一群邪恶(🏝)的(🚨)生(📘)化人从地球的(☕)未来绑架人类作为奴隶，并把过去的恐(kǒ(🐔)ng )龙(🦌)当作追踪(zō(🍊)ng )者(😭)使(🍛)用。他(tā )们的(🌶)(de )一(😔)个奴(nú )隶逃(táo )跑了，逃到(dào )了现在(zài )的(🏀)洛(🐼)(luò(🤪) )杉矶。在那(nà(🕝) )里(🏩)，他必须(xū )击退(♎)半(🍯)机器(qì )人和他们的(de )追踪(zōng )者、警(jǐng )察(㊙)和(💌)(hé )政府，由一(🐞)(yī(📸) )名(🌯)妓女(nǚ )转变(bià(😡)n )为修女(nǚ )，经(jīng )营着一个中(zhōng )途宿舍。
ＣＣ(🍁)ガ(🚝)ールズの青(Ⓜ)田(👖)典(🐾)子主演による(💙)エロチック・アクション。浪速刑務所の(🐜)刑(🔸)務医・エリ(🤰)カ(🥔)と(🖱)看護婦(fù )・(🚀)真(✈)理。２人は着任早(zǎo )々、荒くれ囚人(ré(😙)n )た(💸)ち(🍥)と一悶(mèn )着(🈯)を(🍤)起(qǐ )こして…(👄)。
一(🚺)个(gè )汉人男子（邵兵饰）救(jiù )下了被(🏕)乡(🥓)民(mín )准备(bè(🈂)i )供(🔹)奉(🙇)给(gěi )雨神(shén )的(🍍)女子(zǐ )（应(yīng )真饰），两(liǎng )个人一(yī )起流(🏉)(liú(🈯) )落到了一个(🚑)(gè(💞) )藏(🛋)族部落，开始了(🍖)他们新的生活。在这里，他们认识了美丽的(🐦)藏(🎹)族公主（宁(🍧)静(💩)饰(👽)）。后来，英国(⚓)探(🐲)险队在雪山遇(yù )险，琼斯（尼克饰）和(📙)(hé(🗼) )罗(🛴)克(kè )曼（波(👤)(bō(😒) )尔饰(shì )）也被(📢)(bè(💇)i )藏民(mín )救下，留在(zài )西藏修(xiū )养。在这段(🧣)时(💁)间(jiān )的相处(🌧)中(📔)，他(🦐)们跨越了(le )民族(🏟)(zú )和肤色(sè )，培(péi )养除了(le )深厚(hòu )的感情(qí(🔅)ng )。不(🐨)(bú )久，伤(shāng )养(😊)好(💲)(hǎ(🐷)o )后，英国人(rén )也(🦒)离开了。
故事梗概：
华盛顿警官亚历克斯(🌋)·(🚿)克洛斯（摩(♉)根(🐃)·(💘)弗里曼 Morgan Freeman饰）(📒)是(🗣)警方的一名心理咨询专家。他突然接(jiē(🍻) )到(🚦)在(🔧)北卡罗(luó )来(🧦)纳(🏄)州达勒(lè )姆小(😺)(xiǎ(🌹)o )镇上学(xué )的侄(zhí )女失踪(zōng )的消(xiāo )息。为(🌭)(wé(♎)i )了找(zhǎo )到侄(🏩)女(🚰)(nǚ(📁) )，亚(yà )历克斯决(🤲)定(dìng )一探究竟。然而当他到(dào )达当(dāng )地警(🗡)察(💉)(chá )局后(hòu )，亚(👁)历(🕤)(lì(🐐) )克斯(sī )发现这(🌄)(zhè )里已(yǐ )经连续(xù )失踪(zōng )了多名少女(nǚ(🏛) )，自(🏈)己的侄(zhí )女(💟)只(🥀)是受害者之一(🌌)，她(🍯)们无一例外的都是既聪明又漂亮的优(📼)秀(🕛)女孩。死里逃生(😃)的(🌮)女医生凯特·(🕎)麦克蒂(dì )尔南（艾什(shí )莉·贾德 Ashley Judd饰(shì )）(🍽)是(🌷)唯一侥(yáo )幸(🌐)逃(📳)(tá(🎻)o )脱的女(nǚ )孩，她(❕)只记(jì )得凶(xiōng )犯是一(yī )个头(tóu )戴面具自(🛢)称(🎟)(chēng )“卡萨诺瓦(🍢)(wǎ(🔒) )”的(🌝)变态杀(shā )人狂(⚫)。凯特(tè )为亚(yà )历克斯(sī )提供(gòng )了许多(duō(🚊) )有(⚡)价(jià )值的线(😬)(xià(❤)n )索，然而狡猾的(💐)(de )“卡(🐪)萨诺瓦(wǎ )”却始终没有现身仍逍遥法外(🐷)。一(🕖)场漫长而艰辛(💅)的(🗝)追捕开始了。
偏(🏣)僻的俄罗斯驻防军区，两列火车相(xiàng )撞爆(🏯)炸(🦁)。随(suí )即发生(😻)了(👥)一(🥫)(yī )场匪夷所思(🖇)(sī )的核(hé )爆炸，俄罗(luó )斯境内(nèi )造成(chéng )重(💅)大(🍘)伤(shāng )亡。美国(😹)白(🤪)宫(🕟)反(fǎn )核走私情(👪)报(bào )部门的朱莉(lì )亚·凯利（妮可(kě )·(🌥)基(🛠)德(dé )曼 Nicole Kidman饰(shì(🎌) )）(🛍)博士(shì )怀疑(yí(🎃) )这(🐶)起核(hé )意外(wài )并非偶然发(fā )生的事故(🔀)。为(🚰)了追查这起爆(🐷)炸(🍪)的始末，查明背(🚚)后的真相，朱莉亚与陆军特种部队的少尉(🏟)托(🗝)马斯·威尔(🐷)（(🚶)乔(💸)治·克(kè )鲁尼(🐖) George Clooney饰）受(shòu )命展开调查(chá )。他们在艰(jiān )苦的(🥔)(de )调(🍗)查中(zhōng )，竟(jì(👚)ng )发(🤸)现(😃)了(le )一个(gè )惊(📎)天(🛡)大(dà )阴谋(móu )。一名冒充(chōng )政客的核恐(kǒng )怖(👄)分(👁)子已携(xié )带(🥄)核(🤩)弹头进(jìn )入美(👄)(mě(👰)i )国本土(tǔ )，欲(yù )炸毁设(shè )在纽(niǔ )约的联(🐯)(liá(❎)n )合国(guó )总部。
