铁梨花剧情

吉尔(⚫)•切(qiē )恩(🕰)（卡梅丽(lì )塔•杰拉(🌛)蒂饰(🥥)）是来(lái )应征天堂花(😢)(huā )园剧院(😽)的舞蹈演员(💅)，她和歌舞(🗝)女(nǚ )郎帕齐•布拉德(🧡)（弗(🌱)(fú )吉尼亚•瓦(wǎ )利饰(🌲)）成为了(🛸)(le )好朋友(yǒu )。后(🐶)者说服(fú(🤼) )剧院经理（格(gé )奥尔(💎)格(gé(🤧) )•施内尔(🈴)饰(shì )）给吉(🌪)尔一个(gè(🌘) )机会，吉尔(ě(⬇)r )凭借自(zì(🌼) )己的(🌭)勇气和才(cái )华被(🔖)录(lù(🌱) )取了(le )，并成(📄)(chéng )为了一位(🍕)年长(zhǎng )的(🚢)俄国(guó )王子(zǐ )（卡尔(🥀)•法(⚫)尔肯贝格(gé )）的女友(📏)。吉尔的未(⚡)婚夫休•菲(💪)(fēi )尔丁（(🏼)约翰(hàn )•斯图尔特饰(🎸)）和(🕝)朋(péng )友莱维特（迈尔(🏚)斯•曼德(🐍)饰）来(lái )到(⏩)剧院，然(rá(🧡)n )后休去远东淘(táo )金。帕(🌼)(pà )奇(⬇)被莱维特(🔹)(tè )迷住想和(🥒)他结(jié )婚(🏯)，但(dàn )莱维特(🍨)抛弃(qì )她(🔪)去找(🏯)休。帕(pà )奇虽然(rán )难过(🥡)，但得(dé )知(🧝)莱维特生病(🍛)(bìng )的消息(🛌)(xī )还是(shì )马上跑(pǎo )去(🤴)照顾(㊙)他，发(fā )觉他和(hé )当地(🥌)(dì )一个女(😤)孩（妮塔•(🤭)纳(nà )尔逊(😐)饰）住(zhù )在一起。莱维(🥑)特将(🎆)女(nǚ )孩赶(🔀)走要求(qiú )帕(🦕)奇留下，但(🤡)帕奇拒(jù )绝(🏒)了莱维特(📑)(tè )的无理要求，她转而(🦀)(ér )照(🍩)顾也在当(🕦)(dāng )地生病的(🌩)休•菲尔(😃)丁(dīng )。莱维特(🤗)淹(yān )死了(🔅)当地(🦅)女孩(hái )，在幻(huàn )觉中以(🙇)为看(kàn )到(✡)了鬼魂，当(dā(😿)ng )他用剑(jià(🍾)n )攻击帕奇的(de )时候，为他(🛎)们(men )治(🎌)病的(de )英国(guó )医生及(jí(🤹) )时用枪打(🔟)死了(le )莱维特(⛓)(tè )。帕(pà )奇(🕞)和休一起回到了伦(lú(🍆)n )敦。 香(🕐)(xiāng )港电(dià(😉)n )影圈正逢盗(♑)版猖獗，落(👔)魄导演陈(ché(🥖)n )果新（曾(🐗)志伟饰）、监制徐屈(🍗)（陈(🕕)百祥饰）(👸)、编剧谷(gǔ(💛) )一昭（张(💍)锦(jǐn )程饰）(👴)、男演(yǎ(⛓)n )员周(🚐)松(sōng )弛（罗嘉良(liáng )饰(🔘)）、女演(🐲)员(yuán )朱淇（(😎)关秀媚饰(🕷)）决心要拍一部(bù )高(⏸)水准(🌚)(zhǔn )的作品来打(dǎ )击盗(🏣)版。可惜(xī(🍂) )横在几(jǐ )人(🛴)面(miàn )前的(🧒)就(jiù )是钱这座大山(shā(🍾)n )。于是(🗯)(shì )四个(gè(🍡) )男人只有去(💕)找鸭店老(😧)(lǎo )板（雷(lé(🚋)i )宇扬(yáng )饰(👯)）学习做鸭的技巧(qiǎ(🏎)o )去哄(🏍)骗大腕(wà(🍝)n )金姐（罗兰(🤰)饰）的腰(💀)(yāo )包...... 一场火车(chē )对撞(🐓)的惨(🤱)剧夺去131名乘(chéng )客的性(🔼)命，大卫•(♒)杜恩（Bruce Willis 布鲁(🙍)斯(sī )•威(😪)利斯 饰(shì )）奇迹般地(🍞)成(ché(❤)ng )为这场(chǎng )灾难过后的(🏚)(de )唯一幸存(🚬)者，且浑身(shē(💃)n )上下毫发(🔬)无(wú )伤。在他参加(jiā )遇(📗)难者(🐼)(zhě )追悼(dà(👋)o )会之后(hòu )，他(♐)在车窗上(🦔)(shàng )发现一(yī(🏔) )张神(shén )秘(🍓)便条，写道：“你(nǐ )这一(🌹)生(shē(😿)ng )生过(guò )几(⏯)次病？” (novel "A Manchester Marriage") The engineer Georg de la Croix ( Herr Alfred Abel ) suffers a nervous breakdown due to the continuous unfaithfulness of his lover, Dame Sappho ( Dame Pola Negri ). Georg ends up in a lunatic asylum. His brother, Richard ( Herr Johannes Riemann ) wants to avenge him but instead falls in love with the beautiful Dame Sappho. When Herr Richard finds out from a previous lover of Dame Sappho that she was the cause of his brother's insanity, Richard decides to put an end to his affair with her by marrying someone else but he still must see Dame Sappho, even minutes after the wedding. IMDB Plot An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I. This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see.