演员李泌

一战(🎃)期间，路易到(💥)法国参加美(🏮)国(guó(🔡) )志(zhì )愿(🥙)者(zhě(🚖) )军团，他的爱(😐)人泰瑞斯也(🐤)加入(rù )了在(🧚)(zài )法(fǎ )国的(🦑)(de )志愿(⤵)红十字(🧞)组织(🍚)，但事实上泰瑞斯(sī )是一(yī )名德国间谍 导演：卢(📪)觉非 While hosting a game of cards one night, Narumov tells his friends a story about his grandmother, a Countess. As a young woman, she had once incurred an enormous gambling debt, which she was able to erase by learning a secret that guaranteed that she could win by playing her cards in a certain order. One of Narumov's friends, German, has never gambled, but he is intrigued by the story about the Countess and her secret. He soon becomes obsessed with learning this secret from her, and he starts by courting her young ward Lizaveta, hoping to use her to gain access to the Countess. На б(🥉)ерегу(🆘) ре(🧕)ки С(🔞)оч(🍽)и нема(🍁)я танц(🈶)овщиц(🔨)а Г(🍆)изе(⏭)лл(📏)а знак(🌨)омится с Виктором(😣) и влюб(🔣)ляетс(🥉)я в(🚧) нег(🔩)о. К(🏕)ажетс(🔪)я, что В(🕋)иктор(🕢) отвеч(✴)ае(💊)т ей(Ⓜ) вз(😦)аимностью, но вскоре тан(📙)цовщи(🐚)ца обн(⏪)ар(🛌)ужи(♌)ва(🤕)ет его(💷) с друг(🎱)ой. Уви(🥨)де(🐣)в Ги(♓)зе(🌒)ллу в роли умирающего ле(📢)бедя, в(😏) нее вл(🍍)юб(🥫)ляе(🐝)тс(⏭)я (?)худо(📩)жник Г(👞)линск(🕸)ий, стр(🔍)ем(📊)ящи(⌚)йс(🚭)я изобразить в картине с(🈳)мерть(🥤), и испо(📐)ль(🌠)зуе(🏾)т т(🎰)анцов(💀)щицу д(🏔)ля осу(⛄)ще(🙇)ств(🐘)ле(⏫)ния своего замысла. 1913年，几乎(hū(🥣) )与(yǔ )《难(nán )夫(🤟)难妻》拍摄的(🚐)同时(🧘)，一个叫(🙍)黎(lí(🈂) )民(mín )伟的(de )广(🦃)东人在香港(🏦)组建了一家(🏝)名叫(jiào )“华(huá(📘) )美(mě(🚾)i )”的(de )电影(🤕)公司(⛷)，不久该公司就与亚细亚(yà )公司(sī )合作拍摄了《庄(🥘)子试妻》，这(zhè(🦔) )也是(shì )影(yǐ(🏚)ng )史上(🔣)(shàng )第一部由(🥐)香港出品的(😱)故事短片。严(🔞)(yán )珊(shān )珊(shā(✋)n )扮演(🖖)的虽不(🧠)是重(🐝)要角色，却是(shì )中国(guó )银(yín )幕上(shàng )的第一位女演(🎷)员。 Паст(🧥)ор Тал(🐫)ьн(💞)окс(🎣) яр(🧒)остно(🌆) призы(🦏)вает п(🖥)аству(👃) бо(🚻)ротьс(🎪)я с искушениями, од(🔕)нако с(💡)ам ста(🐚)новит(🥈)ся(🌨) жертв(🎍)ой соб(🧡)лазна(🎓). В его д(🏢)ом(🗜)е по(🎗)яв(🎃)ляется сатана, подталки(🌀)вая ге(📨)роя к в(🛒)ор(🕗)овс(🥐)тв(🆕)у и дух(🏝)овном(🖥)у паде(♌)нию. At the salon of his lover, Paris dancer Eva Sorel, Christian Wahnschaffe, the spoiled son of an industrialist, meets Iwan Becker, a leader in the Russian Nihilist movement. Impressed by Becker’s concern for society’(🕵)s weak and poor, Christian develops sympathies for the movement’s ideals. When Eva begins a relationship with a powerful Russian prince, she poses a danger to Becker, who has entrusted her with his secret plans for a revolution for safekeeping. And, indeed, they end up in St Petersburg, where Christian and Iwan try in vain to gain possession of them. It is then easy for the Prince to put down the 1905 revolution …(😟) Weltbrand is a wide-ranging panorama of society, unfolding along several parallel plot lines against a backdrop of luxury and misery. From its use of historical subject matter, to its gala premiere attended by dignitaries from industry and politics at the Hotel Esplanade, the two-part star-studded film version of the book anticipated later media storms, making Christian Wahnschaffe seem like a Weimar-era forerunner of modern-day event television. 一场(chǎng )意外(🎍)(wài )让(ràng )宾(bīn )虚(xū )（拉蒙·诺瓦罗 Ramon Novarro 饰(🛳)）沦为了可(🚐)以被(bèi )随意(🥊)(yì )买卖的奴(🎊)隶，他(🌅)被卖到了一(👑)艘(sōu )兵舰(jià(🕡)n )上(shàng )，成(chéng )为(👍)了一名水手(⛹)。某日(🏬)，兵舰遭(📟)遇海(🍽)(hǎi )盗(dào )的(de )袭击，就在这生死存亡的紧要(yào )关头(tó(🐝)u )，身强(qiáng )体壮(🐷)的宾虚成功(🏀)挽救(😞)了兵舰(🕜)司令(🙊)官(guān )的(de )性(xì(📲)ng )命，司令官感(⤴)谢宾虚的救(🔒)命之恩，不(bú(🍥) )仅赋(💢)(fù )予了他自(👓)由，还将其收为养子(zǐ )。 At the salon of his lover, Paris dancer Eva Sorel, Christian Wahnschaffe, the spoiled son of an industrialist, meets Iwan Becker, a leader in the Russian Nihilist movement. Impressed by Becker’s concern for society’s weak and poor, Christian develops sympathies for the movement’s ideals. When Eva begins a relationship with a powerful Russian prince, she poses a danger to Becker, who has entrusted her with his secret plans for a revolution for safekeeping. And, indeed, they end up in St Petersburg, where Christian and Iwan try in vain to gain possession of them. It is then easy for the Prince to put down the 1905 revolution … Weltbrand is a wide-ranging panorama of society, unfolding along several parallel plot lines against a backdrop of luxury and misery. From its use of historical subject matter, to its gala premiere attended by dignitaries from industry and politics at the Hotel Esplanade, the two-part star-studded film version of the book anticipated later media storms, making Christian Wahnschaffe seem like a Weimar-era forerunner of modern-day event television.