水浒传新版演员表剧情介绍
Director Mario Caiano is not one of the better known Italian directors; but he's certainly one of the most underrated and has proved himself more than capable of delivering the goods on a number of occasions with films such as Calling All Police Cars, Night of the Doomed, and this film. The Polizi genre is best known for it's fun action flicks with a focus on car chases and shootouts; but with this film, the director has taken the theme and added an extremely grim atmosphere to it, and this bodes well with the plot line which takes in a robbery gone wrong, a resulting war between the criminals and a police investigation. The film opens with a bank robbery in which the crooks make off with a load of money which was intended for some workers' pay packets. This interests Police Commissioner Foschi as the wages are normally paid in cheque. Things haven't gone well for the criminals either, as two of them have decided to rip the other one off, leading him to track down his former partners with the cops on all of their tails.
这(zhè )是70年代中期(🏫)意(yì(🐇) )大利一部重(⛰)要(yào )的(de )“政治电影”,讲(🗒)述了(🍍)意大(🖍)(dà(🏩) )利南(🚢)方某城市(shì )的两位法官(🛺)先(xiā(🍛)n )后被杀(📡),负责(🎩)(zé )调查的探长罗(luó )加斯把目光(🚤)集中(🏞)在一(👟)个名叫克(kè )雷斯的药剂师(shī )身(🌞)上,认(🥫)为他(tā(👽) )因先(🆎)前被法院(yuàn )判入狱而进(😶)行(há(📅)ng )报复。但(🔣)罗加(➰)(jiā )斯的想法遭到(dào )警(jǐ(🍉)ng )方高层(⭕)的否(🏿)定(dìng ),总部取消了(le )他的任务并把(bǎ )他(🏚)调到(🛶)另一个(gè )部(👊)门。后来罗(luó )加斯了解到(🅾)原(yuá(💨)n )来(🎂)(lái )黑(👝)幕就是警方(fāng )首脑,但在(🍼)追(zhuī(🍟) )查此事(🤛)时被(🎓)不(bú )知名的黑手开(kāi )枪击毙。
Marco Bellocchio's trenchant VICTORY MARCH is about the madness of military life and its children's power games. It deals with the psychological ravishing of a sensitive and literate young man during the first year in his service in the Italian army. He is abused and shoved about by officers and non-commissioned personnel, and when he has the audacity to become a good soldier, he is shunned by the other trainees. The soldier, Passeri, is played by the talented Michele Placido, who was the youngest brother in THREE BROTHERS and the teacher in FOREVER MARY, both made after this film. Much of the movie treats Passeri's relationship with a strict and possibly psychotic young officer (Franco Nero) and