AA free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—(🛷)the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
A所(🔀)以我不在乎(🚖)你的过去(🧢),只在乎你(🐩)的未来。
A没有亲身体验(🌑)过的,很(🚭)难谈什(🗽)么感同(🎏)身受。所(🎭)以,一想到失独这个词都要流泪的我(😽),也很难(🌭)真正明(🤭)白失独(🏴)父母的(🛩)崩溃与绝望。但,这并不影响我(🧠)试着去(🐊)揣测、(🕙)揣摩他(🍳)们的心(🍾)理,试着融入剧中,体验与他们(🏵)的并情(🤚)。演员表(🌖)演的张(💝)力很足(💍),情感到位,无可挑剔。但剧本稍(🐥)弱,还有(🛤)改进的(👉)空间,看(🐺)一眼就(🏎)知道下面什么故事的套路式(🔍)情节太(🍐)多。当然(🤚),瑕不掩(🐣)瑜,仍不(👥)失为一部好剧。