免费成人网

Great Italian pulp movie, a classic for the genre! "Roma l'altra faccia della violenza(trad.:The other side of violence)" is a police movie where violence, theft and rape are caught in a mixture of raving unconsciousness and pure havoc. With a great appearance by Franco Citti, this film stands up for one of the best Italian pulp movie ever made. Quite similar to "Roma Violenta" and "Milano Violenta" with Maurizio Merli yet not the same cup of tea. It deserves more rudeness, rawness and pathos for the audience... This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. Two former ranking figures of the Axis powers schedule a deadly martial arts tournament in an isolated locale. The two rivals then race to assemble the top competitors from around the world, with Steve Hunt being the most sought after fighter. While Philipe waits for Johan to come out of jail he starts recreating several moments of their relationship with the help of several friends during the summer of 1975. 这(😿)部跟(gēn )风(fēng )恶(🕚)搞经典怪兽电(📪)(diàn )影#金刚(gāng )# （(🤛)King Kong）的英国喜剧(📽)B级(jí )片，可(kě )能是史上最烂的(de )电(diàn )影之(zhī )一。剧(🥪)情和(hé )金刚如(🎎)(rú )出一辙，只不(🔊)过(guò )性(xìng )别发(🏞)生了颠倒，一只(✨)母(mǔ )猩猩爱上一枚帅男(nán )……值(zhí )得一提的(⌛)是，此(cǐ )片(piàn )在(🔪)日本引发了一(🖌)(yī )小股的(de )cult风潮(😢)。 剧情主要(yào )发(🚏)(fā )生在一列从美国西海岸(àn )开(🚅)到芝(zhī )加哥火(🐚)车上(shàng )，年轻(qī(🍭)ng )出版商乔治克(🗞)威(wēi )与(yǔ )艺术(🕢)品鉴赏家薜(bì )礼纳的(de )秘书一见如故，两(liǎng )人正(🥀)在(zài )温存之际(🎂)，车窗(chuāng )外(wài )却(🍱)抛(pāo )下薜礼纳(🍛)的(de )尸体，乔治因(👊)而卷入凶(xiōng )徒(tú )的追杀之中。而潜伏在(zài )火车(🤷)上的联邦密探(🧞)(tàn )史威知(zhī )道(🔴)薜教授被杀的(🛵)(de )真(zhēn )相，亦遭势(🏿)力庞(páng )大的罗(luó )杰杀害。雪球越(🤘)(yuè )滚(gǔn )越大，最(🌂)后失控的火车(🛄)(chē )头(tóu )竟然(rá(🈚)n )撞进火车站(zhà(🍘)n )之中。导演阿瑟·希勒(lè )拍(pāi )出了紧凑俐落的(🚖)气氛，高潮一波(🙈)未平一波(bō )又(🛏)起，压轴的火车(👏)大灾(zāi )难(nán )在(📵)二十年前更是(shì )令人看(kàn )得目定口呆的精(jī(💣)ng )彩(cǎi )特技场面(💥)。 Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle – some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society. 少林哑徒(tú(💡) )弟（成龙 饰）(⛺)为了(le )报杀父(fù(🏞) )之仇而学武，从(cóng )挑(tiāo )水砍柴做(🦇)起，苦(kǔ )熬内功(😗)(gōng )基础，打出木(🍆)人巷(xiàng )学成武(✉)功的情形时时(👔)出(chū )现(xiàn )在他(tā )的梦中，父(fù )亲被害(hài )的惨状(😴)和客居少(shǎo )林(🧗)(lín )的五枚师太(🏢)的开解令他(tā(🔁) )在疲乏时咬紧(🔐)牙关(guān )坚持。哑徒弟在少林禁(jìn )地(dì )发现了被(🌕)锁住的(de )老怪人(🍦)(rén )法愚，法愚不(👸)似(sì )少(shǎo )林僧(🌷)人，但有感于哑(🧓)徒(tú )弟的照顾，法愚指(zhǐ )点尚不(💡)(bú )具备学习少(🕴)林武(wǔ )术(shù )资(🦀)格的哑徒弟武(🔨)(wǔ )功，期(qī )间哑(😮)徒弟师兄闯入(rù )木人巷却实力不济铩羽(yǔ )而(🤒)(ér )归。五枚师太(🎱)见(jiàn )独自温(wē(🍋)n )习武功的哑徒(🍍)弟(dì )出(chū )招狠(📺)辣，随传授蛇翼八(bā )步调理其心性，经(jīng )法愚调(🏜)(diào )教，哑徒弟成(🐰)功(gōng )打(dǎ )出木(🌸)人巷，得以(yǐ )学(🔻)成下(xià )山，法愚(🌀)令其携(xié )带(dài )信物联络江湖帮(⛎)派，引(yǐn )发江湖(😶)搏杀，而哑(yǎ )徒(🏭)弟又(yòu )发现了(🏒)法愚的真(zhēn )实(🤮)(shí )身份…… 年届不(bú )惑的老(lǎo )盖（野峰 饰）(👻)一生(shēng )辛劳贫(🤒)苦，为了赚钱养(⬛)(yǎng )家(jiā )辛苦(kǔ(🔺) )受累，做着(zhe )各种(🤧)下(xià )贱工作，几十年(nián )来(lái )却一事无成。大女儿(🎅)小(xiǎo )红（葛荻(🙄)华 饰）嫁(jià )给(💲)海员(yuán )，并育有(👮)一子，但(dàn )不久(🕑)丈夫因海难(nán )而死，成为寡妇；(👪)次女(nǚ )小(xiǎo )艳(🥈)（陈萍 饰）与(🔯)一富家(jiā )子弟(♊)拍拖，结果被(bè(🍳)i )人搞大(dà )肚子后甩掉，无(wú )奈(nài )只得带着襁褓(🌖)中(zhōng )的宝贝(bè(🔻)i )回家；小女儿(🥍)小芬(fēn )（林珍(🗜)奇 饰）因家境(⛴)贫(pín )苦(kǔ )，早(zǎo )早失学。苦(kǔ )于生计(jì )，老盖向放(🥉)高利(lì )贷(dài )的(🔮)龙姐，却无力偿(📖)还。在龙姐的逼(📀)迫下，老盖开(kā(⬜)i )设一家娼馆，三(sān )个(gè )女儿也被(🍦)迫出卖(mài )肉体(⚪)替(tì )父还账。珍(🤛)爱的(de )女(nǚ )儿们(🖲)在自己眼皮底(🖲)下卖(mài )身，个中酸楚惟有(yǒu )老盖一(yī )人得知。