姜文新电影

本(bě(🤮)n )片又译(📨)作《党同(♓)伐异》，是D．W．格(gé )里菲思最具(🎸)(jù )创作(😔)野(🐃)心的(📟)(de )作品。由于受到《国家的诞(🦃)(dàn )生(📢)》惊(🕷)人卖(mà(🌛)i )座的影响，格里菲思遂(suí )再接(⛪)再励拍(🦏)(pāi )摄一(🙁)部场面(🐨)(miàn )更大(dà )，内容更有(yǒ(🎀)u )深(🍕)度的(🌑)影(🏝)片(piàn )。他花了一(yī )年半的时间(🤢)(jiān )，动用(🙉)了二百(🖱)万美元(🐊)的制作(zuò )费，拍摄成(ché(🧖)ng )片长220分(😒)的(😿)巨(jù(🙉) )片（原版长(zhǎng )480分）。可惜(⏬)(xī )本片(🐩)在1916年9月(😕)(yuè )于纽(🐓)(niǔ )约公映时，并没有受到(dào )预(🍒)期的欢(🛏)迎(👣)(yíng )。本(🐑)片所以(yǐ )卖座失败，原因(🤹)很多(🚹)，最(🗒)主要是(✌)格里菲(fēi )思在本片所(suǒ )采用(🎐)的故事(🧦)(shì )结构(🎪)太复杂(🌽)(zá )，导演手法(fǎ )已超越(🌭)当(🐘)时(shí(👉) )观(🎋)众(zhòng )的接受能力(lì )。加上主题(🌞)(tí )过于(💚)严肃，其(🐅)中提倡(👓)的(de )宽容和反对暴力的(🥖)论调跟(🍮)当(👊)时美(🐞)国(🚻)的高(gāo )昂参战情绪(xù(💼) )引起冲(🈳)突，因此(⭕)未能受(🌡)(shòu )到普遍欢迎(yíng )。不(bú )过，人们(🤛)却(què )不(🙂)能(🌦)否认(📿)这(zhè )是一部电影(yǐng )艺术(🈵)上的(⬅)不(🎽)(bú )朽杰(🔻)作。《忍无可忍》由四段不同时代(🍫)(dài )发生(🐍)的故事(🍗)(shì )组成(🕯)：巴比(bǐ )伦的没落、(🍙)耶(🍜)稣基(🥓)督(🌠)的(de )受难、法国(guó )的圣(shèng )巴托(🔙)罗米宗(🥕)(zōng )教大(♈)屠杀，以(🛤)及二十世(shì )纪初美国(🌥)的(de )劳资(🎌)冲突。格(🆑)氏(🥐)描述他自己的构想：“四个大(🗝)循环(huá(🧢)n )故事好(⏭)象四(sì )条河流，最(zuì )初是分散(✡)而(ér )平(🙈)静(jìng )地(🃏)流动着，最后却汇合(hé )成一条(⏭)强(🔀)大(dà )汹(💟)涌的急流(liú )"。本片一开(kāi )始，是(🙎)一个母(🕒)亲推摇(😉)篮的镜(✏)(jìng )头，插入惠(huì )特曼的(💢)诗句(jù(🔏) )：(Ⓜ)“如今如(rú )同昨日，世(shì )间的人(🕖)情变(bià(👋)n )化循(xú(♒)n )环无穷(🥠)。摇(yáo )篮摇动着，为人类(😏)带来(lá(☝)i )同样的(🚱)激(🐼)情(qíng )，同样的优乐悲欢。"这字幕(💀)之后，展(🧛)开(kāi )第(⏺)一个作为(wéi )全片基调的(de )现代(🔈)篇故事(😨)(shì )。随着(💁)剧情(qíng )的进(jìn )展，导演经(jīng )常(👌)切(💉)入另外(🥑)(wài )三段故事，成为四段平(píng )行(⏸)发展。最(🎼)(zuì )后，画(🍗)面仍回(🗂)到母亲和摇篮(lán )，呈现(🥖)出“人类(🔂)从(🚷)不容(róng )异已到宽容(róng )的进化(🔥)"的主(zhǔ(📵) )题。作为(🐮)故(gù )事(🙄)核(hé )心的现代篇(piān )“母(🎠)与法"，内(🍩)容描述(😪)四(🔈)(sì )个失业的男(nán )女工人从小(🔏)镇来到(🚌)都市中(✝)找工作，有人(rén )误入歧途，有人(🎶)渴望过(🔂)(guò )正常(📫)的家庭(tíng )生活。正派(pài )的男(ná(🌈)n )主(💧)角被诬(😙)陷(xiàn )为杀人凶手(shǒu )，被捕后判(🚏)(pàn )处死(🆑)刑。行(há(🈂)ng )刑之日(🎳)，真(zhēn )凶良心发现，在最(😺)危险的(🛬)一(🚻)(yī )刻将男主角(jiǎo )救了出来。从(💬)这个故(🕞)事(shì )中(📵)，可以看(🐒)(kàn )出二十世纪(jì )初期(🔥)(qī )美国(👼)的一般(📃)(bā(👅)n )社会状况：农村不安定(dìng )，都(🔼)市阴暗(📔)(àn )而复(💂)杂、劳工生活困苦、法律问(🏿)题重重(👍)(chóng )等。格(🦌)里菲(fēi )思在本片中(zhōng )进一步(🐬)表(🕙)演(yǎn )他(🏈)在“平行(háng )剪接(jiē )"方面的杰出(🏈)(chū )才能(💱)。他利(lì(✈) )用四段(🙎)故事(shì )中的类似情(qí(🔴)ng )景作比(🚙)较(🍝)剪(jiǎn )接，使分散的情节显得统(🤲)一(yī )有(🦇)力，并因(🚸)(yīn )类似(🐴)镜头的(de )多次重复而(é(🍾)r )使剧情(♑)产生(shē(📗)ng )出(⛵)热情奔放(fàng )的情(qíng )绪高潮。譬(🍠)(pì )如有(🥪)一段镜(🥅)(jìng )头是这样剪(jiǎn )接的：一、(👔)耶稣基(🙈)督被(bè(➿)i )士兵押着前进；二、巴比伦(🌩)(lú(⏩)n )的村女(🏰)向情(qíng )侣奔告国王(wáng )的危急(👺)；三(sā(🔑)n )、现代(🍳)的少(shǎ(🏭)o )女拚(pīn )命为救她的(de )爱(🔧)人而奔(🤤)走(🦀)(zǒu )；四、在巴(bā )黎大屠杀中(😋)(zhōng )，新教(🔹)徒企(qǐ(💴) )图在群(😒)众骚乱的街道上援救(😽)(jiù )未婚(🥈)妻。