富(😊)(fù )翁杨寿(shòu )昌晚年(niá(🥙)n )丧子。为(❣)占家(🔞)(jiā )产，侄(zhí )子道培(🍮)(péi )与(⭐)陆守(shǒu )敬狼(🍡)狈(bè(😱)i )为奸，诬告儿(ér )媳余蔚(wèi )如不(🍖)贞(zhē(🚣)n )，致使蔚如扫(🏍)地出(🤦)门。数月后，蔚如生下一(🎣)子，取名(🦇)余璞(💧)。余璞(pú )十岁，就读(🕘)寿(shò(♐)u )昌所建(jiàn )学(xué )校(🍿)。寿(shòu )昌亦居(jū )住于此(cǐ )。祖孙(🐕)(sūn )互(🖇)不相识，然余(🕑)璞彬(🐰)彬有礼，胆识过人，颇得(🔊)寿昌喜(🍷)爱。余(🎮)璞亦(yì )常到其(qí(💸) )居处玩(wán )耍。一(yī )日，道(💋)(dào )培守(🥉)敬(jì(❎)ng )到寿昌(chāng )处要钱(🐕)(qián )，遭(🐸)斥(chì )责后，意(🔛)欲行(🚗)(háng )凶，恰(qià )好余璞(pú )来到。守敬(🎢)被(bè(🏪)i )捕。道(dào )培重(🐜)伤，余(🥢)璞亦受伤。道培临终悔(🐀)悟，说出(👠)实情(👚)。一家人终得团(tuá(🔂)n )聚。
一(🐝)(yī )场意外(wài )让宾(🏋)虚(xū )（拉蒙·诺瓦罗(luó ) Ramon Novarro 饰）(🗄)沦(lú(😙)n )为了可(kě )以(🆚)被随(🎋)意买卖的奴隶，他被卖(🤓)到了一(🤫)艘兵(🈲)舰上，成为了一(yī(⛽) )名水手(shǒu )。某日(rì )，兵舰(👳)(jiàn )遭遇(⚾)海(hǎi )盗的袭(xí )击，就(jiù(🎻) )在这(😓)生(shēng )死存亡(🏋)(wáng )的(🐧)紧要(yào )关头，身强体(tǐ )壮的宾(🧟)(bīn )虚(🔑)成功(gōng )挽救(🏗)了(le )兵(🥗)舰司(sī )令官的性命，司(🤭)令官感(🌨)谢宾(🎗)虚的救命之恩，不(🏌)仅赋(🌌)予了他自由，还将(🚞)其(qí )收为养(yǎng )子。
Drama of a young Chinaman in San Francisco's Chinatown who refuses to kill the father of the girl he loves, and escapes with the girl from the clutches of the villain, who is chief of a powerful Chinese secret society.
安(ān )·雪莉(👄)是(shì(🍡) )一個紅(hóng )髮(⏰)的少(🍴)(shǎo )女，她(tā )是一個(gè )孤(🗿)兒。故事(🎷)的開(🍭)始是說島上一對(🐎)兄妹要領養一個男孩(🔁)來幫(bā(🖍)ng )忙農務(wù )，但領(lǐng )養中(⏬)心(xī(🏃)n )卻誤送(sòng )了(😽)一個(🕚)(gè )女孩給(gěi )他們，但這個(gè )女(🍲)孩最(🍈)(zuì )後還是(shì(🚿) )住了(🐧)下(xià )來，這(zhè )對單身(shē(🛏)n )的兄妹(🚇)(mèi )分(🐵)別叫(jiào )作馬修·(🥜)卡斯(🕉)巴德和瑪莉(🈴)拉，他(🏓)們住在愛德華王子島的艾凡(🤓)里鎮(👝)(zhèn )上。安(ān )有(💸)著豐(🌙)(fēng )富的想(xiǎng )像力且能(👹)(néng )言善(📚)道(dà(🔗)o )，更有(yǒu )著創作(zuò(🕔) )的天份……。
香港电影(🗜)圈正逢(🔆)盗版猖獗，落魄导演陈(㊙)果新(⚾)（曾志(zhì )伟(🎃)饰）(🛬)、监制(zhì )徐屈（陈百祥(xiáng )饰(👬)）、(🛃)编剧谷(gǔ )一(👈)昭（(⚾)张锦程(chéng )饰）、男演(🐯)员(yuán )周(🐀)松弛(🧢)(chí )（罗嘉(jiā )良饰(🏆)）、(🕚)女演(yǎn )员朱(🔔)淇(qí(🈹) )（关秀媚饰）决心要拍一部(➰)高水(🤲)准的作品来(📵)打击(🗑)盗版。可惜横在(zài )几人(🥗)面(miàn )前(🔆)的就(🐙)(jiù )是钱这(zhè )座大(🕎)山。于是四(sì )个男人(ré(♌)n )只有去(🍎)(qù )找鸭店老板（雷宇(🐼)扬饰(👌)）学习做鸭(💴)的技(🔁)巧去哄骗大腕金姐（罗兰(lá(🤘)n )饰）(🐞)的(de )腰包......
Vladimir’s dealings are rather obscure, he is in constant need of money.
This epic was the last in a series of silent sword ‘(🚱)n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it.
Sylvester, by the hugely underrated Lupu Pick is one of the least known films of the silent era, and unjustly so. Pick, the director of the slightly less obscure Scherben (Shattered), is almost as forgotten as this, his masterpiece... a film that without doubt, in it's time, was one of the most important of the German silent era.