围棋少年第二部

An ex-cop who is now a private detective is hired by a woman to be the go-between in retrieving an important envelope from her partner. The detective has the partner come to his apartment to give him the envelope, but someone sneaks into his apartment and strangles her while the detective is in another room. Fearful that the police will suspect him of the murder, he brings the woman's body back to her own apartment, but the police find out and suspect him of the murder anyway. He must find out who is framing him for the murder and why, before the police catch him. 该片乃(nǎi )大观声片有限(xiàn )公司(🛂)(sī(🧟) )于沦(🏹)陷(🔟)期间在美(měi )国拍(pāi )摄的粤语片，取(➕)(qǔ(🥂) )材自(📠)(zì(🔸) )世界著名喜剧《迷眼(yǎn )的砂子》。 Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the 1st time in his life, this is for real. The film is also a sharp picture of the fashion world. 纽约(🍾)34街(🐫)(jiē )柯(🍾)氏(🀄)百货公司感(gǎn )恩节(jiē )游行中，负责(😍)活(🏴)(huó )动(🔔)的(👎)(de )华克太太，要求(qiú )神似(sì )圣诞老人(🍺)的(🕟)克里(😋)斯(🧠)替(tì )代酒醉出丑的(de )汤尼(ní )扮演圣(⚽)诞(📿)老人，克(👶)里(lǐ )斯慈祥、和蔼的(de )笑容(róng )，赢得(🤛)许(🏔)多小孩(hái )的喜(xǐ )爱，唯独早熟的苏(📗)珊(🚈)(shān )不(🀄)相(👉)信圣诞老(lǎo )人的(de )存在；于是她便(⏯)(bià(👣)n )相克(🍻)(kè(🖕) )里斯要求一间房(fáng )子、一个弟弟(🍳)和(🏚)一个(🚠)(gè(🤨) )父亲(qīn )作为圣诞礼物，藉(jiè )此考验(🎒)克(🕑)里斯(😽)是(🎟)(shì )不是(shì )真的圣诞老人。此时(shí )克(🈺)里(🚒)斯的(🚳)盛(💀)名令(lìng )柯氏(shì )死对头－捷克百货(🌘)眼(㊗)(yǎn )红，遂(⛔)设计陷(xiàn )害克(kè )里斯，打击柯氏(shì(✝) )；(✌)华(huá )克太太请来好友(yǒu )布莱(lái )恩(📥)为克里(🕠)斯(🧜)辩护(hù )，在(zài )一场令法官也为难的(🗺)(de )听(🤗)证会(🍲)中(🃏)，奇(qí )迹出(chū )现了…… Judy Peabody saves an old man from drowning. He turns out to be Jerry Bates, "J.B." to his lawyer Curtis, "Pop" to Judy, who mistakenly believes the wealthy old-timer to be poor. The film is best known today for Scorsese’s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures 尼(💅)克(❌)贝（(🌳)Derek Bond 饰(🥘)）的父(fù )亲死后，他找了(le )叔叔(shū )拉(👚)尔(👛)夫（(💔)Cedric Hardwicke 饰(📳)）去帮(bāng )忙。拉尔夫为了(le )“帮(bāng )助”他(🕌)，便(💂)让他(😲)(tā(🦃) )到士(shì )括尔斯（Alfred Drayton 饰）的(de )寄宿(xiǔ )学(💫)校(🗑)当助教(🐹)。尼克贝(bèi )对士括尔斯的(de )教育(yù )方(🚮)式(🏋)十分厌恶，所以(yǐ )他释放了被士括(👴)(kuò )尔斯(📳)(sī(📳) )虐待多年的史密(mì )格（Aubrey Woods 饰），然后(🎖)就(♿)离开(🙌)了(🍂)。史密格跟尼(ní )克贝(bèi )一起到伦敦(🌉)与(😣)诺(nuò(🚌) )格(🙁)斯(sī )（Bernard Miles 饰）一块儿住(zhù )。然(rán )后，他(💨)们(⛎)又到(⛔)了(🍧)(le )朴茨(cí )茅斯当演员。当尼(ní )克贝听(🆒)到(🍔)拉尔(🐛)夫(🍅)(fū )虐待(dài )尼克贝的妹妹（Sally Ann Howes 饰）时(🌈)，就(🏦)回到伦(🏴)敦(dūn )，为(wéi )切尔以布兄弟工作。随后(📚)，他(👮)拯救(jiù(🎞) )了被(bèi )拉尔夫伤害的白(bá(📊)i )雷（Jill Balcon 饰(🤶)）(🐒)，并与她结(jié )婚。 欧曼力牧师奉命(mì(⬇)ng )管(🛑)理(lǐ(📬) )圣(🎢)·玛丽学校，他(tā )对孩子们自有一(🎛)(yī(🍀) )套管(🤠)(guǎ(🌭)n )理办法，但是这(zhè )所教(jiāo )会学校的(👢)修(🦊)女们(🌔)(men )也(🌻)有(yǒu )她们的一套教学(xué )方法(fǎ )。本(🐚)尼(🛥)迪克(🌯)特(📔)修女(nǚ )告诉他，为了维(wéi )修学(xué )校(♊)，她(🙏)们将孩(🍥)子(zǐ )们的(de )活动场地卖给了(le )贺瑞(ruì(🌛) )斯(🔟)波迦德(👮)斯先生，修(xiū )女们暗自祈祷(🀄)(dǎo )先生(📦)(shē(🆗)ng )能将新建的大楼(lóu )捐给(gěi )学校，而(📲)波(📋)迦德(🐛)(dé(➰) )斯先(xiān )生却希望关闭圣(shèng )·玛(mǎ(💘) )丽(👎)学校(🔻)，收(🉐)购学校(xiào )的地将集团建在(zài )此，谁(🙄)都(🔈)知道(😌)他(📑)是个(gè )非常(cháng )自私的老头，既(jì )固(🏝)执(🤩)(zhí )又(🕧)吝(🌧)啬，但欧曼力牧(mù )师、波迦德斯先(😁)生(📛)(shēng )的医(😇)生和修女们(men )终于(yú )改变了他，波迦(🥌)(jiā(🎋) )德斯(sī(🔭) )很乐意将新建的(de )大楼(lóu )捐(🦄)给学校(👶)…(📌)… This movie is an early horror film classic and certainly one that a well-rounded horror movie aficionado should not miss. An invalid concert pianist dies, leaving a will that does not include his personal secretary Hilary Cummins (Peter Lorre) as a beneficiary. Furious, the left-out yes-man cuts off a hand from the corpse and plots revenge. Unfortunately for Hilary, the hand inherits a life of its own and relentlessly stalks the wild-eyed Lorre as he flees in vain. Special effects keep the audience jumping as they dread the next appearance of this gruesome walking hand. The film is directed by Robert Florey, who also directed Murders in the Rue Morgue (1932).