格(gé(🐊) )氏(🌠)利用移动(dòng )摄影、镜头(tóu )、(🏁)划过镜(🎋)头(tóu )等(📠)技巧连接(jiē )四段(duàn )平行发展(🐠)的(de )情节(♓)，节奏(zò(👯)u )紧凑流畅。格氏甚至在(zài )个别(🏄)的(👛)故事(shì(💔) )片段中使用短短的倒叙技巧(🤯)(qiǎo )（FLAXHBACK）(🕜)来交代(♊)(dài )情节(🦏)，显见(jiàn )他的“电影(yǐng )文(😂)法"的确(🤭)比(🐱)(bǐ )同时(shí )代的导演高(gāo )出很(🈯)多。除(chú(⏱) )此之外(🥑)，格(gé )氏(👮)在本片中(zhōng )亦首创“大(🍩)(dà )特写(♊)"和“大远(🔬)景(👜)"的镜头，以(yǐ )加强观众的(de )心理(👥)感觉（(✝)如：特(🕵)写女(nǚ )人紧握的手(shǒu )，表现她(🔣)在(zài )听(🕋)到(dào )丈(🍎)夫判死刑(xíng )的消息时的(de )焦急(🙍)；(🛄)以大(dà(🍖) )远景拍摄资(zī )本家独坐办(bà(🎼)n )公室中(🚣)，暗示他(💿)庞大的(💴)支配(pèi )权力）。他(tā )又(🕷)利用影(🤐)片(🤼)(piàn )染色的方法(fǎ )来加强各种(💤)(zhǒng )特殊(🆘)效果（(😻)如夜(yè(🌂) )景用染青色(sè )的影片(🦁)、点(diǎ(🔦)n )灯的房(❤)内(🗞)用(yòng )染黄色的影(yǐng )片、巴比(🔞)伦城火(🕊)烧时用(♉)染红(hóng )色的影片）。这种影片(⏹)(piàn )染色(📒)方法虽(🛃)(suī )非格氏首创(chuàng )，但却没有(yǒ(🍼)u )人(🛒)像(xiàng )他(🛹)这样在一(yī )部电影片中(zhōng )大(😮)胆的全(🏐)面(miàn )采(🍕)用。令人(🐠)(rén )惊异的是，这样一部(🦎)内容复(🆘)杂(👈)的大制作(zuò )竟然由始至(zhì )终(⏯)没有一(🙂)个(gè )完(⤴)整的剧(🌸)本(běn )，而只是靠(kào )格里(🌘)菲斯的(❌)临场(chǎ(⛄)ng )即(🚁)兴创作而(ér )成。此外，本片也没(🎴)有(yǒu )任(🚙)何布景(🚖)的(de )设计图，但格氏却能够命人(🥖)(rén )搭盖(🤮)出宏伟(💌)(wěi )得哧人的巴(bā )比伦布景。在(🐫)拍(🦕)摄巴比(✋)(bǐ )伦攻耶路撒(sā )冷的(de )场面时(💓)，更(gèng )在(🌵)一天之(🦅)内(nèi )同(🎋)时动用一(yī )万五千名(😗)临(lín )时(⤵)演(😼)员和二(èr )百五十辆战车。他这(🚦)种大手(➖)(shǒu )笔使(⏳)得当时(🛎)(shí )意大利出品(pǐn )的历(🐾)史巨片(🏜)(piàn )也瞠(👯)乎(👥)其后(hòu )，由此也可以看(kàn )出格(🥠)氏对自(🏁)(zì )己的(🌱)创作能(néng )力如何自信(xìn )。或许(💛)正如(rú(🎺) )格氏自(🎪)己的格言所说：“艺(yì )术经常(🏛)都(✍)是(shì )革(🚞)命性的、爆炸性的，以及轰轰(🦖)烈(liè )烈(🎉)的"。看《忍(🤣)无(wú )可(❤)忍》一片(piàn )幕前幕后的(👺)(de )表现，可(😘)知(🍌)(zhī )格里菲思的(de )确是一个身(shē(😌)n )体力行(🖨)的艺术(😞)家。 I saw this at the London Film Festival in 1995 or 1996. The print had been lovingly restored from sections scattered around the world, including some from archives in Moscow. Somebody near me said "I'm really looking forward to this", which was understandable, since the director, as Michael Curtiz, later made some jolly swashbucklers and Casablanca, and the LFF had previously come up with several almost unknown silent masterpieces, including Jacques Feyder's Visage d'enfants. 这是(🍱)一个(gè )根据一个古(gǔ(💼) )老的德(😿)国传(chuá(🐝)n )说(🍻)改编的故(gù )事。很久以(yǐ )前有(🌫)一个英(📐)雄，他叫(💛)西格弗(fú )里德。因为(wéi )龙血沐(🍬)浴，他浑(🥅)身刀枪(🔁)(qiāng )不入，力大无比。