his sluttish young wife, played by French actress Miou-Miou. The movie delves into the relationship between power and sexuality, has some scenes that are rather graphic. But it is another example of Bellocchio's exhilarating talent which can be both savage and humane, satiric and dramatic, and most certainly always fascinating.
费米(mǐ(🛡) )·本(🛰)纽西领先(xiān )主演的一部喜剧影(🔻)片,影(🥁)片关(guā(💀)n )于一(🧖)名意大利(lì )高管参议院(🕓)好(hǎ(🏐)o )色放纵(🕣)的喜(🏨)剧(jù )情节……
パリへ留(➰)学中の(🛁)画(huà(🥍) )学生滝村二郎(láng )はふとしたことか(🍑)ら、(😟)美しい(✖)人妻(♐)マリー・ローランと知(💡)(zhī )り(🥧)合(🚂)い、(🔆)愛するようになった。マ(🦔)リー(⏹)の夫(fū(🖌) )ジャ(🤖)ンは、密(mì )輸で金もうけをしてい(🕶)る悪(♏)(è )徳業者で、異(yì )常に嫉妬深(⛸)く、(✔)常に腹(🔁)心の(🍗)運転手マックスにマリ(👖)ーの(🗻)後(hòu )を(👜)尾け(📹)させていた。二郎に二度(🐝)と会わ(📉)ない(🗞)決心をしていたマリーだが、二郎(⏹)がマ(🎪)ックス(🕉)に傷(🎢)つけられたために、心(🚉)配し(💌)て(🎧)再(zà(🕑)i )会、シャンティの城に(〽)ピク(🦍)ニック(🍣)に行(🆕)く約(yuē )束をした。日(rì )曜日。二人はな(👙)だら(🥗)かな風(fēng )景を走り抜け、シャ(💺)ンテ(🍄)ィの城(🐹)に着(🛺)いた。森の中で唇を求め(✍)合う(💚)二郎(lá(🔭)ng )とマ(😩)リー。二(èr )郎がアパート(🌈)に帰る(📤)と、(🏫)日(rì )本から幼友達(dá )の伊都子が、(👍)ツア(🧗)ーの途(🤥)中に(🥧)立ち寄っていた。二郎は(😜)久(jiǔ(🦍) )し(😤)ぶり(🌟)に会う伊都子との会(huì(😕) )話の(💥)中にも(🏄)、マ(💕)リーの面影が離れなかった。ある日(🥤)、二(⛄)(èr )郎はとうとうジャンが居る(✍)のも(🐍)構わず(🏴)ロー(🦆)ラン邸を訪れた。マリー(🌦)は戸(🍆)惑いな(😴)がら(🚬)も、二郎を冷(lěng )く追い(➖)帰した(📖)。だが(🍆)、嫉妬(dù )に燃えたジャンが以前に(💑)も増(💢)(zēng )して(🎿)マリ(😯)ーを責めたてるため、(⤵)マリ(🗝)ー(🈳)はつ(⛹)いに二郎と駆け落ちを(📨)して(🤫)、自由(😔)を得(📬)ようとした。逃(táo )避行に出たマリー(📣)と二(🎅)郎は、南仏ツーロンで愛の日(🏺)々を(🕞)送って(📖)いた(♈)。そんなある日、二郎は(📁)過激(✂)(jī )派学(🕢)生の(💺)嫌疑(yí )により逮捕され(🛹)、止め(🔢)よう(🏔)としたマリーは、ホテルのテラス(🖲)から(👲)足をす(🔲)べら(🤯)せ海に落ちた。マリーは(👦)死ん(💖)だ(😃)、と(🏄)聞かされ、日本に強制(🍺)送(sò(🙃)ng )還され(🥎)た二(🏈)郎は、金沢の父のもとで、希望(wà(🚚)ng )のな(🔪)い毎日を送っていた。そんな二(📹)郎を(🥂)元気づ(🌅)けて(🈯)くれたのが伊都子で、(🏗)二郎(🍖)は父(fù(🦐) )のす(♌)すめもあって彼女と結(🏼)(jié )婚す(🆕)る意(🌩)志を固めた。その時、死んだと思っ(🙈)てい(🍔)たマリ(💬)ーが(🙊)、二郎を訪ねて来た。し(👉)かし(🎯)、(🏕)二郎(👡)(láng )がすでに伊都(dōu )子と(🦒)婚約(🤼)してい(🛌)るこ(🎌)とを知ったマリーは、自らの恋を(🤲)あき(🙃)らめて、フランスへ帰る決心(🙌)をし(🍂)た。だが(🚵)、二(㊗)郎はマリーを忘れるこ(🤯)とが(🌆)できず(🙋)、マ(🥉)リーを追(zhuī )って、同じパリ行(👷)きの(💘)飛行(háng )機に乗込んだ。中東国に着(zhe )陸(🐞)した(💙)一行を(👃)待(dà(🐽)i )ちかまえていたのはゲ(🛀)リラ(🕖)の(🔑)一味(🍦)だった。ゲリラが空(kōng )港(🚪)関係(🚣)者と身(😯)(shēn )代(🥘)金の交渉をしている隙を盗(dào )んで(😦)、二(🤓)郎とマリーは、ジープに飛び(🍞)乗(ché(🚁)ng )り走ら(🔎)せた(🈷)。その後をゲリラが一斉(⏬)射撃(🏾)した。二(🚨)人の(🏛)ジープが砂漠の中を進み、オ(🤠)アシ(🏊)スの木蔭(yīn )に着いた時、マリーの(🚅)胸は(👚)銃弾で(👑)赤く(🧥)染まっていた。二(èr )郎は(🗾)マリ(😩)ー(😓)の死(🏮)体を抱いて果てしなく(🔝)続(xù(🐅) )く砂漠(💯)の中(🕘)を歩いて行った……。
