印加王的神庙(🕒)成为了太(tài )阳(🕧)神(shén )的囚徒，而(ér )等待他们的惩罚是被太(tài )阳活活烧死(sǐ )。最(zuì )后，聪明的丁(🏨)丁利用日食现(🕺)象(xiàng )摆脱(tuō )了(🌍)困境，拯(zhěng )救了教授和(hé )受苦的科学(xué )家。
怪獣ブームのさな(👁)かに日活が1967年(🐻)に製作した怪(🏃)(guài )獣映画。渡辺(🌙)明の原案(àn )を、『放浪(làng )のうた』の山崎(qí )巌と、『殺(shā(🤢) )るかやられる(⛽)か』の中(zhōng )西(🐵)隆三がシナリオ化し、『日本仁侠伝(yún ) 花の渡世人』の野口晴(qíng )康が監(📖)督した。巨大怪(🕗)獣の脅威と親(🔢)子の情愛(ài )を中(zhōng )心に描き、恋愛ものの要素までも取り(👿)入れた意欲(yù(🏊) )作。雑誌記者の(⛅)黒崎浩(hào )は、(🚊)カメラマンの小柳糸子と共に、船津社長(zhǎng )の命(mìng )を受け(😴)て南(nán )海諸島(🐷)の探(tàn )検に出(💀)かけた。2人には、生物学助教授の殿岡(gāng )が同(tóng )行したが、たまたま、あ(🍺)る火山島(dǎo )に(💖)上陸した3人は(🍕)、薄気味悪い洞窟を見つける。その奥には巨(jù )大な卵があ(🤡)って、島民(mí(🍗)n )の話(huà )ではガ(🔸)ッパの卵だと(💊)いう。ガッパとは、身長(zhǎng )70メートル以上、ワニのような鱗(🐲)のある太い胴(🕢)体と4本の足、(🎩)そして、前足(zú )から尾にかけて大きな羽根のある爬虫(chóng )類である。ちょ(🏏)うど卵が割れ(🗃)てガッパの子(📋)供(gòng )が現(xiàn )われたが、思わぬ獲物に喜んだ黒(hēi )崎は、ガ(🍓)ッパの怒りを(🤩)恐れる島民(mí(🆒)n )の反(fǎn )対を押(😗)し切(qiē )って、日本へ連れて行(háng )くことにするが・・・。
Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema –(🥚) La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score.
影片(piàn )主人(🐯)公是一(yī )位年(💬)(nián )轻的记者，他在谷仓中(zhōng )躲避黑夜，受到(dào )一欺骗(piàn )他的丑陋老妇用扫帚(👨)的(de )攻击(jī )。他设(📝)法用(yòng )基督教(🚰)传统方式灭之，但她一下却(què )变成(chéng )了漂亮的女人，显然这个(💝)女人(rén )被女(nǚ(👯) )巫所占有了(le )。而(👌)当女人(rén )最终(💊)死去，女人(rén )的父亲吩咐(fù )他夜夜为其祷告，直到(dào )下葬之日(🌎)。夜间女人复活(🚉)，不过以(yǐ )女巫(😓)的形式(shì )，并(bìng )努力想得到(dào )受魔法圈保(bǎo )护的他。殊(shū )死拼(pīn )搏的最(zuì )后(🌇)一夜，女巫唤来(🍵)了夜(yè )行怪(guà(🕳)i )物助她一臂(bì )之力……