有一天，他邂(🖼)逅(🖕)了美(mě(📗)i )丽的公主西(xī )里姆希尔德(dé(🎯) )而坠入(🤩)了情(qí(🐶)ng )网，决心(🕰)去(qù )城堡(bǎo )里找她，他(😕)(tā )这一(🏄)路(🌕)经历(lì )了很多，遇(yù )到了好人(💿)还(hái )有(🏻)坏人...... Romantic drama of manners. Lina, graceful schoolgirl, argues against the will of his father, Don Bernardo, a romance with Alvaro, a young bohemian who squanders his fortune. They decide to escape from parental supervision, but in the train station a beggar hurt Lina warns about the serious error being committed. He bandages the wound with a tissue in which are inscribed his initials and she gratefully gives him her jewels and in turn tells her boyfriend's decision not to pursue this adventure. The beggar is assaulted and murdered. His body appears with the handkerchief Alvaro, who is accused of the crime. Although he is innocent silent to protect Lina and this, above his honor, confesses the truth. Alvaro, and innocent, is gold and ends happily married to Lina. A miner has struck it rich and gives some ore to cowhand Jess Dean to take to his granddaughter. But Horse Williams has the miner shot and uses the ore found on Jess to accuse him of the murder. Jess escapes from the mob of townspeople who later learn that the body of the supposedly dead miner has mysteriously disappeared. The engineer Georg de la Croix ( Herr Alfred Abel ) suffers a nervous breakdown due to the continuous unfaithfulness of his lover, Dame Sappho ( Dame Pola Negri ). Georg ends up in a lunatic asylum. His brother, Richard ( Herr Johannes Riemann ) wants to avenge him but instead falls in love with the beautiful Dame Sappho. When Herr Richard finds out from a previous lover of Dame Sappho that she was the cause of his brother's insanity, Richard decides to put an end to his affair with her by marrying someone else but he still must see Dame Sappho, even minutes after the wedding. 讲(😀)述(shù )商(🎇)人吉姆面临经济危机，幸(xìng )好(🗝)去世的(🖇)祖(🅰)(zǔ )父留下巨额(é )财产给他，但(⛳)条件是(👘)他(tā )必(🦔)须在27岁生日晚(wǎn )上七点前结(🎎)(jié )婚，结(🦔)果引(yǐ(🛋)n )来全城妇女(nǚ )的求婚，当(dāng )然(💔)，最(🗑)后还是(🧦)有情人终成眷(juàn )属。 在上世(shì(👏) )纪初的(〽)德国(guó(♓) )，一个精(🚡)通(tōng )心理学的犯(fàn )罪(🙆)天才马(🚘)布(🌫)(bù )斯博(bó )士，利用各(gè )种伎俩(🥄)，包(bāo )括(🕠)催眠，易(🤳)(yì )容，赌(🎿)博等(děng )，把他的受(shòu )害人完全(🚋)操纵于(🏊)股(🥤)掌之中。他自称能够(gòu )医治战(🐢)后人(ré(📃)n )们的精(🐼)神创(chuàng )伤；他欺骗(piàn )了舞蹈(🤽)演员卡(🔠)罗(luó )扎(⛹)，又从百(bǎi )万富翁的儿(ér )子胡(🤸)尔(🍞)手中(zhō(🕡)ng )靠赌博赢得(dé )了五万马克。警(🐆)方有人(🖨)开始(shǐ(⚓) )调查…(🐂)… Mary Tudor, sister of England's Henry VIII, causes a stir by falling in love with a guardsman below her class. 动(dòng )画名家北山(shā(❤)n )清太郎(⤴)的(💕)早(zǎo )期作品，与(yǔ )1918年2月15日放映(🔒)(yìng )。