七十七天

Hannelore Reitzler elopes with her boyfriend to the Hotel Liebesnest but he leaves her during the night after failing to take her virginity. Not wanting to return home, Hannelore takes a job as a chambermaid at the hotel, which involves giving sexual favors to the guests at an extra charge. Meanwhile, a female cat burglar sneaks into Liebesnest every night and whenever she gets caught, she offers her body to her captors to keep them quiet. ニューヨー(⏹)ク市(🏫)警におい(🐜)て、(👥)空手師範(🏚)の座(😜)をめ(🏁)ぐる争(zhēng )いに(🍲)巻(quàn )き込まれた沖(chòng )縄空手家・檜垣一(🍿)真は(💍)、悪徳空(🎠)手家(📷)・二階堂(🧒)弘宣(⛏)の襲(♍)撃に遭っ(🍱)た。一(🍍)(yī )真は応(yīng )戦するものの、娘・由美の(♑)目の(🏂)前で片腕(😏)を失(⏩)ってしま(🥜)う。そ(🥙)れから10年後、(🐆)由美(🌋)は空(kōng )手家生(shēng )命を絶(jué )たれてしまっ(🉐)た父親の後を(📭)継い(🕣)で、檜垣(⏭)流空(🧣)手の達人(🏧)に成(🐓)長し(🌹)ていた。由美(mě(👞)i )は父親(qīn )の復讐(chóu )を果たすため、今で(🈶)は空(😕)手界の大(💚)物と(🌀)なった二(👵)階堂(🍾)のいる東京に(🥛)向か(🥖)ったのだが…。 In this utterly bizarre spaghetti western, the "Stranger" must cope with a wide assortment of strange villains. Through the course of the story he fights with Vikings who suddenly appear in a western ghost town; a strange Elizabethan family costumed in period clothing who live in a desert castle; and medieval knights whom he battles using machine guns, TNT, and his gun. A bizarre silver ball hangs over the melees, watching the strange goings on. Bugsy Malone希望(wàng )一举击(jī )垮纽约(yuē(🆗) )的黑(♟)帮，自己号(🚑)令全(📙)城，与Fat Sam及Dandy Dan展(🔎)开一(💅)幕幕的枪战... 本(😔)片是(🛂)费拉里对现代社(shè )会文明(míng )和小家(jiā )庭(😱)中男(nán )子的作(🛎)用的(📚)最新探讨(🚝)的成(🔑)果。工程师(😋)热拉(Ⓜ)尔德(📉)被妻子抛弃了(👣)，并把小儿(ér )子皮耶(yē )罗特留(liú )给了他(tā(🐘) )。当工(✂)(gōng )厂宣布(🔸)休假(🏆)时，他把保(💘)姆当(🥀)作情人；在短(🛵)短的(📹)时间内，他重新经(jīng )受了令(lìng )人伤脑(nǎo )筋(🎄)的以(🍱)(yǐ )两性斗(😒)(dòu )争(⛽)为特点的(🎑)两人(🐁)关系发展的全(🐨)过程(🛅)。热拉尔德完全被以性交为表现的男(nán )性(🚸)意识(shí )所支配(⛪)(pèi )。当(🔵)他(tā )同情(🧙)人的(🚠)关系发生(🛵)危机(🈯)时，他(💴)的情人却和他(🥦)的前妻成了好朋友。他出于(yú )抗议和(hé )绝(📟)望用(🌖)(yòng )一把厨(🥢)(chú )房(⛏)用的(de )电锯(📀)把自(📶)己的生殖器割(🛳)掉了(🛷)。这个可以作为模式的事件的大部分(fèn ) (就(🕙)象在(🐒)(zài )戏剧舞(❇)(wǔ )台(😱)上一(yī )样(🎨))发生(📷)(shēng )在一套高层(📖)小公(🏨)寓里。费拉里批判了他的主人公的大男子(🗃)主义，同时也(yě(🐱) )表现(📺)了(le )由于生(😡)(shēng )活(🆙)(工作(zuò )，住(💣)宅，千(🔭)篇一(🌔)律的生活秩序(🌄)，孤独寂寞)造成的绝望和灰心丧气。如果(guǒ(🎮) )说影(📒)片(piàn )留下(🏮)了(le )一(🕍)种相(xiàng )互(😥)矛盾(🌶)(dùn )的印象，那是(🤓)由于(🧀)影片以独特的方式提出了问题：这个男(💐)人是他(tā )的行(💏)为(wé(🙋)i )的牺牲(shē(🚫)ng )品，也(🎤)(yě )是妇女(nǚ )全(🎪)面反(🛶)抗的牺牲品；费拉里在这部影片中同样使用了多种手(🐋)法，而(🦎)且通(tōng )过(😿)一些(🔣)(xiē )“煽动(dò(😷)ng )性"的(🚪)细(xì(🐻) )节和效果来吸(🌛)引更多的观众。 Lovely, but uptight young lass Sandy sheds her inhibitions and decides to happily indulge in group orgies in both San Francisco and Las Vegas after her doctor informs her that she only has a few weeks left to live. 这部跟风恶搞经典怪兽电(🔕)影#金(🥤)刚# （King Kong）的(🍩)英(yī(🏀)ng )国喜剧(jù(🍚) )B级片(🕍)，可能是(shì )史上(🦎)最(zuì(📁) )烂的电影之一。剧情和金刚如出一辙，只不(🛴)过性别发生了(🧚)颠倒(🌂)，一只母(mǔ(🎇) )猩猩(🍘)爱(ài )上一(👑)枚(mé(🥛)i )帅男(⏯)……值得一提的是，此片在日本引发了一小股的cult风潮。 犬(🌌)神制(🛃)药创(chuàng )始(🛒)人犬(🐻)(quǎn )神佐兵(♐)(bīng )卫(♍)（三(🤬)(sān )国连太(tài )郎(📵) 饰）一生不曾娶妻，却有三个女儿松子（(🤚)高峰(🌷)三枝子 饰(💯)）、(🐠)竹子（三(🐀)(sān )条(🆚)美纪(jì ) 饰）、(🚪)梅子(🥌)（草笛光(guāng )子 饰），另收养恩人野野宫大(🌅)式孙女珠世（(🍷)岛田(🥕)阳子 饰）(📋)为义(📎)女(nǚ )。犬神(🚷)(shén )生(🔠)前留(🏑)(liú )有遗书(shū )，规定(dìng )三女只能继承遗产极少部分，多数遗(🥞)产由(💒)珠世获得(⏯)，然珠(🎏)世需同(tó(🔑)ng )犬神(⏭)三(sā(💫)n ) 个孙子(zǐ )中的(🦎)一(yī )个婚配(pèi )方可继承。犬神家顾问律师(🌔)嗅到(♊)遗产之争(❇)背后(🌟)的血腥气(🍗)息，从(🚣)东京请来(lái )名(🌠)侦探(🙄)(tàn )金田一(yī )耕助（石坂浩(hào )二）协助调(😏)查。 Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.