Harold is a tour bus driver. While visiting a good friend in a trendy Hollywood cafe, Harold spots his favorite actress, Amanda Clark. She is with her agent Sidney Stone who is repeatedly getting up to make phone calls. When Harold sees Amanda sitting alone, he decides to introduce himself. Instructed not to mention his profession to her, Harold doesn't correct Amanda when she mistakingly assumes he is a writer. When she asks who his agent is, Harold innocently throws out the name of super-agent Arthur Blake. Amanda is impressed and charmed, and to Harold's amazement she proposes a date to discuss her next movie with him. As their relationship grows, so must Harold's charade to keep Amanda from discovering he is a Beverly Hills tour guide and not a hot-shot writer. He promises Amanda a script rewrite and convinces Arthur Blake to represent him. Harold's father is not so easily swayed, and tells Harold to snap out of it, "We show people movie star's homes, we do not date them!" With a rewrite deadline looming, an actress swooning, and his whole world rocking, Harold must choose what to write as well as do what is right. ~Written by Corey Nook {queen@iastate.edu}
前(🈳)作(🦋)(zuò )を凌ぐアク(⏭)ション＆バイオレンス炸裂のシリーズ(🏂)第(🎳)2弾！
Allen, a struggling young artist who once survived by working in the streets, is now involved with Eva, a wealthy Los Angeles gallery owner. Quite by surprise Allen receives a visit from an old john, Thaddeus, who is dying from aids and has come to spend his last days somewhere humble ans spare. Allen reluctantly takes him in, straining his relationship with Eva, who slowly discovers the truth about their past. When Thaddeus implores Allen to find Jamie, a young hustler he had once tried to rescue, Allen returns to the streets where he must choose between what he left behind and the uncertainty that lies ahead.