虽然此片(piàn )故(🤢)事电(😭)影和电(diàn )视已拍过多次(cì ),但编(📞)导李(🛬)翰(hàn )祥(🐞)在清(👇)宫戏的(de )场面铺陈上别有(🚡)不同(🎤),而且情(💯)节上(😪)也有改动(dòng ),所以还是较(jiào )有可(🐣)观的(🕐)。如(rú )西太后反对维(wéi )新方面,改为(wé(🍑)i )遗老(😛)为保全(🚖)功(gō(🕙)ng )名和荣华富贵不(bú )惜长(🤭)跪不(💚)起(㊙),加重(👱)她的责任(rèn )感。光绪幽禁(🔦)(jìn )瀛(⛓)台的出(🦂)走之(🌉)(zhī )夜,西太后又(yòu )带皇后夜访光绪(xù(👡) ),并有(Ⓜ)意还政(zhèng )于光绪。这些(xiē )细节,使(🛃)西太(🐃)(tài )后更(🚔)有人(🍯)性的(de )真实感情。但(dàn )描写(🍈)六君(😴)子的戏(♐)时过(👧)于简略,是影片的一大(dà )失误。
製(📳)作=(🍆)東映(京都撮(cuō )影所)
Mytyl and her brother Tyltyl are peasant children who are led on a quest for the Blue Bird of Happiness by the Queen of Light, who gives them a hat with a magic diamond that allows them to call forth the souls of all things, both living and inanimate. On their journey, they are accompanied by the human personifications of a dog, a cat, water, sugar, bread, light, fire, and the like. They visit the kingdoms of the past and future and the queendoms of night and luxury, at each place absorbing more wisdom. Eventually they discover the blue bird they've been seeking has been in their own backyard all along.
维斯康(kāng )蒂(🎙)压卷(📎)之作,也(🏦)翻译(🏩)作《无(wú )辜的人》,直至(zhì )其(🥛)去世(🤞)后(📋)方才(♊)(cái )上映。影片依(yī )然是他(📘)最为(🤨)心(xīn )仪(👸)的贵(🥔)族没落(luò )主题,由意大(dà )利著名影星(🛁)吉安(📯)(ān )尼尼领衔,扮(bàn )演一位好色公(🥎)(gōng )爵(🎧),经常在(😺)外(wà(🕰)i )招蜂引蝶;不(bú )料后来(🥥)他得(✅)知(zhī )妻(🐠)子与(🔇)人有染并生下一子时,恼羞成怒(🔃),竟(jì(🙀)ng )然将孩子在寒(hán )风中冻死。最(zuì )为讽(🍁)刺的(🛸)是,他并(🍫)不恼(🔘)怒妻(qī )子与人私通,而是(👺)因为(⛹)她(📢)的情(🉑)(qíng )人并非贵族,而是贫苦(👧)作家(🎒)(jiā )!最后(🛤)公爵(😄)因(yīn )放不下面子而(ér )自杀。豪华的(de )美(💖)工设(🎚)计、还原(yuán )贵族生活的奢(shē )华(🆎)摆设(🕳)是维斯(🖇)(sī )康(🏧)提晚年创作(zuò )中不可或(🆕)缺的(👢)(de )一环,出(😁)生于(🛐)(yú )贵族世家而又对贵族腐朽陈(🍧)旧的(📷)生活方式进(jìn )行唾弃批判,想彻底革(🥁)新而(🧞)(ér )又无(🤟)法割(🐄)断世(shì )袭的高雅文化(huà(🌾) )格调(🈴),是(🤸)维斯(🦔)(sī )康提一生所困扰(rǎo )的(😡)话题(📡),也是(shì(🤨) )他电(⏲)影主要的(de )创作方向。
An Italian revenge- themed crime film. A young man tries to rob a jewellery store but gets caught and sent to prison. Inside he befriends a crime boss and they break out together. After this comes the first plot twist which I'm not going to reveal...All in all an entertaining crime flick for fans of European hardboiled cinema of the seventies. Includes a truly remarkable motorcycle chasing a lorry- scene which includes either real crash footage or the most convincing effects I've ever seen.